Alcala Rosa (101 results)

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: Fair. 0. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. Highlighting/Underlining/Notes etc. Satisfaction 100% guaranteed.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. Poetry. Latino/Latina Studies. Women's Studies. How do we trace shifts of home or syllable, the history of becoming in language? We show what's passed on with the mother-milk, the blood-words, pushed from the body onto the page. That's what these poems do, spilling beautifully, forming in the mouth of the reader. This is the 'ark built to survive': our things built with words circling, mother-to-daughter-to- mother-to-daughter. -- Eleni Sikelianos Here are poems that reckon with the histories of family, generations, language and love: how our tongues are mothered or not, how we are given to and abandoned. Alcal writes, 'What good is it to erect/ of absence/ a word?' Tough and gorgeous, smart and touching, these poems are offerings that tie, untie, unite, entice. -- Hoa Nguyen Rosa Alcal 's new poemario MYOTHER TONGUE begins in the archives of what has yet to be written. She writes with precision and dynamism from the borders between death (of a mother) and birth (of a daughter). What a body produces, and what produces a body: labor, trauma, memory, sacrifice, pain, danger, and language formed both on the tongue and in the culture and the spaces between what can be said and what is missing, the linguistic and existential problem of not having the right words. The darknesses in Alcal 's work emerge from what happens when we don't see ourselves in the languages that both form and destroy us as we labor in this 'dream called money.' Alcal is a {un}documentarian of the highest order, a {un}documentarian of what history and memory try to erase. Her poems are urgent, demanding and haunting. -- Daniel Borzutzky.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. Poetry. Latino/Latina Studies. Women's Studies. How do we trace shifts of home or syllable, the history of becoming in language? We show what's passed on with the mother-milk, the blood-words, pushed from the body onto the page. That's what these poems do, spilling beautifully, forming in the mouth of the reader. This is the 'ark built to survive': our things built with words circling, mother-to-daughter-to- mother-to-daughter. -- Eleni Sikelianos Here are poems that reckon with the histories of family, generations, language and love: how our tongues are mothered or not, how we are given to and abandoned. Alcal writes, 'What good is it to erect/ of absence/ a word?' Tough and gorgeous, smart and touching, these poems are offerings that tie, untie, unite, entice. -- Hoa Nguyen Rosa Alcal 's new poemario MYOTHER TONGUE begins in the archives of what has yet to be written. She writes with precision and dynamism from the borders between death (of a mother) and birth (of a daughter). What a body produces, and what produces a body: labor, trauma, memory, sacrifice, pain, danger, and language formed both on the tongue and in the culture and the spaces between what can be said and what is missing, the linguistic and existential problem of not having the right words. The darknesses in Alcal 's work emerge from what happens when we don't see ourselves in the languages that both form and destroy us as we labor in this 'dream called money.' Alcal is a {un}documentarian of the highest order, a {un}documentarian of what history and memory try to erase. Her poems are urgent, demanding and haunting. -- Daniel Borzutzky.…

paperback. Condition: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Soft cover. Condition: New.

Soft cover. Condition: Near Fine. 1st Edition. soft cover in fine condition,stated-first edition.

Condition: New.

Wraps. Condition: Fine. First edition. 8vo, 96 pp. Inscribed and signed by the poet to Jerome Rothenberg (as "Jerry"). Spanish and English.

Paperback. Condition: New. From the author of My OTHER TONGUE comes a new collection of prose poetry exploring the intergenerational inheritance of gendered violence.Rosa Alcalá choreographs language to understand the body as it "gathers itself over time to become whole," recovering the speaker's intuition while unraveling memory to pinpoint the aches, anxieties, and lessons of a woman's survival. Ruminating on daughterhood, mothering, and the body's cumulative wisdom, YOU traces a jagged line through fears and joys both past and present.…

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

paperback. Condition: Good. 0th Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condition: As New. Unread book in perfect condition.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

paperback. Condition: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Alcalá, Emmanuel (illustrator).

Hardcover. Condition: Very Good+. 104 pages.

Condition: New.

Condition: New.

Paperback or Softback. Condition: New. The Lust of Unsentimental Waters. Book.

Paperback or Softback. Condition: New. Undocumentaries. Book.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. 'Rosa Alcala, originally from Paterson, N.J. is a true daughter of W.C. Williams with a distinct, gutsy, and penetrating identity twining a public poeisis with her own luminous particulars. I know of no one else writing such poems that cut into and reenact the 'plebeian' with such personal force, eloquence, and skill' - (Anne Waldman). …