Aliamet (38 results)

Original Kupferstich von ca.1780. Aus dem berühmten schweizer Atlas von Zurlauben: "Tableaux de la Suisse ou Voyage Pittoresque fait dans les treize Cantons et etats allies du Corps Helvetique. Es gilt als eines der schönsten und wertvollsten Ansichtenwerke über die Schweiz. Blattmasse ca.20 x27cm. gut erhalten. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Collection "Poètes des cinq continents". Broché, couverture souple illustrée en n&b, 63 pages. Etat de neuf. Size: 21,5x13,5.

Paperback. Condition: New. Print on Demand. This book presents a comprehensive exploration of the fundamental principles governing magnetic quantities and units. Building on the groundwork laid by Coulomb, the author meticulously examines the laws of magnetic action, providing a deep dive into concepts such as magnetic poles, magnetic moments, and magnetic fields. The book delves into the intricate relationship between magnetic intensity and magnetic induction, introducing the concepts of permeability, susceptibility, and reluctivity. It elucidates the significance of magnetic circuits and explores the impact of reluctance on magnetic flux. The author deftly demonstrates how to measure magnetic properties through a variety of techniques, including the use of permeameters, magnetic balances, and induction methods. These methods empower readers to accurately determine the magnetic characteristics of various materials, enabling them to make informed decisions in the design and construction of electrical machinery and devices. This book serves as an invaluable resource for electrical engineers, physicists, and anyone seeking a thorough understanding of magnetic phenomena. Its in-depth analysis and practical applications make it an essential guide for both students and seasoned professionals alike. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

original Kupferstich gestochen von Aliamet nach einem Gemälde von Le Brun von 1786 - Blattmasse: ca. 32 x 49 cm - gut erhalten. -- original copper engraving by Aliamet after a painting by Le Brun from 1786 - good condition. | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.

Couverture souple. Condition: Bon. ALIAMET (illustrator). 1ère Édition. Petit ouvrage de 22 pages broché , rare poème d'un buveur de vin qui mourut d'avoir absorbé un verre de tisane . Beau frontispice gravé d'ALIAMET - EISEN Inconnu de COHEN.

Hardcover. Condition: Very Good. 1st Edition. Cloth. 4to. First edition. 267 pp. Very good. Cloth at spine worn. Boards stained. Profusely illustrated in black and white with over 300 in text illustrations. Black & white frontis portrait. Monograph of the French Retrospective Museum of Electricity at the 1900 World's Fair. Text in French.

Condition: Good. Stipple and line engraving. 21.5 x 12.5 cm. (sheet). Very Good. Light toning along sheet edges.

The rare catalogue raisonne of Aliamet's prints. 262 items described in great detail. 14 facsimiles, mostly fine full-page photogravures. ONE OF ONLY 200 COPIES PRINTED, ALL ON FINE WOVE PAPER. 4to. Original wraps. Uncut and unopened. FINE AND BRIGHT. Never reprinted and very rare.

Condition: Good. 8vo. 12 x 18cm. 186pp. Contemporary tree calf with gilt stamping on cover and spine, worn on edgesEmbossed stamp ofDr. Paul Aubry, Saint Brieuc on title page. Cohen- De Ricci (1912): 308-311), for a different printing with only 119pp.

