Allan Cameron (559 results)

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condition: Good+. No Jacket. Allan Cameron (illustrator). moderately used.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. 6th. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 6th. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Printing.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: New. The narrator is an urbane, cynical and egocentric Italian journalist with little interest in the truth, though not as shabby as his companion, a professor of politics. The journalist meets people across the spectrum of ideas, and the book concerns not just political events, but how people interrelate within a social context, Scotland's place in Europe and how Europeans interpret each other. The Italian encounters a range of Europeans: a Ukrainian nationalist, a Russian religious guru, an eccentric Estonian, an Algerian refugee, a Lithuanian, a dying man and many Scots from different walks of life. The narrator falls in love with a Scottish campaigner. Beneath the urbane veneer, he's a complex mix of the old-fashioned and the fashionable, and the relationship soon encounters problems. The Italian, like Voltaire's Candide, starts with a mindset incapable of bringing him either understanding or lasting contentment, and ends the book with some understanding and awareness, insufficient for the elusive happiness we all seek but sufficient for a perfectly acceptable human existence.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. 1776682706. 4/20/2026 10:58:26 AM.

Paperback. Condition: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Paperback. Condition: new. Paperback. The narrator is an urbane, cynical and egocentric Italian journalist with little interest in the truth, though not as shabby as his companion, a professor of politics. The journalist meets people across the spectrum of ideas, and the book concerns not just political events, but how people interrelate within a social context, Scotland's place in Europe and how Europeans interpret each other. The Italian encounters a range of Europeans: a Ukrainian nationalist, a Russian religious guru, an eccentric Estonian, an Algerian refugee, a Lithuanian, a dying man and many Scots from different walks of life. The narrator falls in love with a Scottish campaigner. Beneath the urbane veneer, he's a complex mix of the old-fashioned and the fashionable, and the relationship soon encounters problems. The Italian, like Voltaire's Candide, starts with a mindset incapable of bringing him either understanding or lasting contentment, and ends the book with some understanding and awareness, insufficient for the elusive happiness we all seek but sufficient for a perfectly acceptable human existence. A cynical and narcissistic Italian journalist travels around Scotland to report on the Scottish independence referendum. His encounters and adventures provide a complex yet humorous take on the question of nation in the present day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. This is a collection of eleven short stories whose common theme is the heroism of our flawed lives. It explores the arduousness of people's lives and covers such diverse subjects as human solidarity, generational change, single parenthood, domestic violence, the tragic complexity of revolution, police brutality, artistic hubris, and the limitations of rationalism. In "The Hat", a polish Jew on the run in Eastern Europe goes down to a town in search for food and, noticing the large number of German soldiers on patrol, hides himself in a funeral procession. But he stands out as the only mourner without a hat. As he walks along, another man places his hat on the fugitive's head: an example of man's humanity to man. In "Living with the Polish Count", the young Soviet Republic struggles to keep foreign and reactionary forces at bay and in so doing loses the morality that initially inspired them. In "The Selfish Geneticist", lunch in a smart restaurant exposes the rift between two academics, both dogmatic and contemptuous of others, but one more strictly rational and the other more influenced by his human emotions.

Paperback. Condition: new. Paperback. This is a collection of eleven short stories whose common theme is the heroism of our flawed lives. It explores the arduousness of people's lives and covers such diverse subjects as human solidarity, generational change, single parenthood, domestic violence, the tragic complexity of revolution, police brutality, artistic hubris, and the limitations of rationalism. In "The Hat", a polish Jew on the run in Eastern Europe goes down to a town in search for food and, noticing the large number of German soldiers on patrol, hides himself in a funeral procession. But he stands out as the only mourner without a hat. As he walks along, another man places his hat on the fugitive's head: an example of man's humanity to man. In "Living with the Polish Count", the young Soviet Republic struggles to keep foreign and reactionary forces at bay and in so doing loses the morality that initially inspired them. In "The Selfish Geneticist", lunch in a smart restaurant exposes the rift between two academics, both dogmatic and contemptuous of others, but one more strictly rational and the other more influenced by his human emotions. A collection of short stories that explores the arduousness of people's lives and covers such diverse subjects as human solidarity, generational change, single parenthood, domestic violence, the tragic complexity of revolution, police brutality, artistic hubris, and the limitations of rationalism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good++. Dust Jacket Condition: Good++ Dust Jacket. illustrated by Allan Cameron (illustrator). Slight wear to lower front cover. Clean interior - no stamps or writing. Light edgewear to dust jacket - now in a protective mylar cover. Size: 8 3/4" X 5 3/4". Book.

