Search preferences
Skip to main search results

Search filters

Product Type

  • All Product Types 
  • Books (1)
  • Magazines & Periodicals (No further results match this refinement)
  • Comics (No further results match this refinement)
  • Sheet Music (No further results match this refinement)
  • Art, Prints & Posters (No further results match this refinement)
  • Photographs (No further results match this refinement)
  • Maps (No further results match this refinement)
  • Manuscripts & Paper Collectibles (No further results match this refinement)

Condition Learn more

  • New (1)
  • As New, Fine or Near Fine (No further results match this refinement)
  • Very Good or Good (No further results match this refinement)
  • Fair or Poor (No further results match this refinement)
  • As Described (No further results match this refinement)

Binding

Collectible Attributes

Language (1)

Price

  • Any Price 
  • Under US$ 25 (No further results match this refinement)
  • US$ 25 to US$ 50 
  • Over US$ 50 (No further results match this refinement)
Custom price range (US$)

Free Shipping

  • Free Shipping to U.S.A. (No further results match this refinement)

Seller Location

  • Alberta Bertagna

    Language: English

    Published by THAMES & HUDSON Apr 2012, 2012

    ISBN 10: 8857208524 ISBN 13: 9788857208527

    Seller: AHA-BUCH GmbH, Einbeck, Germany

    Seller rating 5 out of 5 stars 5-star rating, Learn more about seller ratings

    Contact seller

    US$ 37.09

    US$ 72.34 shipping
    Ships from Germany to U.S.A.

    Quantity: 2 available

    Add to basket

    Taschenbuch. Condition: Neu. Neuware - Scenes and scenarios, techniques and tactics, physical and theoretical models to work with the ruins of modernity, narrowing a new life to scrap and rubble. The waste represents a new object of interest for the project, not only as material to be converted but also as a matter which requires a revision of the tools of transformation: analysis, interpretation, definition of architecture and landscapes. The waste as a palimpsest on which to stratify new realities, the separate projects collection as a survival device for systems and their fragments, the memory as a platform of references from which to establish unprecedented spatial and temporal coordinates, collecting as overhaul operator in constant rearrangement of fragments of the past, the comparison as a vector of re-signification are the chances that the project puts in place to build a second dimension of sense of what was rejected. Placements, decomposition, multiplication, arrangements, repetitions are organizational structures to work with the portion and not with the whole, with the waste and not just the finished work.