Anca Rosu (26 results)

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Book is in Very Good condition. Cover is clean with no marks or stains. Binding is tight, edges are sharp, shows minor shelf wear. Corners are square, minor bumping to corners. Pages are clean, no marks, writing or highlighting. A Great Copy for a Student or for the Classroom! An Awesome Buy. None.…

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition.

Hard Cover. Condition: As New. Dust Jacket Condition: As New. First Edition. First Printing in dust jacket, no remainder mark, pristine unread copy; 8vo; 181pp indexed.

Condition: As New. Unread book in perfect condition.

Cloth. Condition: New. Dust Jacket Condition: New. First Edition. Black cloth, lettered/illus. in silver foil. As issued. Dust jacket as issued. xv,181 pp. Size: 8vo - over 7¾" - 9¾" tall. Book.

Hardcover. Condition: Very good +. Dust Jacket Condition: very good. first edition. 6 x 9 in. Cloth boards. Condition is VERY GOOD+ ; like near new on all points, unmarked. DJ is VERY GOOD ; very clean, minimal edge wear. Poet. Stax.

Condition: new.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardcover with unclipped dust jacket in very good condition. Light creasing at the jacket edges. The jacket, boards, pages and text are clean and unmarked throughout, almost as new. LW. Used.

Paperback. Condition: Brand New. reprint edition. 200 pages. 9.50x6.25x1.00 inches. In Stock.

Hardcover. Condition: Near Fine. 1st Edition.

Condition: New. pp. 200.

Condition: New. Demonstrates that Wallace Stevens's experimentation with sound is not only essential to his poetics but also profoundly linked to the pragmatist ideas that informed his way of thinking about language. Num Pages: 200 pages. BIC Classification: DSBH; DSC. Category: (G) General (US: Trade). Dimension: 241 x 165 x 23. . . 2017. Paperback. . . . . …

Condition: New. In English.

First edition. xv + 180 pp w/notes, bibliography, & index. Fine in near fine dust jacket with light edge wear. Review slip and promotional flyer accompany.

Condition: New. pp. 200.

Condition: New. Demonstrates that Wallace Stevens's experimentation with sound is not only essential to his poetics but also profoundly linked to the pragmatist ideas that informed his way of thinking about language. Num Pages: 200 pages. BIC Classification: DSBH; DSC. Category: (G) General (US: Trade). Dimension: 241 x 165 x 23. . . 2017. Paperback. . . . . Books ship from the US and Ireland. …

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Wallace Stevens dedicated his poetry to challenging traditional notions about reality, truth, knowledge, and the role of language as a means of representation. Rosu demonstrates that Stevens s experimentation with sound is not only essential to his poetics .

Taschenbuch. Condition: Neu. The Metaphysics of Sound in Wallace Stevens | Anca Rosu | Taschenbuch | Englisch | 2016 | University of Alabama Press | EAN 9780817358860 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Wallace Stevens dedicated his poetry to challenging traditional notions about reality, truth, knowledge, and the role of language as a means of representation. Rosu demonstrates that Stevens's experimentation with sound is not only essential to his poetics but also profoundly linked to the pragmatist ideas that informed his way of thinking about language. Her readings of Stevens's poems focus on revealing the dynamic through which meaning emerges in language patterns--a dynamic she calls images of sound. Rosu argues that the formal aspects of poetry are deeply ingrained in cultural realities and are, in fact, generated by their context. The sound pattern pervading Stevens's poems at once addresses and violates the reader's assumptions about the functioning of language and, along with them, ideas about reality, knowledge, and subjectivity. Sound is thus the starting point of an argument concerned with Stevens's epistemology and poetics--the way his poems insist on a movement past or through a normal poetic representation of the world to gesture toward a reality that lies outside or beyond systems of representation.The relationship between sound and meaning isolated and analyzed in The Metaphysics of Sound in Wallace Stevens is firmly situated among critical debates concerning the poet's aesthetic and philosophical convictions. Rosu claims that Stevens's poetry is not ultimately about the powerlessness of language, nor is it a deconstructive enterprise of destabilizing culturally consecrated truths; rather it achieves meaning most frequently through patterns of sound. Sound helps Stevens make a deeply philosophical point in a language unavailable to philosophers. 200 pp. Englisch.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Wallace Stevens dedicated his poetry to challenging traditional notions about reality, truth, knowledge, and the role of language as a means of representation. Rosu demonstrates that Stevens's experimentation with sound is not only essential to his poetics but also profoundly linked to the pragmatist ideas that informed his way of thinking about language. Her readings of Stevens's poems focus on revealing the dynamic through which meaning emerges in language patterns--a dynamic she calls images of sound. Rosu argues that the formal aspects of poetry are deeply ingrained in cultural realities and are, in fact, generated by their context. The sound pattern pervading Stevens's poems at once addresses and violates the reader's assumptions about the functioning of language and, along with them, ideas about reality, knowledge, and subjectivity. Sound is thus the starting point of an argument concerned with Stevens's epistemology and poetics--the way his poems insist on a movement past or through a normal poetic representation of the world to gesture toward a reality that lies outside or beyond systems of representation.The relationship between sound and meaning isolated and analyzed in The Metaphysics of Sound in Wallace Stevens is firmly situated among critical debates concerning the poet's aesthetic and philosophical convictions. Rosu claims that Stevens's poetry is not ultimately about the powerlessness of language, nor is it a deconstructive enterprise of destabilizing culturally consecrated truths; rather it achieves meaning most frequently through patterns of sound. Sound helps Stevens make a deeply philosophical point in a language unavailable to philosophers.…