After 1900 (13 results)

First English language edition hard back binding in publisher's original light olive cloth covers, gilt title and author lettering to the spine. 8vo. 9'' x 6''. Contains 635 pp. Hungarian novel first published in 1934. The rear hinge is cracked, light spotting to the fore edge. Good condition book in Good condition dust wrapper with light soiling of the white paper to the rear cover, not price clipped 12/6. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. HUNGARY (Magyarország).

First English language edition hard back binding in publisher's original light olive cloth covers, gilt title and author lettering to the spine. 8vo. 9'' x 6''. Contains 635 pp. Hungarian novel first published in 1934. The front hinge is starting to crack. Very Good condition book in Good condition dust wrapper with internally repaired tears to the fore edge and spine ends, the white paper to the rear cover is a little grubby, not price clipped 12/6. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. HUNGARY (Magyarország).

Condition: Good. B & W print on wove paper. A contemporary reprint of the original drawing. 66 x 51 cm (sheet). Very Good.

Condition: Good. B & W print on wove paper. A contemporary reprint of the original drawing. 51 x 66 cm (sheet). Very Good.

Condition: Good. B & W print on wove paper. A contemporary reprint of the original drawing. 51 x 66 cm (sheet). Very Good.

Condition: Good. B & W print on wove paper. A contemporary reprint of the original drawing. 51 x 66 cm (sheet). Very Good.

Condition: Good. Color print on wove paper. A contemporary reprint of the original drawing. 66 x 51 cm (sheet). Very Good.

original Etching, / Radierung, 22 x 20 cm, 38 x 28 cm, aufgewalztes Chinapapier de 500 Grafik.

8vo and 12mo. Together 2½ pp. on bifolia. With one autograph address. In French. The earlier letter is addressed to the actor and playwright Louis Péricaud (1835-1909), urgently asking him for 25 francs: "You will get them back if we perform; if not . merde". - In the letter from 10 March 1875, Karoly expresses frustration with herself concerning the delivery of a role and asks the unidentified author of the play to tell her whether she may keep it or not: "Votre pièce me trotte par la tête, et vous me voyez furieuse après-moi de vous avoir si sottement rendu votre rôle. Je n'ose vous le redemander, il est plus que probable, que vous étés en pleine répétition, et que toute marche à la merveille en fin ! que voulez-vous ? on m'a si cruellement laissé dans l'ombre, que je me suis prêté à douter de moi. Ne m'en voulez-pas, et j'aime à espérer que j'aurai une revanche à prendre avec vous [.]". - Caroline Duveau was a student of her later husband Maubant (1821-1902). Following a short engagement at the Odéon, Duveau celebrated her debut at the Comédie-Française on 8 September 1868, where she would play alongside Maubant. - Traces of folds. Minimal browning.

Small figurine of a seated chimpanzee holding a human skull, bronze, cast by: "J B Deposee Bronze Garanti, Paris." to a design by Hugo Rheinhold, probably early 20th century. The ape is contemplating a human skull while seated on a pile of books. 13.0cm (height) x 7.0cm (length) x 7.0cm (width). On a marble base: 8.5cm x 8.0cm x 1.7cm. A heavy item which will require extra to send overseas.

Prince William I of Orange in a chair, just after the attempted assassination, leaving him wounded on the right side of his head. He is cared for by his wife Charlotte of Bourbon and his sister Mary. Left on the floor, the Spanish assassin Juan de Jáuregui, pierced immediately by someone in prince William I's retinue. Maurice in the center order's to search the body. Published by the Vereeniging ter Bevordering van Beeldende Kunsten, probably c.1853. Etching on thick paper with wide margins; plate mark: 401 x 484 mm, total: 442 x 547 mm. Some minor foxing and light smudges in the margin, else in fine condition. Muller 854.

A group of four peasants, most likely a family, conversing while resting on a path. In the background a village. A man (the father?) is standing on the left, smoking a pipe and carrying a chair on his left shoulder. On the right a woman (the mother) is sitting beside a tree with a child leaning his head on her lap. A girl stands on the path, holding some sticks and a monkey is leaning against her leg.Monogrammed on the bottom left corner: JWB; inscribed on the bottom right: Copie Elchanon Verveer.[NL] Antieke tekening, aquarel door monogrammist JWB. Rechtsonder de tekst 'Copie Elchanon Verveer'. Elchanon Leonardus Verveer Den Haag, 19 april 1826 - aldaar, 24 augustus 1900 was een Nederlands kunstschilder en graficus. Hij wordt gerekend tot de romantiek. Een groep van vier boeren (een gezin?) die in gesprek zijn terwijl ze rusten op een pad. Elchanon Leonardus Verveer Den Haag, 19 april 1826 - aldaar, 24 augustus 1900 was een Nederlands kunstschilder en graficus. Hij wordt gerekend tot de romantiek. Watercolor on paper; total: 182 x 252 mm; with the exception of some light staining on the top left corner, in very good condition.

No Binding. Condition: Fair. Portrait of Louis Benoit van Houtte. Born 29 June 1810 in Ypres, Belgium . Died 9 May 1876 in Ghent, Belgium . Wood engraving by Etienne Bocourt (1821 - after 1900), c. 1880. Reasonable condition. Paper slightly browned and very slightly soiled. Some spotting. Verso: French text. Note: with a collection of printed in memoriam texts in French. Note: with a print of a statue of Van Houtte. Note: with a manuscript "Lijst der planten door Mr. Louis van Houtte ingevoerd of gewonnen", dated 17 July 1901. On paper of the "Societe Anonyme Horticole Louis van Houtte Pere Gand", with the direction stamp. Note: dimensions reflect the entire leaf. Dimensions: 250 x 165 mm. Louis Benoit van Houtte was Horticulturist, and Producer of Flore des Serres et des Jardins de l'Europe. c. 1880. Print.