After 1726 (38 results)

Bild-Maße: ca. 31 x 18 cm. -- Kupferstich-Portrait. -- im Außenrand leicht fleckig, sonst gut erhalten. || Copper engraved portrait. -- slightly stained on the outer margin, otherwise in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.

No Binding. Condition: Very Good. 1st Edition. Original Engraving, Trimmed To Near The Image. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Daniel Niklaus Chodowiecki (1726 -1801) Was A Polish?And Later German?Painter And Printmaker With Huguenot Ancestry, Who Is Most Famous As An Etcher. He Spent Most Of His Life In Berlin, And Became The Director Of The Berlin Academy Of Art. In A Letter To Józef ??cki, The Polish Astronomer, He Wrote: "I Consider It An Honour To Be A Genuine Pole, Even Though I Am Now Living In Germany". Because Of His Mother's And His Wife's Huguenot Descent He Was Very Close To The Huguenots Of Berlin. Nearly All His Life And Career Was Spent In Germany, Writing In German And Living In Berlin From The Age Of Almost 17. .

Original Kupferstich aus der Serie: "Cahier de six Feux de Cheminées, a l'usage des Fondeurs". -- Blatt Maße: ca. 22,5 x 31 cm - gut erhalten. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Original Kupferstich aus der Serie: "Cahier de six Feux de Cheminées, a l'usage des Fondeurs". -- Blatt Maße: ca. 26,5 x 34 cm - gut erhalten. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Schönes Kupferstich-Portrait von ca. 1690. An den Ecken aufmontiert. - Blatt-Maße: ca. 32,5 x 20 cm - gut erhalten. -- original engraving from c.1690. Mounted on paper. - in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Original Kupferstich Portrait von ca. 1700. -- Blattmasse: ca. 31,5 x 19,5 cm -- im Außenrand leicht fleckig, sonst gut erhalten. -- Original engraved portrait from circa 1700. -- slightly stained in the margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 1550.

Condition: Good. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing in the margin areas. "Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze." OCLC no. 83041262.

Aquatinta-Portrait aus dem 18. Jh. -- Blatt-Maße: ca. 35 x 25 cm. -- knapprandig, mit kleinen Randläsuren, sonst gut erhalten. || Mezzotint portrait from the 18th century. -- with narrow margins, with some small marginal tears, otherwise in very good condition // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 15.

Condition: Good. 8vo. 4 vols. 15 cx 22cm. Printed on laid paper. 4 engraved title pages, 2 portraits and 202 plates. Marbled art nouveau calf bindings signed by A. Cretin-Pellion [Beaune, France]. (v. 1) [1 f.] xvi, 99 pp., plus 48 plates; (v. 2) [1 f.] 112 pp., plus 49 pls.; (v. 3) [1 f.] 106 pp., plus 50 pls.; (v. 4) [1 f.] 168 pp., plus 61 pls.; .OCLC Number / Unique Identifier:1097847182; For the earlier edition published by Lattré in 1789: Landwehr VI, 349 ; Cohen-De Ricci. pp. 456-457 ; Praz 357; Gordon Ray, Art of the French Illustrated Book, no. 23.À partir de 1765, Hubert-François Bourguignon d'Anville, dit Gravelot (1699-1773), donne des dessins sur le thème des emblèmes et allégories destinés à paraître chaque année sous la forme d'Almanachs iconologiques. À sa mort, en 1773, l'éditeur Lattré fait appel à Charles-Nicolas Cochin (1715-1790) qui, jusqu'en 1781, poursuit l'entreprise selon l'esprit voulu par Gravelot. L'ensemble des planches est ensuite repris pour former le traité qu'avait annoncé Gravelot dès la parution du premier Almanach de 1765 et publié sous le titre d'Iconologie par figures, d'abord au format in-12, chez Lattré, en 1789, puis au format in-8, chez Le Pan, en 1791.L'illustration se compose de deux portraits des artistes interprétés par Gaucher d'après La Tour et Monnet, quatre titres-frontispices et 202 jolies figures hors texte de Gravelot et Cochin gravés par Choffard, Aliamet, Bacquoy, de Ghendt, Legrand, Masquelier, Saint-Aubin, etc.Cohen, 456 - Gordon N. Ray, pp. 25-30 et 49-50 - Ch. Michel, Charles-Nicolas Cochin et le livre illustré au XVIIIe siècle, Genève, Droz, 1987, pp. 311-317.

