After 1676 (65 results)

First edition hard back binding in publisher's original burgundy red boards, Venetian red end papers. 8vo. 9'' x 6''. His story of survival was widely publicised after his return to England, becoming a source of inspiration for writer Daniel Defoe's fictional character Robinson Crusoe. Contains 246 pp with colour photographs, monochrome illustrations and maps throughout. Fine condition book in Fine condition dust wrapper, not price clipped. SIGNED by the author to the title page 'Diana Souhami'. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ISBN 0297643851 DEFOE, Daniel (c. 1660-1731).

Blatt-Maße: ca. 28 x 21 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- mit dünner Quetschfalte, sonst gut erhalten. || Original engraved portrait from the 17th century. -- with a thin crease, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Blatt-Maße: ca. 34 x 23 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Blatt-Maße: ca. 34 x 23 cm. -- Original Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 20.

Size: Folio. Disbound. Engraved. Comprising: i) WELDON, John (1676-1736), Fair Celia's Eyes (2ff., January 1705); ii) WELDON, I'm Cupids Warrior (2ff., March, 1705); iii) XIMENES, Charles, Why shou'd women be so coy (1f., March, 1705); iv) CLAYTON, Thomas (1673-1725), Wanton Zephyrs, in the Opera of Arisnoe (1f., May, 1705); v) PURCELL, Daniel (1664?-1717), Why Belvidera, song in the Tender Husband (1f., May, 1705); vi) YOUNG, Anthony (ca 1685-1747), Damon Restrain your Wand'ring Eyes (1f., May, 1705); vii) WELDON, The Welfare of all on blest Anna, Song in the Subscription Musick (1f., June, 1705); viii) LEVERIDGE, Richard (1670-1758), A Song in the Play call'd the Quacks, or Lov's the Physitian, Sung by the Boy. ['To gentle Strephon'] (2f., June, 1705). RISM A/I/5 and A/I/12 L 2282. BUC p.617; ix) WELDON, With sighing (2ff., November, 1706); x) BARRETT, John (1674-1738), Cruell Charmer (1f., November, 1706); xi) TOWNSHEND, James (Organist of Lym Riges), Fly Damon (1f., November, 1706); xii) WILLIS, Thomas, She's come, T'immortalize our toast (1f., June, 1707); xiii) RAMONDON, Littleton (1684-after 1715), When first Amintas Charm'd my heart (1f., June, 1707); xiv) WELDON, Cease Aminta to complain (1f., August, 1707); xv) LEVERIDGE, A New Song. ['If to love or good Wine'] (2f., August, 1707). RISM A/I/5 L 2225 and BUC p.616 reference the same single copy; xvi) YOUNG, Anthony, Cupid designing to Disarm poor Strephon (1f., August, 1707); xvii) WELDON, The Wakefull Nightingale (1f., January, 1708). The monthly mask of vocal music, 1702-1711, a facsimile edition, edited by Olive Baldwin and Thelma Wilson, nos 93, 98, 100, 104, 105, 107, 109, 164, 165, 166, 186, 187, 192, 194.

Condition: Good. Small 8vo. 12.5 x 19.3cm. Contemporary calf, unrestored. 21 hors texte plates at end. Later, much enlarged edition of Bosse's influential treatise first published in 1645 , with textual additions by Charles-Nicolas Cochin. This edition contains four headpieces illustrating scenes in printmaking studios, engraved by Fessard and Soubeyran after Cochin and Bosse. .OCLC Number / Unique Identifier:1152932308: [4], xxxii, 205 p., [21] leaves of plates (some folded) : ill. ; 21 cm. In-8° de 1 f. (frontispice gravé), xxxij - 208 pp. et 21 planches dépliante . Reliure du temps plein veau dos lisse., état d'usage.

