Ali Effendi (14 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover in Dust Jacket. Condition: Very Good. First Edition. First Edition. As-new, in publisher's original shrink-wrap. 4to (124 pages, profusely illustrated with photographs and maps).

Couverture souple. Condition: Très bon. In-8 de 164 pp.; broché de l'éditeur.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New.

Taschenbuch. Condition: Neu. Neuware.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Single sheet of wove paper folded once to form two leaves (243 x 195 mm). Arabic calligraphy and English inscription on polished oriental paper, window-mounted vertically on first leaf, text in Hutton's hand written vertically on first leaf and continued horizontally on second. A specimen of Arabic calligraphy by an Egyptian Turk named Ali Effendi, inscribed in English in Effendi's hand "To Mrs Catherine Hutton", with the note "Madam when I am Ali Bey I shall be glad to see you in Egypt. I am yours [sic] sincere friend Ali Effendi". Catherine Hutton's accompanying notes, dated 1826 and 1829, state that Effendi "is a young, handsome, clever Egyptian-Turk, who had been sent to England by his beloved 'Grand Pasha' to learn our language, manners &c, and transport them to Cairo. His proficiency in writing English is seen in the following autograph, the English part of which he wrote for me". Hutton further notes that Effendi "was fond of the theatre, and spoke with rapture of the beautiful actresses. He looked upon English horsemanship with the utmost contempt. Stooping forward, and hanging down his head, he said 'Your men ride like this'. Then, rising to his accustomed height, he added, 'I throw my jereed on full gallop, and stop the moment when I should touch the wall'. Ali Effendi drank wine like an infidel". Hutton mentions three of Ali Effendi's companions: Mohamed Effendi, "who is studying naval architecture", Selim Aga, "who is studying mathematics and military engineering", and Omar Effendi, "who is qualifying himself for diplomacy". That all four men spent some years in England is confirmed by The Nautical Magazine for 1832, which adds that they were aged between 22 and 25 years of age and that they arrived in 1826. From an early age the novelist Catherine Hutton (1756-1846) was a keen letter-writer. "The Coltman family of Leicester and Mrs Andre of Enfield, Middlesex, were lifelong correspondents. She also wrote to her cousin the mathematician Charles Hutton (1737-1823), Sarah Harriet Burney (Fanny Burney's half-sister), the radical author Sir Richard Phillips, Eliza Cook, and, latterly, Edward Bulwer Lytton, and Charles Dickens. Her letters are full of anecdotes and shrewd observations on her acquaintances and are seasoned with a self-deprecating wit, their direct address and dry cheerfulness recalling the epistolary style of Jane Austen. Hutton delighted in Austen's novels, and believed that 'her character is either something like mine, or what I would wish mine to be'. In an account of her occupations written in July 1844, Catherine Hutton described some of the other activities which absorbed her: needlework, including 'patchwork beyond all calculation'; pastry and confectionery; collecting prints of costumes in eight large volumes; and collecting more than 2000 autographs. Bridget Hill rightly concludes that her life 'illustrates the particular problems of the educated, intelligent, single daughter of the middle class' in late 18th- and early 19th-century Britain' (Oxford DNB). - In very good condition.

in-8, reliure toile noire "C'est la reliure de l'imprimerie de la Victoire Beyrouth", 334p, manque page de titre sinon bon étatune carte dépliante in-fine, bé.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1823. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 110, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 110 110.