Alfred Collette (16 results)

Condition: Very Good. 3rd Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. 28 pages.

Softcover. Condition: Near Fine. Color illustrations, text. Exhibition catalogue. ; Oblong 8vo 8" to 9" tall; 42 pp.

Soft cover. Condition: Very Good. 1st Edition. Brown illustrated stiff wraps in very good condition. Exhibition catalog. The Joe and Emily Lowe Art Gallery is proud to present the exhibition "The Etchings and Drypoints of James Mcneill Whistler", which encompasses a forty year period of graphic work by the master etcher, J. M. Whistler, the exhibition is composed of selected prints from Whistler's four major sets: 12 etchings from nature (known as "The French Set"), a series of 16 etchings on the Thames and other subjects, (called "The Thames Set"); Venice, 12 etchings, and Venice, second series (known respectively as "The first venice set", and "The Second Venice Set"). 28 illustrations reproduced. Check list of the exhibition. 28 pages.

Paperback. Condition: Good. Moderate shelf wear, covers have small areas of paper loss/chipping, stapled binding, pages clean and unmarked. Essay by Edward A. Aiken, 42 pages, illustrated in color and black and white.

Hardcover. good condition with minor soiling xlibrary with usual markings; xlibrary with usual markings; LIB2958011107.

Hardcover - N. Condition: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDEducation: Very Good Hardcover No dust jacket, front and rear verso covr and pastedowns sunned, clean pages, tips bumped, prompt shipping with tracking.

Paperbacks. Condition: Good. Various editions. Cover blurbs inform us that these are, in order, "A novel of intrigue, love and villainy," "On the outside it is a sedate and charming finishing school for girls, set in picturesque Montigny.But on the INSIDE.!", "A delightful fable of a holy man in unholy mischief," "He conquered her body but not her heart," and "One terrible hour of love." All have flaws of one degree or another, but all of the words remain firmly pressed onto the proper pages, and all of the pages remain defiantly attached. Size: 16mo - over 5¾ - 6¾" tall. Book.

Hardcover. Condition: Very Good. Second Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Fair.

hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: New.

Paris, Goupil, Vibert et Cie. Editeurs ( also Goupil in New York ; E.Gambart & Cie. in London), s.d. (1849) , In-folio, oblong format. 30,5 x 41 cm, title + 6 full page lithographic plates + (1)nn pp (text). Bound in contemporary half vellum, boards covered with marbled papere. Ex-library copy with two stamps on title page. Binding soiled, interior with some soiling and foxing spots, still an acceptable copy of a very rare French edition of this cynical satire on socialism. This publication was inspired by the various revolutions which had swept Europe in the previous year. The commentary on the last page (in translation) begins with '' All equal now: no big, no small, no poor, no rich, only CORPSES.''. The German painter-author Alfred Rethel ( Aachen 1816 - Düsseldorf 1859 ) created this suite as woodcuts. They were transferred on stone by Collette. He was inspired by Dürer; the captions are by Robert Reineck. The original German publication had a great success. The French edition is relatively rare.