Copperplate engraving/etching of 'De Kerk te Renswoude', in the Dutch province of Utrecht. Overall size: 98 x 135 mm; plate size: 75 x 100 mm. Good state. Some age related discolouration. Handlaid paper. This print was part of the book 'Het verheerlykt Nederland, of Kabinet van Hedendaagsche gezigten van steden, dorpen, sloten, adelyke huizen (.)', Amsterdam, Tirion, 1745-1774.

Copperplate engraving/etching of 'Het Park buiten Utrecht', in the Dutch province of Utrecht, as it appeared in 1744. Overall size: 81 x 110 mm; plate size: 81 x 110 mm. Very good state. Some age related discolouration. Handlaid paper. This print was part of the book 'Het verheerlykt Nederland, of Kabinet van Hedendaagsche gezigten van steden, dorpen, sloten, adelyke huizen (.)', Amsterdam, Tirion, 1745-1774.

No Binding. Condition: Poor. Portrait of Josep de Margarit i de Biure. Born 1602 in La Bisbal del Ampurdan, Spain. Died 1685 in Perpignan, France. Etching and Engraving by Jean Frosne. (c. 1630 - after 1676), c. 1660. Mediocre condition. Short margins. Paper a bit browned and a bit soiled. Lacking a small part of the upper portion of the image. Verso: blank. Note: dimensions reflect the entire leaf. Dimensions: 200 x 138 mm. Josep de Margarit i de Biure was Military leader, Governor of Catalonia, General of Catalonia, Leader of the forces of the Generalitat in the Reapers' War, and Lord of Thuir. c. 1660. Print.

An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731 HULSBERGH, after Colen Campbell (1676-1729) The plan of ye first story of Ponvis House. An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731 295 x 460 mm. PS25.

An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731 HULSBERGH, after Colen Campbell (1676-1729) Plan of the Royal Exchange London. An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731 360 x 555 mm. PS40.

An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731. HULSBERGH, after Colen Campbell (1676-1729) Plan of the principal floor of a new design inscribed to the Rt Hon. The Earl of Halifax & c. An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731. 375 x 560 mm. PS40.

In an interior of an inn a peasant man seated at a table and smoking a pipe while holding a glass. To the right a jug is resting on the table. Behind the man a woma is holding a glass. Signed on the bottom: 'D. Teniers Pinx. Adr Possemiers ex. A gand' l Engraving on paper, with small margins; platemark: 197 x 135 mm; total 210 x 148 mm; small damage on the wrist of the man. Pasted on larger sheet on the upper margin. PG013.

An elegant company in a bedroom. Two men attack each other with a sword. Another man lifts a chair over his head. Two ladies and a chamberlain look on in amazement.Titled at bottom: Het spookend weeuwtje.Signed at bottom: Picart inv. / Pool sc.Frontispiece to the comedy by Antoine Le Métel d'Ouville, published in Amsterdam in 1712.[NL] Een elegant gezelschap in een slaapvertrek. Twee mannen gaan elkaar te lijf met een degen. Een andere man tilt een stoel boven zijn hoofd. Twee dames en een kamerheer kijken verschrikt toe.  Etching and engraving on paper; total: 144 x 100 mm; state II/2, traces of previous mounting on verso, otherwise in great condition.

View on the Huis Zuidwijk, a castle in Wassenaar, between The Hague and Leiden. After a print by Rademaker. The artist did not copy the figures, only the building and the landscape surrounding it.Inscribed at the bottom in pen and brown ink, in a later stage: "Le Chateau de Crespin: en Normandie prés de Ponteau de Mer"; on the verso with the same ink: "Gautier Leseigneur de Crespin" and nr. "8" on the top left. Further in blue ink: "Huis te Zuidtwijk". Drawing on paper, pencil, chalk, pen and grey ink, washed in grey; inscriptions in pen and brown and blue ink. Total: 174 x 228 mm. In good condition.

