After 1667 (29 results)

Original Radierung aus dem 19. Jh. -- Blatt-Maße: ca. 35 x 26 cm. Platte: ca. 19 x 16 cm. -- gut erhalten. || Original etched portrait from the 19th century. -- n good condition. || -- This is an original! No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Original Kupferstich-Portrait aus dem 17. Jahrhundert. -- Blattmasse: ca. 28 x 18,5 cm. Plattenmasse: ca. 20,5 x 14,5 cm. -- gut erhalten. || Original copper engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Original Kupferstich-Portrait aus dem 17. Jahrhundert. -- Plattenformat: ca.31x18 cm. -- mit hinterlegtem Randeinriss - sonst gut erhalten. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 28 x 20,5 cm. Bild-Maße: ca. 27 x 19 cm. -- knapp beschnitten, mit kleinen Randläsuren und kleinen Randeinrissen - sonst gut erhalten. || Original copper engraved portrait from the 17th century. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 1550.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 30,5 x 22 cm. Bild-Maße: ca. 27 x 19 cm. -- gut erhalten. || Original copper engraved portrait from the 17th century. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1550.

Blatt-Maße: ca. 38 x 28 cm. Platte: ca. 27 x 17 cm. -- Schönes, großes Kupferstich-Portrait von 1748. -- gut erhalten. || Beautiful, large engraved portrait from 1748. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 20.

Condition: Good. Steel engraving. 234 x 183 mm. (sheet). Very Good, some soiling in the margins.Provenance: From the collection of the Late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

Copper-engraved map, with full original colour and gold embellishment, in excellent condition. A stunning map of Normandy by Alexis Jaillot, an exceptional example with gilt embellishments. One of the most important figures in French cartography, Nicolas Sanson initiated the great school of French geographers. Born in Abbeville in 1600, Sanson established his first printing house in Paris in 1638. He soon became geographer to the king, establishing himself as one of the most influential cartographers on the Continent. He was succeeded by his sons, Adrien and Guillaume, and by his son-in-law Pierre Duval, who continued to publish a wealth of maps using Sanson's name. At the close of the seventeenth century, Sanson's plates were purchased by the influential cartographer Alexis Hubert Jaillot, who continued to publish his maps and atlases under Sanson's title. This stunning map of Normandy is based on Sanson's map published in 1650, but was redrawn and enlarged by Jaillot. It shows the provinces of Normandy as well as the northern tip of Brittany and part of the English Channel. Both Jersey and Guernsey are included as is Mont St. Michel off the coast of St. Malo. In keeping with all of Sanson's and Jaillot's superb maps, forests, rivers, and towns are meticulously identified and named. The map includes an ornate cartouche in the upper section as well as a scale and key. Tooley, Maps & Map-Makers, pp. 40-41.

Großformatige handkolorierte originalKupferstich-Kartevon ca. 1770. -- Blattmasse: ca. 55 x 75 cm. -- gut erhalten. || Large handcolored engraved map from c. 1770. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Großformatige handkolorierte originalKupferstich-Kartevon 1745. -- Blattmasse: ca. 52 x 72 cm. -- am oberen Rand teils etwas wasserfleckig, sonst gut erhalten. || Large handcolored engraved map from 1745. - with some staining on the upper margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Condition: Good. Mezzotint. 25.5 x 17.6 cm. Lettered in black ink, lower left: NVHaeften, pinxit lower left .; lower right: J. Sarrabat fecit et excudit. Rare. Tear and small loss at the lower ring of the chain.

Condition: Good. Mezzotint.19.1 x 14.5 cm. Lettered in black ink, lower left: Herluyson; center.; lower right: J. Sarrabat fecit et excudit. Rare.

Condition: Good. Mezzotint. 25.5 x 19.6 cm. Lettered in black ink, lower left: NVHaeften, pinxit lower center.; lower right: J. Sarrabat fecit et excudit. Rare.