Unbound. Condition: Good. Aliamet, F. [Engraver] (illustrator). First Edition. Single sided engraved broadside, approximately 245mm x 380mm in size. Browned, lightly creased, and lightly foxed, small split to left hand edge, a couple of small spots of dirt, chipped to edges with small amounts of loss, a couple of tiny holes to centre, just catching a couple of the 'o's in 'of', but without loss of sense. A portrait within an ornate frame, with books and documents to the side, which include the Magna Charta, Locke, Sidney, the Bill of Rights, and the Alderman's Oath. The broadside was engraved by F.[rancois] Aliamet (1734-1790), see Alexander, 'A Biographical Dictionary of British and Irish Engravers 1714-1820', page 47 (though Aliamet was French), after a painting by Robert Edge Pine (1730-1788, the son of the engraver John Pine). Richard Oliver (1735-1784), politician. "Oliver took up his freedom in the Drapers' Company on 29 June 1770, and on 4 July following was elected alderman of Billingsgate ward. He was a radical and a founder member of the Society of Supporters of the Bill of Rights, which pressed for reform of government and redress to Wilkite grievances. The radicals controlled the City of London at this time, and when a by-election was called in July 1770 Oliver was elected MP, after the original radical candidate, his brother-in-law Thomas Oliver, had withdrawn from the contest because of ill health. He continued to represent the City until the dissolution of parliament in September 1780, and used his platform in the house to support reforming measures, such as Serjeant Glynn's motion for a committee to inquire into the administration of criminal justice. Oliver's most notable appearance in the House of Commons came in March 1771, during the celebrated Printers' case and the subsequent struggle between the City and the Commons. In a deliberate attempt at confrontation, Lord Mayor Crosby and aldermen Wilkes and Oliver arrested a messenger of the Commons. The Commons sought to punish Crosby and Oliver, both MPs, choosing to ignore Wilkes. Due to the illness of Crosby, much of the house's attention was focused on Oliver, who declined to defend himself and defied the Commons, stating that he had acted according to his conscience. An angry Lord North moved for his commitment to the Tower of London, which was carried by a large majority in the house, after midnight in the debate of 25 March 1771. When the parliamentary session closed on 8 May, Oliver and Crosby were released from the Tower and conducted in a triumphal procession to the Mansion House. The City showed its gratitude to Oliver by presenting him with a silver-gilt cup in March 1772, and he was elected a general of the Honourable Artillery Company in August 1773" (Oxford DNB). Not in ESTC Size: Folio. Broadside.

Acquaforte mm. 245x320, rifilata al margine della battuta. Incisione eseguita da una pittura di Berghem. Jacques Aliamet è stato un incisore e editore francese, considerato uno dei più famosi e brillanti incisori del suo tempo.[1].

Condition: Good. Six engravings on one scrapbook sheet by Aliamet, Page, et al, of George Villiers, Duke of Buckingham (1628-1687), statesman and dramatist; Henry Pelham; Francis, Lord Rawdon; Sir George Pocock; Russel, Earl of Orford; and Sir John Fielding (1721-1780), magistrate and social reformer. Image size: 149 x 98 mm and others. Sheet size: 544 x 346 mm. Trimmed within plate marks. Pasted down at corners. Water staining and wrinkling on each.

Acquaforte mm. 270x320, rifilata al margine della battuta. Piccolam ancanza nell'ang. alto di destra di mm. 17x14 (restaurata). Incisione eseguita da una pittura di Berghem. Jacques Aliamet è stato un incisore e editore francese, considerato uno dei più famosi e brillanti incisori del suo tempo.

Gute Erhaltung, die Ränder sind leicht beschädigt, die Kupferstiche in einem guten Zustand. Blattmasse: 49 x 32 cm 1 Seite Sprache: Französisch.

Paris, Rapilly Libraire-éditeur, 1896, format in-4°, 26,5 x 20,5 cm, vii pp + planch. h.t. + 55 pp + 5 planch. h.t. Edition tirée à 50 exemplaires. (!) . Broché, couverture imprimée d'origine. Couverture très légèrement soull. sinon bel exemplaire de l'édition originale de 1896.

Condition: Good. Lithograph. Approx. 21 x 16 cm. in the plate. Signed, inscr. in plate. Image slightly rubbed (<1 cm) top left; small stain, bottom right; else VG.

Motiv: 24 x 31 cm, Rahmen: 43 x 52 cm Rahmen leicht bestossen, sonst guter altersgemäßer Zuarand Sprache: Deutsch 2001 gr.

Condition: Bon. Aliamet, NON_DISPONIBLE (illustrator). Livre [DORAT (Claude-Joseph)]. Lettre du Comte de Comminges à sa mère, suivie d'une lettre à Philomèle à Progné. Paris: Sébastien Jorry (1764). In-8, 68 pages, reliure en plein veau brun, triple filets dorés en encadrement, fleurons d'angle, dos lisse orné, avec fers, pièce de titre en maroquin rouge, tranches dorées. Frottements sur les mors. Edition originale. Exemplaire à grandes marges. Premier tirage des 2 figures, 2 vignettes en-tête et 2 culs-de-lampe, finement gravés en taille- douce par Aliamet et de Longueil d'après Eisen. Couverture rigide/couverture reliée. Livre.

