After 1669 (39 results)

Condition: Good. Etching. 19.5 x 24 cm (sheet). Good, foxing throughout. Durand's red inkstamp on verso.

Schöner, großformatiger Kupferstich. -- Blatt-Maße: ca. 54 x 40 cm. Plattenmaße: ca. 48 x 32 cm. -- teils leicht gebräunt, sonst gut erhalten. || Beautiful, large copper engraving -- partly slightly browned, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Hardcover. Condition: Very Good. Paris: Chez Olivier de Varennes and Louis Bolssevin, 1658 [1648]. 8vo, 102 p., original full calf with five raised spine bands with board edges stamped in gilt, and with date of 1653 to half title. First thus edition, and third overall, of this scarce work, a collection of mottoes and emblems of love, featuring 50 illustrations by Flemish engraver Albert Flamen. The body of the work has often been attributed to Flamen though he denied authorship of the title. Though Flamen is believed to be of Flemish descent, he lived most of his life in Paris, where he completed the majority of his work. His patrons included Guillaume Tronson, advisor to the King, Gilles Foucquet, son of Nicolas Fouquet, and other prominent French figures associated with the Royalist cause. All of Flamen's works, many of which were issued as small oblong quartos featuring 12 plates each, often depicting landscapes and detailed studies of fish and animals, are rare. This copy features the armorial bookplate of Aimard-Jean de Nicolay (1709-1785) Marquis de Goussainville Seigneur d'Osny Paris on the fpep. Faint spotting internally, spine tips chipped, with minor loss; lower corners chipped; small dents to board edges, but a clean sound copy of a rare title, with one copy of this edition in OCLC (Bibliotheque Sainte Genevieve).

Original Aquatinta-Radierung aus dem 18. Jh. Auf dünnem Karton aufgezogen. -- Blattmasse ca. 37,5 x29 cm. -- gut erhalten. || Original aquatint etching in brown from the 18th century. Mounted on thin cardboard. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Condition: Good. Etching on thin laid paper. 15.2 x 12 cm (sheet). Though accepted by Bartsch and others, this print is rejected by Boon and White, suggesting it could be by an early pupil, like Karel van der Pluym. Very Good.Literature: B., Hollstein 344; Hind 91.

Condition: Good. Etching on laid paper. 24.5 x 19.5 cm (sheet). Lettered below the image in the lower right margin with Rembrandt's facsimile signature and date: "Rembrandt f. 1647'. From the publication, published by Henri Louis Basen (Basen's Receuil). Very Good, with thread margins.Ex. Collection: Xavier Aflred Henrin de Roche du Teilloy (Lugt 214d).Literature: New Hollstein 238a.

Condition: Good. Chiaroscuro woodcut from three blocks. 21 x 15.8cm.Catalogue raisonné :Hollstein, Stechow 11.Another copy: Blanton Museum of Art, The University of Texas at Austin, The Leo Steinberg Collection, 2002.2329. Part of the series: Christ and the twelve apostles published by Melchior Tavernier, (1600 - 1669). .Provenance:George Usslaub commença sa collection en 1886. Elle comprend environ 10.000 planches de toutes les écoles des XVIe-XVIIIe siècles : portraits, scènes religieuses, mythologie, intérieurs, paysages, etc., en noir et en couleurs (e. a. l'?uvre de J. Morin en épreuves superbes). Sa collection de dessins anciens est également importante.m Lugt, 1221. . Né en 1906 à Lezay (Deux-Sèvres), Jacques Cathy a exercé d'abord la profession de caricaturiste à l'hebdomadaire Ğ Le Rire ğ. Il a rejoint vers 1927 l'équipe du Cabaret Ğ La Vache Enragée ğ conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d'acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l'élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine.