No Binding. Condition: Fair. Portrait of Hendrik Zoesius. Born 1571 in Amersfoort, The Netherlands. Died 26 February 1627 in Leuven, Belgium. Copper engraving by Hendrik Frans Diamaer (1685 - after 1726), after Abraham van Diepenbeeck (1596-1675), c. 1720. Reasonable condition. Paper slightly soiled and slighty browned. Folds as issued. Mounted onto old paper. Lacking the left lower part of the margin (as issuedh), with minor los of the outer line. Verso: blank. Dimensions: 293 x 195 mm. Hendrik Zoesius was Jurist, Professor, Professor of Greek, Professor of Law, and Professor in Leuven. c. 1720. Print.

No Binding. Condition: Fair. Portrait of Simon de Vries. Born c. 1630 in Culemborg, The Netherlands. Died 1708 in Utrecht, The Netherlands. Etching and Engraving by Jan van Vianen (1650 - after 1726), c. 1685. Reasonable condition. Paper with ample margins, but slightly browned. Faint staining in the corners. Minor traces of wear affecting the image. Verso: blank. Mounted onto an old album leaf. Dimensions: 143 x 84 mm. Simon de Vries was Poet, Writer, Historian, Bookseller, Publisher, and Translator. c. 1685. Print.

Right side of the title of the map of the Overwaard. A theory of putti flying in front of a banderole with the title: 'OVER WAART'.Published before 1706. Etching on paper with some margins; total: 189 x 437 mm. Some rubbing and dirt, traces of previous mounting on verso, otherwise in very good condition. Hameleers, Bibliografie van Nederlandse gedrukte polderkaarten, p. 194-196, cat.nr. 63.

No Binding. Condition: Fair. Portrait of Simon de Vries. Born c. 1630 in Culemborg, The Netherlands. Died 1708 in Utrecht, The Netherlands. Etching and Engraving by Jan van Vianen (1650 - after 1726), after Jan van Vianen (1650 - after 1726), c. 1700. Reasonable condition. Paper slightly soiled, with a faint stain affecting the image in the upper left corner. Rather short margins. Verso: blank, with traces of former mounting. Dimensions: 317 x 195 mm. Simon de Vries was Poet, Writer, Historian, Bookseller, Publisher, and Translator. c. 1700. Print.

Half-length portrait of preacher Melchior Leydecker (1642-1721), in oval frame, butst turned to the right, head towards the left, wearing clerical robes and a flat white collar, holding a Bible in his left hand, a column in the background. Inscribed on a cartouche at bottom: 'MELCHIOR LEYDECKER / Mediob-Zeelandus S.S. Th. D. / In sua patria Primum Verbi Divimi Minister. Dein / IN ACADEMIA ULTRAJECTINA .S.S. THEOLOGIAE PROFESSOR.' Leydecker was a theologian who studied in Utrecht and Leiden and then became a preacher in Renesse.Signed at bottom right: 'G. Valck sculpsit.'Last state (?), after removal of inscription at bottom of the plate, with the address of the publisher, and removal of the reference to the painter, on the bottom left of the oval frame.On the bottom margin, right corner, life dates of the sitter in pen and brown ink.[NL] Portret van Melchior Leydecker (1642-1721), een gereformeerd scholasticus. Predikant te Renesse. Gemaakt door Valck 1690. Engraving on paper, with small margins; total: 375 x 275 mm; a repaired tear on the right margin, some light rubbing, otherwise in good condition. Muller 3211.