Bust portrait of Carolus Niellius seated by a table with his right hand turning the pages of a book on the table itself. In lettered oval frame: 'DN CAROLUS NIELLIUS IS GEBOOREN.' Six lines of Dutch text on cartouche below: 'Dus Stond NIËLL. kraaght con stillen / P. Niellius Excud. / V. Ryp'. Signed below the oval frame: 'T. Keyser pinxit / Crisp. de pas incid'. l Engraving on paper; trimmed within plate mark, pasted on cardboard; total: 304 x 200 mm; Hollstein 94, Franken/Passe 771.

Portrait of Hendrik de Keyser (1565-1621), one of the most important Dutch sculptor of his day. Bust to right; in lettered oval within cartouche; four lines with Dutch verses by Vondel printed separately below impression. Signed on the bottom left: 'TDKeyser delineavit 1621'(TDK monogrammed), on the right: 'I. Suyderhoff F.' On the oval frame around the portrait: 'HENDRICK DE KEYSER, BEELDT EN STEENHOUWER DES STADT AMSTERDAM'; on the cartouche below the portrait: 'Gheboren 1565 dem 15 May / Ghestorven 1621 / den 15 May.' Inscribed below with another plate: "Hier leeft, die, leven gaf aen marmer, aen metael / yvoor albast en klay dies laet zich, Uytrecht hooren / is Roome op Kaysers prat en keyserliche prael, / de kayser van de kunst uyt myn schoot ghebooren / I.V. Vondelen". l Engraving on laid paper, broad margins; two plates; plate I (with the portrait): 204 x 158 mm, plate II (text): 35 x 159 mm; total: 339 x 252 mm; state II/2; Hollstein 91.

A young woman in an interior, engaged in some needle-work (borduurwerk), gazes at the bird on the right, standing atop its opened cage. Addressed on bottom: 'G. Metsu P. / Greenwoud F. // t'Amsterdam by P. Fouquet, Junior'. Mezzotint on paper, with margins; plate mark: 358 x 267 mm, total: 385 x 285 mm; state II/2, Wurzbach 18. Small stains on the top margin and fold in the middle, probably due to pinching of paper in the printing process; refined impression.

Portrait of the French-born artist Bernard Picart in an oval frame, bust directed to right and looking to left, with long curled wig, in oval frame with draped curtain; in the foreground are some allegorical figures alluding to Picard's death, with on the right the grieving History, and on the left a grieving putto and another handing him a laurel wreath; books and artist's tools scattered in foreground; used as frontispiece to Picart's "Impostures Innocentes" published in Amsterdam in 1734. In brown ink on the bottom margin: " 1733."Lettered in lower margin with production details, title and four lines of French: "M. des Angles Effigiem pinxit 1732" and "Jacobus van der Schley inv. & sculp. 1734" and "Bernard Picart / le Romain / Dessinateur et Graveur, / Né à Paris le 11 Juin 1673. Mort à Amsterdam le 8 Mai 1733" and "L'Histoire tenant négligeamment un Livre . / . si légitimement acquise". Engraving on paper with broad margins; plate mark: 308 x 189 mm, total: 448 x 322 mm; state III/3, foxing on the right external margin, some smudges at the bottom, though not affecting the plate.

The fireworks lit for celebrating the end of the Thirty Years War in Nuremberg in 1650.Titled above: "Abriß deß Feuerwercks Schlosses: und BARRAQUEN,/ worinen daß Fried und freudenmahl gehalten worde vor Nunberg auff sc. Joh. Schußplatz. Ao. 1650." At bottom, letters A through I below image explaining the lettering in the picture: 'A. Die Haupt Barraque/ B.Trompeter und Heerpaucker Standte./ C. Ihr Fürst l: Durch I: Herrn Generalissimo welcher/ Das Feuerwerck zu Erst angezündent [.] I. Schüeshaus(?) zu St. ioA.' Etching on paper with margins; plate mark: 265 x 376 mm, total: 347 x 417 mm; a damp stain at top right corner, two vertical folding creases, bottom left corner with fold, not affecting the plate. Slightly yellowing margins, otherwise in great condition.