Bella veduta del paese, movimentata da diversi personaggi. Tratta dalla prima edizione della monumentale opera edita da Jean-Claude Richard de Saint-Non, meglio noto come Abate di Saint-Non " Voyage ou Description des Royaumes de Naples et de Sicilie ". Pubblicata a Parigi dal 1781 al 1786.

Bella e decorativa rappresentazione, molto animata, di una scena nel porto di Genova.

Jacob Philipp Hackert (illustrator). 'VUE DE ST VALERY / SUR LA SOMME. / DEDIEE A MESSIRE JACQUES NICOLAS SEIGNEUR DE RICHEMONT, IVORY / LE BOUCHER D'ADILLY, CHEVALIER DE L'COQUINAMONT, BOUILLANCOURT EC.'Coastal town view of Saint-Valery-sur-Somme with boats and figures in foreground, and village skyline with steeples in background. A romanticized 18th-century landscape with fishing activity.Made by Jacques Aliamet after Jacob Philipp Hackert.Medium: Etching and copper engraving on hand laid (verge) paper. Watermark: lettering.Sheet size: 50.7 x 40.3 cm (19.96 x 15.87 inch). Image size: 46 x 35.7 cm. (18.11 x 14.06 inch).SAINT-VALERY, SOMME, FRANCE, COASTAL TOWN, PANORAMA, 18TH CENTURY, ENGRAVING, HACKERT, ALIAMET, FISHING, RIVER SCENE | PCO-B9-38BACKGROUND INFORMATIONPublished in France between 1746-1788, after a painting by Hackert.Reference: Meyer Kunstlerlexikon 18721885, Bd. I, S. 310.19.Biography engraver: Jacques Aliamet (1726-1788) was a French engraver known for landscapes and marine scenes after contemporary artists such as Vernet and Hackert. Active in Paris and a member of the Academie Royale.Biography artist: Jacob Philipp Hackert (1737-1807) was a German landscape painter known for his detailed, luminous scenes of Italy and France. He served as court painter to the King of Naples. Condition: very good, given age. Light creasing, foxing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condition: Good. 8vo. 4 vols. 15 cx 22cm. Printed on laid paper. 4 engraved title pages, 2 portraits and 202 plates. Marbled art nouveau calf bindings signed by A. Cretin-Pellion [Beaune, France]. (v. 1) [1 f.] xvi, 99 pp., plus 48 plates; (v. 2) [1 f.] 112 pp., plus 49 pls.; (v. 3) [1 f.] 106 pp., plus 50 pls.; (v. 4) [1 f.] 168 pp., plus 61 pls.; .OCLC Number / Unique Identifier:1097847182; For the earlier edition published by Lattré in 1789: Landwehr VI, 349 ; Cohen-De Ricci. pp. 456-457 ; Praz 357; Gordon Ray, Art of the French Illustrated Book, no. 23.À partir de 1765, Hubert-François Bourguignon d'Anville, dit Gravelot (1699-1773), donne des dessins sur le thème des emblèmes et allégories destinés à paraître chaque année sous la forme d'Almanachs iconologiques. À sa mort, en 1773, l'éditeur Lattré fait appel à Charles-Nicolas Cochin (1715-1790) qui, jusqu'en 1781, poursuit l'entreprise selon l'esprit voulu par Gravelot. L'ensemble des planches est ensuite repris pour former le traité qu'avait annoncé Gravelot dès la parution du premier Almanach de 1765 et publié sous le titre d'Iconologie par figures, d'abord au format in-12, chez Lattré, en 1789, puis au format in-8, chez Le Pan, en 1791.L'illustration se compose de deux portraits des artistes interprétés par Gaucher d'après La Tour et Monnet, quatre titres-frontispices et 202 jolies figures hors texte de Gravelot et Cochin gravés par Choffard, Aliamet, Bacquoy, de Ghendt, Legrand, Masquelier, Saint-Aubin, etc.Cohen, 456 - Gordon N. Ray, pp. 25-30 et 49-50 - Ch. Michel, Charles-Nicolas Cochin et le livre illustré au XVIIIe siècle, Genève, Droz, 1987, pp. 311-317.

