Allan Ingrid (24 results)

paperback. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Paperback. Condition: Fine. Weiersbye, Ingrid (illustrator). Flexible plastic covers, index, illustrated with mostly color drawings. Fine. Partially erased bookseller's code on upper corner of title page, otherwise new, tight, clean, paper crisp, unmarked and never read. Ornithology; birds; natural history; Africa ; 6 X 0.7 X 8.5 inches; 288 pages.

Soft cover. Condition: Good. Weiersbye, Ingrid (illustrator). Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Dispatch within 24hrs from the UK.

broché. Condition: Très bon. Weiersbye, Ingrid (illustrator).

dvd. Condition: Used - Good.

Paperback. Condition: Very Good. Weiersbye, Ingrid (illustrator). 1st. Heavy, extra postage required unless posted within South Africa. The wraps are shelf rubbed and bit knocked. Light marks. Internally clean and tightly bound. [P.K.]. Our orders are shipped using tracked courier delivery services.

Soft cover. Condition: Fine. Weiersbye, Ingrid (illustrator). 1st Edition. Wraps are slightly shelf rubbed.Internally clean.Well bound.A guide to the plumage variation of 613 bird races in southern Africa.105 annotated plates illustrated,colour maps.and the meaning of scientific names.[R.K]. Our orders are shipped using tracked courier delivery services.

Pictorial Wraps. Condition: Fine. First Edition. An uncommon anthology of prose and poetry by members of the Foundations of Professional Writing course at Holmesglen College of TAFE. Several contributors. Introduction by G.M. Slusher. Printed in Australia. A very nice clean tight solid softcover copy. 114pp. Scarce. SB-44.

Condition: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Aceptable. Essays "Q & A: David Colman on the Toronto Film Festival," by David Colman; "Books: Lisa Liebmann on Guy Trebay's 'In the Place to Be,'" by Lisa Liebmann; "Film: David Rimanelli on Gus Van Sant's 'To Die For,'" by David Rimanelli; "Gadget Love: Brian D'Amato on ädaweb," by Brian D'Amato; "Preview: Carnegie International 1995," Allan Schwartzman talks with Richard Armstrong; "Weather Report: Andrew Ross on Shiny Clothes," by Andrew Ross; "Music: Olivier Zahm on Dominque A." by Oliver Zahm; "Real Life Rock: Simon Watney's Top Ten," by Simon Watney; "American Myths: J. Hoberman on a New Contract with America," by J. Hoberman; "Finnish Gilt: The Photography of Esko Männikkö," by Peter Schjeldahl; "A Kiss for Us: Constantin Brancusi," by John Berger; "Willem de Kooning: 'Clam Diggers,'" by Paul Muldoon; "Next to Nothing: The Art of Tom Friedman," by Bruce Hainley; "Reality Bytes," Andrew Hultkrans talks with Kathryn Bigelow; "Critical Reflections," by Paul Virilio with an introduction by John Rajchman; "Openings: Laura Owens," by Benjamin Weissman; "Focus: Paul Thek," by Elizabeth Armstrong. Book Reviews by Bruce Hainley, Lisa Liebmann, Norman Bryson, David Carrier, Douglas Coupland, Arthur C. Danto, Richard Flood, David Frankel, Thelma Golden, Nan Goldin, Rhonda Lieberman, Richard Martin, Francis M. Naumann, Peter Plagens, Collier Schorr, Andrew Solomon, Anders Stephanson, and Guy Trebay. Reviews by Andrew Solomon, Bruce Hainley, Donald Kuspit, Mark Van de Walle, Neville Wakefield, Faye Hirsch, Joshua Decter, Barry Schwabsky, Ingrid Schaffner, Thad Ziolkowski, Ronny Cohen, RoseLee Goldberg, Francine Koslow Miller, Jenifer P. Borum, James Yood, Maria Porges, Lisa Anne Auerbach, José Luis Brea, Menene Gras Balaguer, Giorgio Verzotti, Marco Meneguzzo, Miriam Rosen, Sabine Vogel, Yilmaz Dziewior, Frank-Alexander Hettig, Daniel Birnbaum, Michael Archer, and Charles Green. Cover: Paul Thek.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Aceptable. Essays "Q & A: David Colman on Cybersalons," by David Colman; "Books: Andrew Hultkrans on Mark Leyner's Hyper Text," by Andrew Hultkrans; "Brian Massumi on Nicholas Negroponte's 'Being Digital,' Michael Hammer and James Champy's 'Reengineering the Corporation,' Emily Martin's 'Flexible Bodies,' and John Naisbitt's 'Global Paradox,'" by Brian Massumi; "Books: R. U. Sirius on James Brook and Iain Boal's 'Resisting the Virtual Life,'" by R. U. Sirius; "Film: David Rimanelli on Douglas Keeve's 'Unzipped,'" by David Rimanelli; "Real Life Rock: Mim Udovitch's Top Ten," by Mim Udovitch; "Letter from Venice," by Allan Schwartzman, Jean-Pierre Criqui, Jan Avgikos, and Peter Plagens; "Letters from Venice: Boris Groys on Jean Clair's 'Identity and Alterity,'" by Boris Croys; "Doing Life," Nan Goldin talks with Danny Lyon; "A Flash. Then Night: Beat Streuli's Photographs," by Giorgio Verzotti on Beat Streuli; "Critical Reflections," by Thierry de Duve with an Introduction by Jeff Wall; "Danger Dirty Data: A Project for Artforum," by Julia Schor with an Introduction by Andrew Hultkrans; "Arshile Gorky: How My Mother's Embroidered Apron Unfolds in My Life," by John Ash; "How Like a Goddess," by Thyrza Nichols Goodeve talks with Sandy Stone; "Openings: Kathleen Schimert," by Jan Avgikos; "Focus: 'Rites of Passsage,'" by Simon Watney. Reviews by Giorgio Verzotti, Barry Schwabsky, Neville Wakefield, Joshua Decter, Bruce Hainley, Faye Hirsch, Donald Kuspit, Kirby Gookin, Ingrid Schaffner, Thad Ziolkowski, Keith Seward, David Levi Strauss, Nicolai Ouroussoff, RoseLee Goldberg, Francine Koslow Miller, Michael Corris, Maria Porges, Andrew Perchuk, Amy Gerstler, Laura U. Marks, Menene Gras Balaguer, Marco Meneguzzo, Hans Rudolf Reust, Christian Kravagna, Yilmaz Dziewior, Marek Bartelik, Sabine Vogel, David Batchelor, and Azby Brown. Cover: Katharina Fritsch.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Aceptable. Issue edited by Ingrid Sischy. Essays "The Real Experiment," by Allan Kaprow; "Triumph of Representation, a project," by Giulio Paolini; "Against the Return to Order," by Nicolas Calas; "A Project," by Sigmar Polke; "Dispensable Friends, Indispensable Ideologies: Andre Bréton's Surrealism," by Donald Kuspit; "Popcorn and Canvas," by Carrie Rickey; "Books: Frederic Tuten on 'Ranxerox' (continued)," by Frederic Tuten; "Forum," by Glenn O'Brien. Reviews by Glenn O'Brien, Donald Kuspit, Jeanne Silverthorne, Lisa Liebmann, John Howell, Kate Linker, Patricia C. Phillips, Charles Hagen, Thomas Lawson, Thomas McEvilley, Richard Armstrong, Barbara Kruger, Nancy Stapen, Michael Bonesteel, Melinda Wortz, Susan C. Larsen, Suzaan Boettger, Jean Fisher, Denys Zacharopoulos, Saskia Bos, Annelie Pohlen, Max Wechsler, Barbara Maestri, Luciana Rogozinsky. Cover: Sigmar Polke.