Condition: Good. Small folio. 20 x 33cm. New half goatskin binding by the artisan binder Sasha Mosalov. With ten engraved plates.Cohen-de Ricci, Guide de l'amateur de livres a gravures du XVIIIe siècle, p. 210; OCLC Number / Unique Identifier:11784330: Physical Description:[4], 22 pages, 10 leaves of plates : illustrations (etchings) ; 33 cm (fol.)OCLC Number / Unique Identifier:11784330.Édition originale. Premier tirage des 10 jolies planches gravées à l'eau-forte par Caylus, remarquables pour la légèreté de leurs traits. Les dessins qui servirent de modèles à l'artiste, auparavant attribués à Rembrandt, ont aujourd'hui été restitués à Gerbrandt Van Eeckhout, qui fut l'élève du maître hollandais (cf. Frits Lugt, Musée du Louvre. Inventaire général des dessins des Écoles du Nord: École hollandaise, III, 1933, n°1216-1225). . Page de titre, 12pp. Édition originale. Premier tirage des 10 jolies planches gravées à l'eau-forte par Caylus, remarquables pour la légèreté de leurs traits. Les dessins qui servirent de modèles à l'artiste, auparavant attribués à Rembrandt, ont aujourd'hui été restitués à Gerbrandt Van Eeckhout, qui fut l'élève du maître hollandais (cf. Frits Lugt, Musée du Louvre. Inventaire général des dessins des Écoles du Nord: École hollandaise, III, 1933, n°1216-1225.

Blatt-Maße: ca. 34 x 46 cm. -- Bleistift-Zeichnung aus dem 19 Jh. -- gut erhalten. || Pencil drawing from the 19th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 35.

Half-length portrait of Michiel de Ruyter in armour. He's holding a sword in his right hand. Inscription in French below the portrait: 'MICHEL ADRIAN RUYTER / Chevalier et lieutenant- Admiral des Provinces Unies des Pays-bas né à Fliessingen,1607 mort 1676 / Dédié a Son Altesse Serenissime Monseigneur / Guillaume Frédéric Prince Héréditaire d'Orange et de Nassau / L'Original se trouve dans la Gallerie / Ducale de Bronsvic à Salzthal - par son très humble et très obeissant / serviteur Schroeder' signed just below the portrait: 'Peint par Rembrandt van Rijn / Gravé à l'Eauforte par Schroeder 1789' l Etching on paper with margins; plate mark: 219 x 164 mm, total: 226 x 175 mm.

Young man in a velvet cap (Petrus Sylvius?); half-length, turned to left, eyes to front; second state with some outlining and shading removed.Signed and dated above: Rembrandt f 1637.[NL] Jonge man met fluwelen baret. De predikant Petrus Sylvius (?). naar Rembrandt ca 1900. Met signatuur van Rembrandt, f 1637. Heliogravure on laid paper; mounted on laid paper; total: 97 x 83 mm; (original is II/2 state) some brownish stains on the mount, otherwise in very good condition. New Hollstein 164. Pencil annotations on the mount.

Small scale copy after Rembrandt's three trees. Signed on the bottom right: 'Le Gros.' On verso collector's mark of the Albertina [L.5f] and pencil annotations in German. Etching on paper with some margin; plate mark: 45 x 74 mm, total: 48 x 78 mm; on verso traces of previous mounting. B. 180.

Bust portrait in oval of David van Hoogstraten (1658-1724). Van Hoogstraten was a Dutch physician, poet and linguist. He studied medicine in Leiden and worked as a doctor in Dordrecht. He was a teacher at a grammar school in Amsterdam, where he from 1694 to 1722 was also vice principal. As linguist he contributed to determine the gender of words, using the work of Vondel and Hooft as reference. In 1704 he published a Latin-Dutch dictionary. Inscribed in oval frame: 'DAVID VAN HOOGSTRATEN MEDICINAE DOCTOR.' signed below: 'A. Boonen pinxit. / P. van Gunst sculpsit. / F. Halma excudit.' Four lines of text in Latin at the bottom, by Janus Brokhusius. Published in ca. 1720 l Engraving on paper with small margins; plate mark: 302 x 233 mm, total: 323 x 245 mm; pasted on thicker paper, in good conditions. Van Someren 2574.