A man under a tent is selling snacks. Other men conversing on the right.One line of text in Latin below: 'Offe venduntur. garrula turba dapes'.On verso collector's mark: Pim van Eekelen (Amsterdam 1923-1984), L.5101.According to catalogue notes, formerly in the collection G. van Tienhoven, Aerdenhout, sold in P. Brandt, June 1968.[NL] Verkopers van hapjes; Italiaanse handwerkslieden en verkopers (serietitel). Een man en een vrouw verkopen vanuit hun kraam eten (pannenkoeken?) aan klanten. Een andere verkoper biedt zijn waar aan in een mand die om zijn nek hangt. In de marge een onderschrift in het Latijn. Etching on paper, trimmed close to plate; total: 92 x 128 mm, state I/2, in very good condition. Hollstein 53; rare.

A young man selling beverages, these being kept in a barrel carried by horses. From a set of prints representing various trades.One line of text in Latin below: 'Et libat libatque. detegit ille dolos'.On verso collector's mark: Pim van Eekelen (Amsterdam 1923-1984), L.5101.According to catalogue notes, formerly in the collection G. van Tienhoven, Aerdemhout, sold in P. Brandt, June 1968.[NL] Wijnhandelaren bij een ezel; Italiaanse handwerkslieden en verkopers (serietitel). Een man tapt wijn uit een vat dat op de rug van een ezel gebonden is. Een andere man nipt reeds uit zijn glas. In de marge een onderschrift in het Latijn. Etching on paper, trimmed close to plate; total: 91 x 130 mm, state I/2, in very good condition. Hollstein 52; rare.

Plate from the Signorum Veterum Icones, a collection of plates etched by de Bisschop after drawing by different masters. De Bisschop's purpose with these books of etchings had been to provide examples by a variety of different masters, in order to help artists learn from models that possessed both artistry and beauty. In the present etching is seen a standing Dyonisus. Signed on the bottom left: 'Poel. d.'and on the right:'JB. f.' [JB monogrammed]. Plate numbered on the top right:'60' Etching on paper with margins in passepartout; plate: 233 x 105 mm. Jellema/Plomp p. 47-48 PLIT012.

Portrait of Hendrik de Keyser (1565-1621), one of the most important Dutch sculptor of his day. Bust to right; in lettered oval within cartouche; four lines with Dutch verses by Vondel printed separately below impression.Signed on the bottom left: 'TDKeyser delineavit 1621'(TDK monogrammed), on he right: 'I. Suyderhoff F.' On the oval frame around the portrait:'HENDRICK DE KEYSER, BEELDT EN STEENHOUWER DES STADT AMSTERDAM'; on the cartouche below the portrait: 'Gheboren 1565 dem 15 May / Ghestorven 1621 / den 15 May.'Inscribed below with another plate: "Hier leeft, die, leven gaf aen marmer, aen metael / yvoor albast en klay dies laet zich, Uytrecht hooren / is Roome op Kaysers prat en keyserliche prael, / de kayser van de kunst uyt myn schoot ghebooren / I.V. Vondelen." Engraving on laid paper, trimmed on platemark pasted on thicker paper; total: 253 x 178 mm. Some dirt on the lower left corner. Hollstein 91, Muller 2392-a.

No Binding. Condition: Good. Portrait of Martin Luther. Born 10 November 1483 in Eisleben, Germany. Died 18 February 1546 in Eisleben, Germany. Copper engraving by Peter Troschel (c. 1620 - after 1667), after Heinrich Ziegler (fl. 1499-1556), c. 1660. Good condition. Paper slightly browned. Some creasing in the upper margin. Verso: blank, with traces of former mounting. Dimensions: 317 x 190 mm. Martin Luther was Reformer, Priest, Protestant Reformation, German professor, Composer, Monk, and Church reformer. c. 1660. Print.

