And Willette (15 results)

Pamphlet. 44p., 6x9 inches, illustrated with photos, figures and tables, very good first edition booklet in stapled blue wraps.

Paperback. Condition: Very Good. 1st. 32 pages, illustrations (some colour); 22 x 28 cm. Firm binding, clean inside copy. Wraps slightly sunned, age toning. Another copy available. Size: Oblong.

Leaflet. Condition: As New. 6 piece nativity pattern laid in. ; 4to 11" - 13" tall; 2 pages.

Paperback. Condition: Near Fine. 1st. 32 pages, illustrations (some colour); 22 x 28 cm. Near fine. Firm binding, clean inside copy. Age toning. Size: Oblong.

Softcover. Good condition. Some tanning on outside page edges. NOTE - As this is a heavy book, please contact us for postage cost.

Hardcover with dustjacket, unpaginated; in English and German; as new condition, clean and crisp; inscribed and signed by James Higginson on title pages; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Scarce first edition hardcover book in dust jacket in Fine, As New condition, clean, crisp, unmarked, unused, and solidly bound. Shallow scratch on jacket front. A collection of essays about Giovan Pietro Bellori, an important intellectual and critic of seventeenth-century Italy. Illustrated. Large 8vo. 396 pp. including notes, selected bibliography, and index. Scarce.

Condition: Fair. First edition (hardback). 4to (31cm x 23cm), 54pp, [vi]. 7 black and white plates by Willette and Boutet de Monvel. Bound in full red calf, gilt titling to the front board, with the original card front cover bound in. The boards are warped, the binding is scuffed, and a couple of pages are lightly foxed. Overall, this copy is in good minus condition.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Gould, Philip (photographs) (illustrator). 1st Edition. Fine condition deep red boards/black spine/red spine lettering contained in a fine condition non price-clipped color photographic dust jacket. Includes In Memoriam; Acknowledgments; Introduction; Louisiana Calendar of Events; Source Guide; Emeril's Restaurants and Stuff and Index. Profusely illustrated with color photographs. Signed by the author, Emeril Lagasse, with black Sharpie on lower section of the illustrated first front free endpaper. ".join Emeril, Marcelle, and Felicia on a yearlong culinary road trip through the back roads, bayous, and avenues of Louisiana. Start the year with the Oyster Festival in the town of Jean Lafitte and join in an oyster-shucking contest or - more to the point - and oyster-eating contest. The Sugar Bowl rules in Louisiana, and you can get yourself into the spirit as the locals do with a Sugar Bowl brunch or.tailgate it at the stadium with a little Grilled Creole Mustard-Marinated Quail with Smothered Field Peas and Andouille or maybe some Garlic Meatball Poorboys . with Every Day's a Party, you can bring a little bit of Louisiana and a whole lot of good eating into your heart and your home." - excerpt from the inner front and rear jacket flaps. Signed by Author(s).

Softcover. 59/116. Tan wraps with black and red lettering; 82 uncut and untrimmed pages; color frontispiece by Felicien Rops and original lithograph by Adolphe Willette. Printed in edition of 116 copies, this being number 59. Text is in French. The Painters of the Integral Woman: Felicien Rops and A. Willette. VG (light wear to wraps, pages are clean and clear, illustrations are crisp).

51 numbers (all). 41 : 31,5 cm. With many illustrations by Willette. Contemporary half cloth with title on spine. The complete set of this rare journal with the always missing last two numbers of the third year, no. 1 March 20th 1891 and special numb er from March 5th 1891. Satirical literary journal headed and illustrated by Adolphe Willette. Each issue consists of 2 folio-leaves with a lithograph by Willette on the first page and caricatures on the third page. The journal includes poetry, advertisement, news, etc., but the real value lies in the illustrations, done exclusively for it by Willette. - Adolphe Willette was an inseparable part of Montmatre, where he was responsible for the decoration of a number of cabarets, bistros and the famous Moulin Rouge. A painter first and foremost, he exhibited at the Chat Noir, having helped to found it. Later he worked with a nuber of newspapers, including le rire and Assiette au beurre, before establishing le PÜierrot. - Ocassionaly some light foxing. - Very rare with the last two issues.