Portrait of the goldsmith Jan Lutma (1584-1669). Later print after the original by Rembrandt (Rembrand). With the text on the left: Rembrandt, pinx. And on the right Uitg. en Heliogravure J.M. Schalekamp, Buiksloot. Reproduction of the original etching by Rembrandt dated 1656. Heliogravure on 19th century paper, total 445 x 320 mm, platemark 250 x 190 mm. Signed in the window, top right with Rembrandt f 1656. Bartsch 276, copy; New Hollstein 293, copy.

Photographic reproduction of the so called The little Jewish bride by Rembrandt, a portrait of Saskia van Uylenburgh as St. Catherine, dated 1638.This image reproduces a print with two marks of famous collectors: Robert Dighton (ca. 1752-1814) [L.727] and Edward Astley (1729-1802) [L.2775]. On verso is visible another mark: an oval with the inscription: KUNST FÜR ALLES.[NL] Heilige Catharina van Alexandrië (de kleine Joodse bruid). Heliogravure, mounted on cardboard; total: 112 x 80 mm; some staining, a tear on the left margin; in fair condition. New Hollstein 169 (reproduction).

Emperor Maximilian grants the maiden of Amsterdam the imperial crown on her coat of arms.Signed 'CL. M. Inv.'; numbered '8' in lower margin.Etching after an image from the triumphal arch for Maria de' Medici's entry into Amsterdam, 1638.Used in: Caspar Barlaeus, Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. t' Amsterdam: By Iohan en Cornelis Blaeu, 1639. Etching on paper, broad margins; platemark: 293 x 385 mm.; total: 374 x 442 mm.; watermark: Strasburg lily in crowned coat of arms; traces of previous mounting on verso, smudges and small tears in the margins. Muller 1793-8, Hollstein 98.

Samson holding up a fist, menacing his father in law, leaning out of a window, refusing the younger man to come in.After a painting by Rembrandt in Berlin (Gemäldegalerie, Staatliche Museen zu Berlin, inv./cat.nr 802). Date of print 1756, made in Potsdam. Etching on paper, trimmed within margins and plate mark; total: 221 x 181 mm; mounted on cardboard with scribblings in French in pen and blue and black ink. Previously pasted down on another sheet of paper and then mounted on the cardboard. Overall in good condition. Corpus of Rembrandt Paintings 1982-2015 , vol. 3 (1989), no. A 109, graphic reproductions no. 1.

Portrait of the goldsmith Jan Lutma (1584-1669). Later print after the original by Rembrandt (Rembrand). On the back the stamp of Gerard Halwasse 's-Gravenhage, with the text Facsimile Reproduction. Halwasse had a Heraldisch and Genealogisch Bureau in The Hague. Reproduction of etching on laid paper, total 360 x 280 mm, platemark 215 x 167 mm. Signed in the window, top right with Rembrandt f 1656. Bartsch 276, copy; New Hollstein 293, copy.

No Binding. Condition: Fair. Portrait of Giuseppe Porta. Born 1520 in Castelnuovo di Garfagnana, Italy. Died 14 January 1539 in Venice, Italy. Etching and Engraving by Giacomo Piccini (c. 1617 - after 1669), c. 1640. Reasonable condition. Paper a bit soiled. Margins almost trimmed to the border. Verso: blank, with traces of former mounting and two unidentified collection stamps. Note: dimensions reflect the entire leaf. Dimensions: 166 x 114 mm. Giuseppe Porta was Painter, Artist, and "Giuseppe Salviati". c. 1640. Print.