First state of the etching representing the theater decoration with the little street of Amsterdam. Houses on the left and on the right and in the background a small bridge. On the right, on the left and in the foreground the public enjoying the play. In front of the stage the musicians. l Etching on paper, single plate; trimmed close to platemark; platemark: 334 x 418 mm, total: 340 x 426 mm; first state (proefdruck?) before lettering.

Portrait of the engraver Jan Punt, three-quarter length, seated with right arm on a table to left, with engraving tools, a plate and papers, holding a burin, left elbow on the arm of his chair, looking to right towards a painting on an easel, a palette and brushes on a chest of drawers beside it, wearing a painter gown, open shirt and short white wig; after a painting by Van der Mijn. Signed and titled below: "G.V.d. Mijn pinxit. / J.s M.c Ardell fecit / J. Punt, Peintre et Graveur". Date of publishing ca 1740-1765 in London. Mezzotint on paper with some margins; plate mark: 422 x 307 mm, total: 430 x 330 mm; some browning and staining along the margins, though bright impression. On verso margins reinforced and traces of former mounting on the margin above.

Portrait ofChristoph Sigismund Amman (1663-1719); half-length, directed to left, with head turned to look to right, pointing with his right hand at coat of arms on oval frame on pedestal, surmounted by curtain; wearing long curly wig, bands, dark lace-trimmed cloak, jacket, chains. Lawyer, Member of the Council in Augsburg.Lettered on pedestal with the title, below with information about the sitter in Latin over six lines, and production details: I. Con: Schnell pinxit. / Math. Sigm. Sallomusmüller sculp. Aug. Vindel.[NL] Antieke prent, mezzotint, zwarte kunst, zwartekunst doorMatthäus Sigmund Sallomusmüller. Portret van advocaat Christoph Sigismund Amman (1663-1719); ten halven lijve, naar links gericht, met het hoofd naar rechts gedraaid, met de rechterhand wijzend naar het wapenschild op ovale lijst op voetstuk, met daarboven een gordijn voor optisch effect; met lange krullende pruik, banden, donkere mantel met kanten rand, jas, kettingen. Advocaat, tevens lid van de Raad in Augsburg. Mezzotint on paper trimmed within plate; total: 422 x 311 mm. Some tears on the bottom margins, some scratches on the top, traces of previous mounting on verso (tape); overall in fair condition.

Interior with a drunken farmer sitting on a very low bench, leaning his back to a fence. In his hand he is holding a jug. More towards the background other three farmers drinking. Copy in printdrawing (aquatint) after the original drawing by Bernardus Schreuder, an etcher and engraver in the workshop of Ploos van Amstel.Laid paper. The stamp of Ploos van Amstel [L.2725] on verso painted over with brown ink, possibly to mislead buyers.[NL] Dronken boer in herberg. Een boer zit op een lage bank in een herberg, met een kruik in zijn hand. Print-drawing or aquatint on paper, trimmed within plate mark; total: 192 x 157 mm; state IV/4; in good state, despite the staining caused by the covering of the van Amstel's mark. LNP. 25, vH 28, vA 25, W 25, Josi 1821: 46.

A town-crier walking towards right while beating a gong, a couple beyond, a boy advancing from right background, roofs of buildings in background; a facsimile of a drawing by Cornelis Dusart; from a series of forty-six facsimiles (published in separate sets between 1765-1787).Etching and roulette in Ploos van Amstel's technique.On the verso the stamp of Ploos van Amstel [L.2725] and a pencil inscription: "Corn Dusart del. Ploos van Amstel J.C. Fecit. 1776.".[NL] Een stadsomroeper met slagwerk bij een boom. Op de achtergrond luisterende mensen. Print-drawing or aquatint on paper, trimmed within plate mark, mounted on cardboard; total: 197 x 154 mm; state IV/4; in very good state. Laurentius 29.