Condition: Very Good. Adolphe Willette, Pierre Leconte and Anonymous (illustrator). Lithograph on vellin paper. Sheet size: 24,3 x 31,4 cm. (9,6 x 12,4 inch). Image size: 18 x 21,5 cm. (7,1 x 8,5 inch).Source unknown, to be determined.Made by 'Adolphe Willette, Pierre Leconte and Anonymous' after own design. Adolphe Léon Willette (1857 - 1926) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Pierre Leconte (1904 - 1961), French artist, mostly known for his erotic art. He worked as an illustrator for several French magazines. Condition: Very good, given age. Some crinkles in the margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: WOMAN-GIRL-NUDE-NAKED-GOOSERBOS-A2-31.

Condition: Fine. A. Willette (illustrator). This beautifully illustrated, lithographed poster is from LâEstampe Moderne. The work was published by one of the best printers of the day, Champenois. The lithographs were printed under the supervision of C. Masson and H. Piazza and published in Paris between May 1897 and April 1899.The work was sent out every month with four prints and a cover with art work by Alphonse Mucha by subscription only. The intention of this work was to âreanimate and disseminate the taste for printsâ (issue 24), thus 2000 of each print were published plus 100 on Japan paper.This famous collection included works by major Art Nouveau artists including Alphonse Mucha, Louis Rhead, Marcel Lenoir, Henri Boutet, Henri Fantin-Latour, Edward Burne-Jones, and Thà ophile Steinlen. Every print has the blind stamp of a womanâs profile in a lower corner. The large format lithographs are on excellent quality paper. When available we will include a tissue descriptive paper original to the work.The lithographs were done by the artists, rather than after, which makes the plates original Art Nouveau. --- The work is in very good to excellent condition overall. There may be a few minor imperfections or faint marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 11 7/8" by 15 3/4".

Condition: Good. Lithograph with matte. Image: 15 x 12.5 cm. Sheet: 38 x 28 cm. Matte: 49 x 36. Two tears in right margin (1.5 & 8 cm). Printer: Belfono. Supplément du Courrier Français du 14 février 1892.On the vero are manuscript statements by Will Rothenstein and 2 others.

First Edition. First edition. French language. Eight volumes, complete. First 4 volumes published by E. Dentu, last 4 by H. Floury. Collects Geffroy's impressions, criticism, and reviews of art and artists of the day, covering the Paris Salons of the period as well as the 1900 Paris Exposition/World's Fair. EACH VOLUME WITH ORIGINAL FRONTISPIECE ILLUSTRATION BY A RENOWNED ARTIST AS FOLLOWS: Volume 1 (1892) -- dry point by EUGENE CARRIERE; Volume 2 (1893) -- dry point by AUGUSTE RODIN; Volume 3 (1894 [1897], see note* below) -- dry point by AUGUSTE RENOIR; Volume 4 (1895) -- dry point by J. F. RAFFAELLI; Volume 5 (1897) -- lithograph by FANTIN-LATOUR; Volume 6 (1900) -- etching by CAMILLE PISSARRO; Volume 7 (1901) -- etching by DANIEL VIERGE; and Volume 8 (1903) -- lithograph by WILETTE. [*NOTE: Third volume is comprised of the original 1894 E. Dentu sheets (including Dentu title page) bound up in H. Floury covers dated 1897 on front with fine-paper reprint of the original Renoir dry point). FIRST VOLUME INSCRIBED by Geffroy to Victor Jaclard, the French revolutionary socialist and follower of Louis Auguste Blanqui (an interesting association, as Geffroy wrote what is considered the standard biography of Blanqui). 16mo original French-style paperwraps with covers printed in black and red. Fragile covers darkened and showing expected wear, especially at spines, a few of which appear to have been reinforced. Nonetheless altogether good or better with insert to first volume present, as called for. Quite scarce in the complete set. Signed.