Portrait of Taco Hajo Van Den Honert (1666-1740); bust length turned to the right, facing the viewer; holding up his right hand.Inscribed under the portrait: Taco Hajo Van Den Honert. / Natus Nordae A. MDCLXVI 16/6 Martii.Signed below the portrait: A. Boonen Pinx / P.a.Gunst sc. / G. Borstius Exc.Possibly a first state. If compared with other impressions, several details seem less worked, like the face, the hand and the background. See for comparison PR121348.Van den Honert was professor in Theology and Jewish Antiquities at Leiden University.[NL] Taco Hajo van den Honert, Nederlands predikant en hoogleraar theologie te Leiden. Onder de prent zijn wapenschild en een Latijns onderschrift over zijn leven. Engraving with some etching on paper with wide margins; total: 423 x 317 mm; state I/2 [?]; some light smudges, some folding on the margins, otherwise in very good condition. Muller 2492.

Portrait of Martinus Koning (1662-1732), bust, in an oval frame over a plinth with 8 lines of text in Dutch/Inscribed on the oval frame: MARTINUS KONING PREDIKANT TE NIEUPOORT in HOLLAND AEtatis 58. Four lines of Dutch text on the plinth: Geleertheit, die door.Signed: A. Roonen pinx / J.v.Braem em G. onder de Linden excud / J Folkema sculp.[NL] Portretbuste in ovaal naar rechts van predikant Martinus Koning, blootshoofds en gehuld in een toga. Rond het ovaal staat een randschrift, op de sokkel onder het portret een achtregelige tekst in het Nederlands. Engraving on laid paper with broad margins; total: 442 x 297 mm; folding crease at center and towards the right, otherwise in very good condition. Muller 2980-a.

No Binding. Condition: Good. Portrait of Domenico Riccio. Born 1516 in Verona, Italy. Died 1567 in Verona, Italy. Etching and Engraving by Giacomo Piccini (c. 1617 - after 1669), c. 1640. Good condition. Paper slightly soiled. Short margins. Verso: Italian text. Note: dimensions reflect the plate mark. Dimensions: 167 x 116 mm. Domenico Riccio was Painter, Artist, Mannerist Painter, and "Domenico Brusasorci". c. 1640. Print.

Portrait of Gebrand van Leeuwen (1643-1721), a Dutch theologian and professor. Half-length, directed to the left, head slightly turned to face the viewer, a corpulent man with curly shoulder-length hair, wearing a dark robe with white collar; in an oval frame with a coat of arms in the lower part on a pedestal.Titled around the oval; lettered with production details on the top margin of the pedestal: 'Edelinck Eques Romanus Sculpsit C. P. R.'; lettered with four lines of Dutch verse by Jan van Beuningen on the pedestal: ' 't Onzalig bygeloof, fel . Leeuwen nooit vergeeten.' and lettered 'J. van Beuningen' below.[NL] Portret van de Nederlandse predikant en hoogleraar Gerbrand van Leeuwen (1643-1721), afgebeeld in ovale omlijsting met tekst in Nederlands en wapen. Onder de lijst een console waarop een Nederlands vers van vier regels. Engraving on paper with margins; platemark: 354 x 289 mm, total: 374 x 304 mm, state III /3 (?). Mounted on cardboard with the top left corner, some foxing, and smudges due to handling; overall in fair condition. Muller 3143, IFF 151. .

The Holy Family resting on the way to Egypt.Signed on the bottom left: Rembrandt f. 1645.[NL] Rust op de vlucht naar Egypte: licht geëtst. Gemaakt door Flameng naar Rembrandt, 1859. Etching on paper; pasted down on laid paper; total: 140x 119 mm; in good condition; plate with nice silver tones; titled in French annotated on the bottom left corner. New Hollstein 227, copy.

Louis XIII as Hercules carries the restored globe of unified France on his shoulders assisted by Mars and Athena, behind them the allegorical figures of justice and plenty. From a series with allegorical representations of the discord in France.Signed: 'CL. M. Inv'; numbered '13' in lower right corner.Image from the triumphal arch for Marie de' Medici's visit to Amsterdam, 1638.Used in: Caspar Barlaeus, Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. t' Amsterdam: By Iohan en Cornelis Blaeu, 1639. Etching on paper, broad margins; platemark: 291 x 384 mm; total: 374 x 441 mm; watermark: Strasburg lily in crowned coat of arms; traces of previous mounting on verso; small tears and slight discoloration at the edges. Muller 1793-13, Hollstein 103, state III/3.