View on the back side of the so-called Huis ter Does, in Leiderdorp, as it looked in 1620. On the foreground a rowing boat with fishermen. Drawing after prints designed by Rademaker. In pencil, on bottom left: "Huis ter Does", in the middle, in pen and brown ink: "Le Chateau de Mauvoisin, en Normandie près de Rouen." This inscription has been crossed out with some pencil strokes. Further, on the verso, other annotations; on the top the same handwriting in pen and brown ink: "19 Anselme Seigneur de Mauvoisin"; in pen and blue ink: "Huis ter Does" and in pencil "bij Leiden." Despite the amateurish style, the drawing is very charming. Drawing on paper, pencil, pen and grey ink, washed in grey. Total: 175 x 225 mm. In good condition.

View on the entrance of Kasteel Spangen by Overschie, as it probably looked in 1550, before it was destroyed during the 80-Years war. The castle was named after the river. On the foreground a fisherman, a horse rider and other figures.Inscribed below in pencil: "Huis te Spangen in Westland" and in pen and brown ink: "Le Chateau de Bardou: en Normandie prés d'Escovis" this inscription crossed out with a line in pencil and one in pen and blue ink.On verso further inscriptions: "Philippe Dénis de Saint Cosme, Seigneur de Bardou", crossed out with pen and blue ink. Below in pen and blue ink: "Huis te Spangen in Westland."Possibly after a composition by Abraham Rademaker. Drawing on paper, pencil, pen and grey ink, washed in grey. Total: 176 x 231 mm. In good condition.

View on the Kasteel Gunterstein, with a long bridge on the left, as it probably looked like in 1611. All around the pond surrounding the castle many figures. Some of these were only added in the drawing, like the man with a wheelbarrow on the left foreground and the beautiful carriage led by horses on the right background. Inscribed below in pen and brown ink, in two different handwriting: "Oud Gunterstein" and "Le Chateau de Franqueville en Normandie", the latter crossed out with a line in pen. On verso further inscriptions; in pen and brown ink: "Robert Seigneur de Franqueville", below, in pen and blue ink: "Huis Oud [Gunter (crossed out)] Gunterstein." Drawing on paper, pencil, pen and grey ink, washed in grey. Total: 174 x 228 mm. In good condition.

An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731 Hulsbergh after Colen Campbell (1676-1729) Sir Walter Yonge's house in Devonshire (Escot House), elevation An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731 250 x 380 mm PS70.

An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731 Hulsbergh after Colen Campbell (1676-1729) Sir Walter Yonge's house in Devonshire (Escot House), elevation An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731 250 x 380 mm PS70.

An original engraving for 'Vitruvius Britannicus or The British Architect' by Colen Campbell, second edition, published London 1731 Plan of the Park, Gardens and Plantations of Thorsby in Nottinghamshire. PS85.

Half figure portrait of Joost van den Vondel, seated looking towards the left, holding a rolled paper in his hands. Beside him a table with books. Below text in Dutch by J. Nomsz: Dit s VONDEL, tot dit uur van de Snaaren spant. Neen, Febus heeft gedicht, wat VONDEL heeft geschreeven. / Y. MOMSZ l Engraving on paper with margins; platemark: 280 x 197, total: 345 x 244mm; state IV/4, Hollstein nr. 151. Some foxing along the margins. PP01V (Vondel).

An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731 HULSBERGH, after Colen Campbell (1676-1729) The General Plan of the Principal Story of the Royal Palace at White Hall as designed by Inigo Jones, anno 1639. An original engraving for 'Vitruvius Brittanicus or The British Architect' by Colen Campbell, second edition, published London 1731 295 x 460 mm. PS145.