Deux gravures originales sous cadre doré du XXe siècle.Paris, Chez Aliamet, 1755.Format épreuves : 33 x 26,3 cmFormat des cadres : 57 x 46 cmOn retrouve la trace des deux oeuvres originales de David II Teniers (le Jeune) (1610-1690) dans le catalogue de la vente du cabinet de C.-A. Villeneuve, comte de Vence. Aujourd'hui malheureusement disparues, elles ont été gravées par Jacques Aliamet (1726-1788) en 1755."Départ pour le Sabat". État avec l'adresse "à Paris chez Aliamet graveur ruë des Mathurins la 4e - Porte cochere à gauche en entrant par la rue de la Harpe."Cette première gravure représente un rituel se déroulant la nuit dans un intérieur. Une sorcière assise autour d'une table entourée d'un démon prépare les onguents nécessaires à l'envol. A l'arrière-plan à droite, une autre sorcière s'affaire devant une cheminée sous le regard d'autres démons et animaux fantastiques. Devant les flammes de la cheminée, une jeune femme chevauchant un balai s'apprête à se transformer en chauve-souris."Arrivée au Sabat". État avec la même adresse que la précédente.Ces deux estampes sont longuement décrites dans le Mercure de France d'octobre 1755, qui en annonce la mise en vente (p. 204). "On v voit la sorcière et sa servante accompagnées de toute la cohorte ténébreuse, occupées à chercher des trésors à la lueur du flambeau déjà décrit ; l'une fouille la terre, l'autre apporte des herbes et des racines magiques parmi lesquelles est une mandragore. La scène est en pleine campagne auprès d'un gibet en ruine dont il ne reste qu'un poteau, les oiseaux de nuit voltigent ça et là, accompagnant de leurs cris les instruments de musique qui annoncent d'une façon comique la joie de toute la troupe. Les deux estampes expriment parfaitement les beautés et les finesses des deux tableaux et rendent très bien les effets du clair-obscur."Des exemplaires conservés au Rijksmuseum, Musée national néerlandais, au Musée d'art et d'histoire de Genève ou encore au Petit Palais, musée des Beaux-arts de la Ville de Paris.Références bibliographiques :Catalogue raisonné du cabinet de feu M. le Comte de Vence [vente du 9 février 1761]. Paris, Prault, 1760. n° 60.Bibliothèque nationale, Cabinet des estampes. Inventaire du fonds français, graveurs du dix-huitième siècle. 1930. Tome premier. N° 26 & 27. Staatliche Kunsthalle Karlsruhe. Die Meister-Sammlerin Karoline Luise von Baden. Catalogue d'exposition. 2015.

Charles Eisen Aliamet Le Mire (illustrator). A COMPLETE SET OF PROOFS AFTER CHARLES EISEN (etched by Tardieu, Alamet, and Le Mire), ON CHINE APPLIQUÉ. Eleven sheets (frontispiece plus ten plates), each with an etching on fine Chinese paper mounted on fine wove paper. This set is not to be confused with vastly inferior etchings made decades later after the same drawings. 8vo. OUTSTANDING IMPRESSIONS IN PERFECT CONDITION, with no defects. Of the greatest rarity: only a handful of such sets were printed, and I have been unable to locate another one that has survived complete.

Incisione originale su rame (cm. 65,5x50 più margini bianchi) da un disegno di Nicolaes Berchem. Ottimo esemplare. Rara.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1903 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 289 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 289.

Leather Bound. Condition: New. Language: ita. Language: ita. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1757. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita, Vol:- Volume 3, Pages:- 251, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 3 251 251.

Leather Bound. Condition: New. Language: ita. Language: ita. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1757. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita, Vol:- Volume 5, Pages:- 303, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 5 303 303.

Leather Bound. Condition: New. Language: ita. Language: ita. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1757. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita, Vol:- Volume 4, Pages:- 317, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 4 317 317.