Allegorical scene of Henry IV as Hercules, assisted by Mars and Athena, repairing the broken globe representing France by forging a band around it. Maria de' Medici stands at the right and the Olympian Gods look on from the clouds above.From a series with allegorical representations of the discord in France.Signed: 'CL. M. Inv:'; numbered '12' in lower right corner.Image from the triumphal arch for Marie de' Medici's visit to Amsterdam, 1638.Used in: Caspar Barlaeus, Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. t' Amsterdam: By Iohan en Cornelis Blaeu, 1639. Etching on paper, broad margins; platemark: 293 x 384 mm.; total: 374 x 445 mm.; watermark: Strasburg lily in crowned coat of arms; traces of previous mounting on verso; part of right margin missing. Muller 1793-12, Hollstein 102, state III/3.

Portrait of an elderly woman peeling an apple, seated half-length in frontal view.Early state before lettering, the background darkened.Johannes Pieter de Frey (1770-1834) after Rembrandt van Rijn (1606-1669).[NL] Antieke prent naar Rembrandt, uit 1801. Een zittende oude vrouw met een kapje over het hoofd heeft haar blik gericht op de appel die ze schilt. Ets. Etching on paper, with some margin; total: 140 x 120 mm, state II/4; some light foxing on the margins, traces of previous mounting on verso, otherwise in great condition. Dutuit 29, p. 393.

No binding. Condition: Good. Portrait of architect Jacob van Campen (1596-1657), bust length behing a plinth, the right arm resting on the support. After a painting by Jan Lievens.Inscribed below: ' IACOBUS A CAMPEN, DOMINUS IN RAN= / DEBROEK, &c. ARCHITECTUS INCOMPARIBILIS. / [in cursieve sierletter:] Dus was het anschijn des weêrghadelozen Bouwers / Van 't achtste wonderstuk, het Raadthuys t' Amsterdam; / Zijn Geest wydtlustigh straalt in d'ooghen der anschouwers / Uit all' de werken, die zijn Konst in handen nam; / En schoonze in duurzaamheidt voorbij alle and're streeven, / Zijn onverwelkb're lof zal z' efter overleeven. / L. Meyer.'Used as image in: 'Afbeelding van't Stadt Huys van Amsterdam. In dartigh Coopere Plaaten geordineert. en Geteechenkt door Jacob Vennekool,' published in Amsterdam in 1661 and subsequent editions. Engraving on paper, trimmed within plate mark; a bit browned. total: 406 x 241 mm; state II/2;mounted on light cardboard; toned aging paper, some smudges and a small fray at the bottom middle; charming impression. Hollstein 1, Muller 899, van Someren II, p. 176.

Landscape with large tree in the center and hunters and dogs approaching from left. Numbered and monogrammed at bottom: '3 / AB'. Etching on paper with broad margins; plate mark: 99 x 152 mm, total: 158 x 207 mm; in outstanding state, possibly restored, at least cleaned. Hollstein 275, Roethlisberger 256. Date of print 1650-1700.

No Binding. Condition: Fair. Portrait of Carlo Carafa. Born 1584 in Napels, Italy. Died 7 April 1644 in Aversa, Italy. Etching and Engraving by Giacomo Piccini (c. 1617 - after 1669), after Giacomo Piccini (c. 1617 - after 1669), c. 1660. Reasonable condition. Paper a bit soiled. Margins almost trimmed to the border; enlarged using later paper. With a manuscript biography in English, attached to the left margin. Verso: blank. Note: the biography wrongly addresses cardinal Carlo Carafa (1517-1561), whereas the print depicts Carlo Carafa, bishop of Aversa (1584-1644). Dimensions: 184 x 134 mm. Carlo Carafa was Bishop, Roman Catholic priest, Bishop of Aversa, Apostolic Nuncio to the Emperor, and Apostolic Nuncio. c. 1660. Print.