No Binding. Condition: Fair. Portrait of Kaspar Klock. Born 28 February 1583 in Soest, Germany. Died 15 January 1655 in Braunschweig, Germany. Copper engraving by Peter Troschel (c. 1620 - after 1667), c. 1650. Reasonable condition. Margins lacking. A few small tears affecting the image. Some minor, faint spotting (=mainly visible on verso). Verso: blank. Dimensions: 278 x 164 mm. Kaspar Klock was Jurist, Statesman, Cameralist, Regarded as the founder of German tax theory, "Caspar Klock", and Chancellor of Stolberg. c. 1650. Print.

No binding. Condition: Very Good. a drawing by I.B. Nattier after Peter Paul Rubens (illustrator). 'L' Accouchement de la Reine.'Original etching/engraving on hand laid paper. Sheet size: 45,8 x 61,8 cm. (18 x 24,3 inch). Image size: 34 x 50 cm. (13,4 x 19,7 inch).From: 'La Gallerie de Palais du Luxembourg ', published by Duchange in Paris 1710. This is the large series of engraving by Nattier after the famous series of paintings by Rubens, currently held in the Louvre, depicting the Marriage of Maria de' Medici with Henri IV. Reknown engravers contributed to this work which consists of a Title page, Advertisement page, an engraved portrait of Rubens and 24 large plates.Made by 'Benoit Audran I, the elder (1661-1721) was a French designer, etcher and engraver from Lyon. He was the brother of Jean Audran (1667-1756). He was taught the rudiments of engraving by his father (Germain Audran), and was later placed under the care of his' after 'a drawing by I.B. Nattier after Peter Paul Rubens'. Benoit Audran I, the elder (1661-1721) was a French designer, etcher and engraver from Lyon. He was the brother of Jean Audran (1667-1756). He was taught the rudiments of engraving by his father (Germain Audran), and was later placed under the care of his uncle Gerard Audran in Paris. Benoit Audran II was his nephew and the son of Jean Audran. He was appointed engraver to the king. He was active in Paris and his prints very well respected. Jean-Baptiste Nattier (1678-1726) was A French history painter from Paris. He was the eldest son of Marc Nattier the elder and Marie Courtois. Peter Paul Rubens (1577-1640) was a reknown Flemish Baroque painter, who ran a large studio in Antwerp.Condition: Very good, given age. Print attached to carrier. Edges reinforced on rear. Top left corner with some damage, but not nearly effecting image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: ACCOUCHEMENT-BIRTH LOUIS XIII-DE MEDICIRT-B1-15.

Plate from a set of four; titled at the bottom: 'AUTUMNUS'.Numbered and signed at bottom: 'Cornelio de Wael Jnventor. / Alex Voet exc.'The plate features a scene in the interior of a barn, with grapes being thrown into a barrel to be pressed into wine (druiven worden geperst tot wijn). Due to his moving to Italy, the representations by Cornelis de Wael portray contemporary Italian genre scenes, rather than Dutch. His etchings are further characterized by a vivid and free line, almost like sketches. Beautiful plate.Handwritten inscription on the bottom right. Etching on paper with margins; plate mark: 232 x 303 mm; total: 251 x 344 mm; state II/2. Three wormholes almost indetectable. Some stains and smudges especially on corners. Hollstein 81.

Map of the States of Savoy, Piedmont and Nice. Titled above on the right: "LES ESTATS DE SAVOYE, PIEMONT et le COMTE de NICE Par le Sr: Sanson Geog Ordinaire du Roy.'With address of the publisher on the bottom right: 'a Amsterdam chez Pierre Schenk avec Privilege de .'.On the bottom left the various scales. Hand colored etching and engraving on laid paper; plate mark: 577 x 485 mm, total: 625 x 531 mm; besides some smudges along the margins and a folding crease at center, in very good condition.