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 102 | Sprache: Chinesisch | Produktart: Bücher | Keine Beschreibung verfügbar.

[44] pp.; 27.5 x 10.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Basel, Switerzland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. Curated by AA Bronson, John Goodwin. Artists include Carl Andre, David Antin, Eleanor Antin, Ida Applebroog, John Armleder, Art & Language, John Baldessari, Robert Barry, Lothar Baumgarten, Iain Baxter, Ingrid Baxter, Joseph Beuys, Barbara Bloom, Mel Bochner, Alighiero E. Boetti, Christian Boltanski, George Brecht, Marcel Broodthaers, Stanley Brouwn, David Buchan, Chris Burden, Daniel Buren, Michael Buthe, James Lee Byars, Genevieve Cadieux, Guiseppe Chiari, Christo, Francesco Clemente, Robert Cumming, Jan Dibbets, Marcel Duchamp, Hans-Peter Feldmann, File, Robert Filliou, Ian Hamilton Finlay, Fluxus, Robert Fones, Katharina Fritsch, Hamish Fulton, General Idea, Gilbert & George, Dan Graham, Rodney Graham, Jenny Holzer, Douglas Huebler, Image Bank, International Situationist, Joe Jones, Allan Kaprow, Anselm Kiefer, Martin Kippenberger, Michael Kirby, Yves Klein, Bengt af Klintberg, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sol LeWitt, George Maciunas, Allan MacKay, Jackson Mac Low, Liz Magor, Christian Marclay, Lise Melhorn-Boe, Mario Merz, Robert Morris, Multiples Inc., Ian Murray, Maurizio Nannucci, Bruce Nauman, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Meret Oppenheim, Nam June Paik, Robert Rauschenberg, Steve Reich, Dieter Rot [Dieter Roth], Jerome Rothenberg, Edward Ruscha, Carolee Schneemann, Becky Singleton, Robert Smithson, SMS [Shit Must Stop], Michael Snow, Valerie Solanis, Jesus Raphael Soto, Jana Sterbak, Rosemarie Trockel, Ben Vautier, Bernar Venet, Andy Warhol, Robert Watts, Krzysztof Wodiczko, Wolf Vostell, La Monte Young and Zaj. "An Exhibition of Artists' Books and Multiples from the Permanent Collection of Art Metropole. LEARN TO READ ART is an exhibition of 287 published works by artists from the postwar period to the present. Although the contemporary artist's book emerged early in the twentieth century, it was not until the sixties that it came into its own as a medium ideally suited to the needs of Fluxus and Conceptual artists of the period thus our exhibition picks up this thread of history in the postwar years and follows it into that period of intense evolution which was the sixties and early seventies." ?- AA Bronson, General Idea, from introduction. Reference : No. 54 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 35. Very Good. Yellowing of recto edges with 6 cm. of yellowing across top of verso. Dust soiling to covers with light wear to corners including a 2 cm. dog-ear to top left of verso. Contents clean and unmarked.

very good - fine.