Smiling young man with a glass in his hand. This young shepherd is wearing a hat and is holding a pipe in his right hand. A tree behind him and further a landscape. Signed on bottom: "van Penen invent / Jan de Later fecit // G. Valck Excud." titled in the middle bottom: "DE STERKE FORSHEYT." Mezzotint on paper, trimmed to plate; total: 228 x 189 mm; some damages along the margins, as well as some staining; on verso the bottom right corner has been repaired, resulting in some losses in the signatures text; nevertheless, beautiful impression.

Bust portrait of the painter Cornelis de Bruyn (1652-1727), in an oval.After a painting by Godfrey Kneller.Lettered in the oval frame: 'CORNELIUS DE BRUYN PICTOR.'; inscription in Dutch, six lines by Ioannes Brandt: 'Wat zwier speelt. dan bij zag.'Signed on the bottom: 'Godrf: Kneller Eques Pinxit' and 'G. Valk Schulp.'[NL] Gravure. Portret van de schilder Cornelis de Bruyn. Engraving on paper, with margins; plate mark: 278 x 180 mm, total: 295 x 197 mm; state II/4; in very good conditions; Hollstein 3 , Le Blanc 6, Wurzbach 2, van Someren 859.

Young woman seated at a table on the left, looking at the viewer. Se holds her knitting work in her hands. On the table a lit candle beside some writing tools. Within a niche, with a rolled up curtain on the right.Highly experimental impression by Ploos van Amstel.[NL] Een vrouw, zittend aan tafel met een breiwerk in de handen, bij kaarslicht. Antieke prent met gemengde technieken: prenttekening, mezzotint (zwarte kunst), ets met bruine inkt. Antieke tekening van Cornelis Ploos van Amstel (1726-1798), naar Caspar Netscher (1639-1684). Printdrawing, mezzotint, etching printed in brown on paper; total: 120 x 98 mm; state V/5, in very good condition, in paper passepartout. Laurentius 57.

A man holds the reins of his horse as he stands by a woman doing the laundry. She is knee-deep in water.Monogrammed and dated on the top right corner: PHW 1660.On verso the mark of Ploos van Amstel.Etching and roulette in Ploos van Amstel's technique.[NL] Een man, houdt de teugels van zijn paard vast, terwijl hij bij een vrouw staat die de was doet. Zij staat tot haar knieën in het water. Antieke tekening van Bernardus Schreuder. Printdrawing on paper; total: 145 x 191 mm; in very good condition, mounted on a larger sheet of paper with drawn frame, in paper passepartout. Laurentius 20.

View of a court-yard surrounded by houses, with three figures slaughtering a pig.Facsimile of a drawing by Pieter Saenredam (formerly attributed to Jan Saenredam); from a series of forty-six facsimiles (published in separate sets between 1765-1787).Signed at bottom left: J. Saenredam.Etching and roulette in Ploos van Amstel's technique.On verso Ploos van Amstel's mark.[NL] Op een binnenplaats slachten een man en een vrouw een varken. Antieke tekening van Bernard Schreuder naar Pieter Jansz. Saenredam onder supervisie van Cornelis Ploos van Amstel. Op de achterzijde het stempel van Ploos van Amstel. Printdrawing on paper; total: 158 x 162 mm; state III/3, in very good condition, in paper passepartout. Laurentius 41.

Interior with two women conversing by a crib.With Bega's signature on the chimney on the top right: C. Bega 1654.Etching and roulette in Ploos van Amstel's technique, in brown ink.On verso marks of Ploos van Amstel [L. 2725] and Pim van Eekelen [L. 5101].[NL] Interieur met twee vrouwen bij een wieg. Antieke tekening van Cornelis Ploos van Amstel (1726-1798), Bernhard Schreuder (fl. 1767-1780), naar Cornelis Bega (1631-1664). Printdrawing on paper; total: 178 x 164 mm; state III/3; in very good condition, mounted on another sheet of paper with drawn frame, in paper passepartout. Laurentius 42.