Four etchings representing the different seasons: 'VER', 'AESTAS', 'AUTUMNUS' and 'HIEMS'. Titled at the bottom of each plate; numbered and signed at bottom: 'Cornelis de Wael Jnventor. / Alex Voet exc.' Due to his moving to Italy, the representations by Cornelis de Wael portray contemporary Italian genre scenes, rather than Dutch. For instance the winter represents a carnival scene, with pieces of a city visible in the background that, with its bell towers, looks like Rome. His etchings are further characterized by a vivid and free line, almost like sketches. Beautiful plates.[NL] Vier etsen die de verschillende seizoenen voorstellen: 'VER', 'AESTAS', 'AUTUMNUS' en 'HIEMS'. Onder aan elke plaat getiteld; genummerd en gesigneerd onderaan: 'Cornelis de Wael Jnventor. / Alex Voet exc.' Door zijn verhuizing naar Italië stellen de voorstellingen van Cornelis de Wael hedendaagse Italiaanse genre-scènes voor, in plaats van Nederlandse. Bijvoorbeeld, de winter stelt een carnavalsscene voor, met stukken van een stad op de achtergrond die, met zijn klokkentorens, lijkt op Rome. Zijn etsen worden verder gekarakteriseerd door een levendige en vrije lijn, bijna als schetsen. Mooie platen.The four seasons - vier seizoenen - zomer - herfst - voorjaar - winter Etching on paper, trimmed to plate; total: ca. 235 x 303 mm; mounted on cardboard, in passepartout. Some stains and smudges especially on corners. Hollstein 80-84.

Five beautiful etchings depicting the Parable of the prodigal son (Luke 15:1132). All the scenes take place in the open air, allowing the artist to invent architectures inspired to Italian buildings and landscapes from the same period. Plates 1 and 2 have the same provenance, whereas the other three do not show any collectors' marks. Two prints from the set (1st and 3rd) were signed by the nephew of the artist, Jean Baptist de Wael.Plate 1: The Prodigal Son leaving his Father's House [Luke 15:13]. A young man about to mount a horse in front of a large house at centre, while an elderly man addresses him, other family-members behind the pair, two horsemen waiting at left; second state with lettering below: 'Cornelis de Wael invenit / Martinus van den Enden excud'. On verso light trace of Malenza's mark, other notes in pencil and an unidentified mark.Plate 2: The prodigal son in a garden along with other young men and women, making marry, eating, drinking making music and dancing. On the right a fountain, on the left a group of musicians and a descending garden towards the background. On verso collector's mark of Pietro Malenza (L.2101), dating 1860. Possibly, at least these two impressions were sold in the third auction of his collection, in 1867: 26th March and following days. "Estampes anciennes de l'école des Pays-Bas. 1577 nos. Plus haut prix 120 Rth. pour la Pièce de cent florins de Rembrandt." [cfr.: Fondation Custodia].Plate 3: the Prodigal Son is chased out of the brothel by a group of women and some men. On the right two men are leaving in the opposite direction. Towards the background a square with a fountain. A fine white line in the middle marks an unfortunate pinching of the paper in the process of printing. However this line is hardly visible. First state, before lettering;Plate 4: The Prodigal Son as a swineherd [Luke 15:15-16]. A young shepherd in lumps standing at left and looking at the sky, a dog at his feet, a donkey and a goat behind him, other animals at right, a farm-yard in background; first state with signature of de Wael; after Cornelis de Wael. Lettered in lower margin: 'C.D. Wael inv.' and 'Jan Baptist de Wael Fecit 1658';Plate 5: The Return of the Prodigal Son [Luke 15:20]. A young man in lumps kneeling in front of an elderly man wearing an ermine coat, two men putting a cape around his shoulders, the rest of the family behind them, a dog and a man holding a calf in lower left, an arch in right background; first state with signature of de Wael; after Cornelis de Wael. Lettered in lower margin: "Cor. D. Wael inuentor" and "Jan Baptist de Wael Fecit". Etching and some engraving on paper; first two plates trimmed on plate mark, total: ca. 196 x 298 mm; last three with some margin; total: ca. 219 x 317 mm; plate 4 suffers of thin paper on the top right plate mark. All the impressions are very bright. Interesting are also the impurities of the plates visible on paper due to ink transfer. Hollstein 1, Dutuit p. 564, Bartsch Vol. V, p. 1, Wurzbach p. 837.