Paperback. Condition: new. Paperback. "My sight if fades and fading faded forms reveals; ageing looks beyond its age to shrivelled centuries beyond decades." The presbyopic poet cannot focus on "the self as subject", but only on what is distant. This collection of poetry attempts to detach the writer from the obsessions that have dominated poetry for so long: sentiment, love, feelings and the autobiographical in general. To completely dispose of these would be dogmatic, and Cameron argues that some of the greatest poets are both presbyopic and myopic. "And yet he fell apart, and headstrong held to that one truth, while falling and parting for his way, his lonely way of wanting justice for the damned." This poetry is unfashionably but unashamedly political and philosophical. Cameron continues to express in another form the contempt he feels for utilitarianism in general, and in particular its crude and extreme variety, as peddled by neo-conservative politicians and their intellectual bag-carriers. At the same time, he attempts to invent new poetic forms.Inspired by some Italian poets (especially Eugenio Montale), he uses metre and some rhyme, but then breaks it up by introducting enjambement and internal rhymes as well. There are English influences too: most surprisingly Rudyard Kipling's "Mary Gloster" in part inspired "Zarathustra's Last Interview", the longest narrative poem in this collection. "We thank thee Lord for having made us free to rule the world and liberate its inner need to be so much more like us." This poetry is unashamedly anti-imperialist. "That war with wings of death does twist and crush and kill the flimsy leathered bag of flesh and bone and liquid life that spills upon the sands, requires no second telling." This poetry is unashamedly anti-war. "Only this empty moment which I spectate is in my clasp; amongst this fractured stillness, something knowable comes close and just eludes the closing fingers of my mind's grasp" This poetry is for those who have more doubts than certainties. A collection of poetry in English and Italian, with an introductory essay on the need to move away from "self-as-subject" and towards a more public discourse in poetry. (The Italian poems come with translations into English). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. "My sight if fades and fading faded forms reveals; ageing looks beyond its age to shrivelled centuries beyond decades." The presbyopic poet cannot focus on "the self as subject", but only on what is distant. This collection of poetry attempts to detach the writer from the obsessions that have dominated poetry for so long: sentiment, love, feelings and the autobiographical in general. To completely dispose of these would be dogmatic, and Cameron argues that some of the greatest poets are both presbyopic and myopic. "And yet he fell apart, and headstrong held to that one truth, while falling and parting for his way, his lonely way of wanting justice for the damned." This poetry is unfashionably but unashamedly political and philosophical. Cameron continues to express in another form the contempt he feels for utilitarianism in general, and in particular its crude and extreme variety, as peddled by neo-conservative politicians and their intellectual bag-carriers. At the same time, he attempts to invent new poetic forms.Inspired by some Italian poets (especially Eugenio Montale), he uses metre and some rhyme, but then breaks it up by introducting enjambement and internal rhymes as well. There are English influences too: most surprisingly Rudyard Kipling's "Mary Gloster" in part inspired "Zarathustra's Last Interview", the longest narrative poem in this collection. "We thank thee Lord for having made us free to rule the world and liberate its inner need to be so much more like us." This poetry is unashamedly anti-imperialist. "That war with wings of death does twist and crush and kill the flimsy leathered bag of flesh and bone and liquid life that spills upon the sands, requires no second telling." This poetry is unashamedly anti-war. "Only this empty moment which I spectate is in my clasp; amongst this fractured stillness, something knowable comes close and just eludes the closing fingers of my mind's grasp" This poetry is for those who have more doubts than certainties.

Paperback. Condition: new. Paperback. "A barrel not of laughs but of contortions, confusions and the occasional dry chortle - and of metre adorned with irregular, sometimes internal rhymes, assonances, alliterations, awkwardnesses and other such trickery unfashionable to the current academic ear, and not a murmur of the poet's inner angst, failed loves or fortitude." This second collection Cameron's poetry contains a wide variety of subjects, not all of which are commonly associated with poetry: a weak man is interviewed by angelsand devils, an Afghan mystic tell us why he became on e, a riposte to Scott's "Breathes there a man with soul so dead", taking the side of the man with a dead soul, the English language, a lesson on Italian viticulture, and another on Italian anatomy amongst others. Allan Cameron's second volume of poetry is more varied in style and content, but continues with some narrative poetry in the mix and to dispense almost entirely with the "self-as-subject" as Seumas Heaney defined poetry since the Romantics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. "A barrel not of laughs but of contortions, confusions and the occasional dry chortle - and of metre adorned with irregular, sometimes internal rhymes, assonances, alliterations, awkwardnesses and other such trickery unfashionable to the current academic ear, and not a murmur of the poet's inner angst, failed loves or fortitude." This second collection Cameron's poetry contains a wide variety of subjects, not all of which are commonly associated with poetry: a weak man is interviewed by angelsand devils, an Afghan mystic tell us why he became on e, a riposte to Scott's "Breathes there a man with soul so dead", taking the side of the man with a dead soul, the English language, a lesson on Italian viticulture, and another on Italian anatomy amongst others.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: As New. Unread book in perfect condition.