Man (a farmer?) leaning out of a window holding a pipe in his left hand and a jug in the other. He wears a cap.After a print by Ostade (see Rijksmuseum inv. RP-P-1885-A-9048).Signed at bottom: AV. Ostade.Etching and roulette in Ploos van Amstel's technique.[NL] Boer of man met pijp en drinkbeker in een raamopening met een naar buiten openslaand luik. Antieke tekening van Bernardus Schreuder. Printdrawing on paper; total: 178 x 150 mm; despite some scratching due to handling, in very good condition, in paper passepartout. Laurentius 168.

Sleeping woman with her needle work on the lap. After a painting by van Musscher that had its pendant in the 'Woman searching for fleas' that was also turned in mezzotint by Valk. Beautiful night scene. The original painting 'is described as 'Woman darning a stocking', in fact a woman who has dozed off over her needlework. The wool has slipped out of her slack hand, and her head is rolling back'. (from Mirror of every day life, p. 370). Signed and adressed at bottom: 'M. van Musscher Pinxit / Cum Privilegio ordinum Hollandiae et Westfrisiae / G. Valck Fecit [et excud.]', where 'et excud' has been scraped away from the paper.Dating ca. 1662-1726. Mezzotint on paper, trimmed to plate; total: 353 x 253 mm; pen mark on the bottom right; state IV/4; Hollstein 44, Nagler 41, le Blanc 55, Wurzbach 60; beautiful impression.

Peasant with his hand in his cloak; mirrored in respect to the original. Monogrammed on bottom right: "Av.O".Note in pencil on the bottom of the paper mat, "Cat. van Huffel / Veiling 17 Apr. 1962 / N. 2487".[NL] Een man met een grote hoed, staande naar rechts. Zijn hand en arm in zijn mantel. Print drawing: etching on thick laid paper; total 85 x 63 mm; Hollstein 22 (copy).

Three men around a table, inspecting an empty jug.Etching and roulette in Ploos van Amstel's technique, in brown ink.On verso of the print and of the mount collector's mark of PICTURA, an association of amateur artists in Groningen [L.2028].[NL] De lege kruik; man kijkt in lege kruik, twee mannen kijken toe De lege kruik. Enkele gebaren van de mannen in deze voorstelling dragen een negatieve betekenis. De man die in de lege kruik kijkt is een kannekijker ofwel een dronkaard. Het gebaar van de staande man achter hem, met zijn hand verstopt achter zijn hemd, werd in verband gebracht met luiheid. Antieke tekening van Cornelis Ploos van Amstel (1726-1798), Bernhard Schreuder (fl. 1767-1780), naar Cornelis Bega (1631-1664). Printdrawing on paper, handcolored; total: 98 x 85 mm; in very good condition, mounted on another sheet of paper with drawn frame, in paper passepartout. Laurentius 18.

Woody landscape with two travellers on a path in lower left, a third figure further down the road, a meandering river at right; a facsimile of a drawing by Herman van Swanevelt; from a series of 105 facsimiles published by Christian Josi as a continuation of Ploos van Amstel's publication; illustration to Josi's "Collection d'imitations de dessins" (London: 1821).Etching and roulette in Ploos van Amstel's technique, in brown ink.On verso: C. Brower Fecit / C:S:Ploos Excudit Amst.[NL] Italianiserend landschap met drie wandelaars. Prent naar tekening van Herman van Swanevelt gedrukt met twee platen. Prent uit serie van negen prenttekeningen met acht landschappen en een zeegezicht naar Hollandse meesters uit de 17e eeuw, zie Huffel 1921, p. 33-35. Deze serie werd door Christiaan Josi opgenomen in een uitgave met 100 werken naar Hollandse en Vlaamse meesters: Collection d'imitations de dessins d'après les principaux maîtres hollandais et flamands, Londen, C. Josi, 1821. Alle prenten in deze uitgave dragen op het verso het wapen van Cornelis Ploos van Amstel, de initiatiefnemer voor de uitgave. Printdrawing on paper; total: 163 x 221 mm; a tiny stain in the sky, in very good condition, in paper passepartout. Van Huffel 159.