The Libyan Sibyl under a tree, hilly landscape in the background. Signed at the bottom right of center:'Antonius Bloclandt Inuent. / Philip. Gall. fe.', numbered on the bottom left:'2'; title in lower margin:'SIBYLLA LIBYCA:' and four Latin verses in two columns:'Discutiet tenebras. hic miseris conferet auxilium'; titled above in the sky:'SIB. LIBYCA' l Engraving on paper with broad margins; platemark: 290 x 210 mm, total: 343 x 248 mm; state II although in Hollstein only one state known, before lettering in the sky, hatchings remodelled; small stain in the sky otherwise in great conditions;

The mountain of honour for poets, included as illustration to Gilles Jacobs Quintijn's:'De Hollandsche Lys met de Brabantsche Bely'. Below left in narrow margin:'AV. Venne In' and on the right:'T. Matham sc. 1628' l Engraving on paper, on the verso letterpress, pasted on laid paper with manuscript text copied in black ink from the verso of the engraving; print: 90 x 118 mm; total: 322 x 260 mm. Only state, New Hollstein 186.

Promenading young men and women, included as illustration to Gilles Jacobs Quintijn's:'De Hollandsche Lys met de Brabantsche Bely'. Below left:'AVV' and on the right: 'Theod. Matham fe 1628'. Some text in letterpress within plate, above. Engraving on paper, on the verso text in letterpress, pasted on laid paper with manuscript text copied in black ink from the verso of the engraving; print: 90 x 118 mm; total: 322 x 260 mm. Only state, New Hollstein 187.

Portrait of Wolfert van Brederode (1649-1679), bust in oval wearing armour. Lord of Cloetingen, Haeftyen and Herwijnen he is portrayed at a young age. Bottom left a hand with a sword surrounded by flames and bottom right the head of a boar.Signed at bottom: Mijtens del. / Hanc ipssius Effigiem quam sculpsit, qua par est animi observantia D.D.D. T. Matham.On the bottom right are the initials: L.C. (unknown origin and reference).[NL] Wolfert van Brederode (Den Haag, 18 november 1649 - Vianen, 15 juni 1679) was heer van Brederode, Vianen, Noordeloos, Zwammerdam en Reeuwijk. Hij was de laatste mannelijke heer van Brederode. Engraving on paper, trimmed within or on plate mark; total: 408 x 307 mm; state II/2; some rubbing due to handling, otherwise in very good condition. Hollstein 72, Muller 709.

Portrait of Catharina Charlotte of Bavaria-Zweibrücken (1615-1651), bust turned to the left with her face looking to the front, within an inscribed oval. Also known asKatharina Charlotte von Pfalz-Zweibrücken (* 11. Januar 1615 in Zweibrücken; 21. März 1651 in Düsseldorf).Signed at bottom: Johannes Spilbergius / T. Matham sculpsit. Inscribed around the oval: 'Timordomini omnium rerum primum.'The original painting dates 1648 and is today held at the Stadtmuseum Düsseldorf. Engraving on paper, with very small margins; total: 425 x 304 mm; state II/3; some rubbing due to handling, otherwise in very good condition. Hollstein 77.

No binding. Condition: Very Good. Half-length portrait of Michel Le Blancon, engraver and agent at the Swedish court. After a painting by Anthonie van Dyck.Le Blon was a Dutch ornamental and silver engraver, goldsmith, publisher and art agent active in Amsterdam, Antwerp and London; cousin of Joachim von Sandrart (q.v.). Pupil of Theodor and Johannes de Bry. Died in 1656 in Amsterdam. Hisengravings are mostly for decorating metalwork, and in blackwork; also designed crests and arms.Lettered below the portrait: Michel le blon Agent / de la Royne et Couronne de Suede / chez Sa Ma.té de la Grande Bretagne. signed lower left: Cavallier Van Dijc pinxit and lower right: Theo: Matham sculpsit .[NL] Gravure van Michel le Blon, agent van koningin Christina van Zweden, goudsmid en graveur. Engraving on paper; in nice condition, some margin, total: 310 x 205 mm, a small stain on the right margin; state VI/6; Hollstein 107, New Hollstein 467.

An original engraving for 'Vitruvius Britannicus or The British Architect' by Colen Campbell, second edition, published London 1731 Plan and Elevation of the out Offices at Wilton. PS215.