Anders Guggisberg (21 results)

Soft Cover / Couverture Souple. Condition: Near Fine/Excellente Condition. Shahryar Nashat; Nils Nova; Marco Poloni; Blaise Sahy; Vittorio Santoro; Rebecca Sauvin; Erich Schonenberger; Kerim Seiler; Bohdan Stehlik; Cyril Verrier; Alexia Walther; Ingrid Wildi; Giovanni Carmine; Claude Ritschard; Madeleine Schuppli; M. Stegmann (illustrator). Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 8vo / in-8o, 156pp. Book.

Soft Cover / Couverture Souple. Condition: Near Fine/Excellente Condition. Shahryar Nashat; Nils Nova; Marco Poloni; Blaise Sahy; Vittorio Santoro; Rebecca Sauvin; Erich Schonenberger; Kerim Seiler; Bohdan Stehlik; Cyril Verrier; Alexia Walther; Ingrid Wildi; Giovanni Carmine; Claude Ritschard; Madeleine Schuppli; M. Stegmann (illustrator). Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 8vo / in-8o, 156pp. Book.

Paperback. Condition: New. Once upon a time, so we are told by the atomists of ancient Greece, triangular and star-shaped, round and sickle-moon atoms whirled about in outer space, with every atom finding its orbit in free fall and accidentally hooking up with others. Wild monsters with three trunks, free-floating uteruses and interlocked brain boxes flew through the emptiness of space, tangling into universes, blazing new suns and dying planets. Potential worlds, one after the other, kept taking shape until creation found rest of sorts and - as humankind hopes - a higher meaning. The Greek atomists envisioned the works of writers being created in the same manner. According to Democritus, letters are atoms swirling about in chaos, where clouds of pure possibility converge into real works like Homer's Odyssey or Plato's Dialogues. Every book is the offspring of such chance encounters. Hence, it is we, the readers, who invest this chance with meaning. First, we are struck by the title, the name of the author and possibly the publisher. That alone is enough to begin imagining a story; we can already smell the word worlds like sugar candy. It takes only a few pages for us to dream our way out of the book and back into our own minds. Into imaginary inner worlds, perhaps never even waking up until we find ourselves gazing at the imaginary Library of Lutz and Guggisberg: we hold their books in our hands, and, in doing so, we weigh the weight of our own imaginations. Yes, the feel of their books is a delight, though we can only leaf through them in our own heads. They are unborn books, or, as the Talmud tells us, the child in the womb is a book that has neither been opened nor leafed through. Andres Lutz (1968) and Anders Guggisberg (1966) live and work in Zurich. The artist duo attracted international attention in solo exhibitions at Aargauer Kunsthaus in Aarau, at Museum Folkwang in Essen, at Centre Culturel Suisse in Paris, at Kunstverein Freiburg, at Villa Merkel in Esslingen, and at Ikon Gallery, Birmingham.

Paperback. Condition: new. Paperback. Once upon a time, so we are told by the atomists of ancient Greece, triangular and star-shaped, round and sickle-moon atoms whirled about in outer space, with every atom finding its orbit in free fall and accidentally hooking up with others. Wild monsters with three trunks, free-floating uteruses and interlocked brain boxes flew through the emptiness of space, tangling into universes, blazing new suns and dying planets. Potential worlds, one after the other, kept taking shape until creation found rest of sorts and - as humankind hopes - a higher meaning. The Greek atomists envisioned the works of writers being created in the same manner. According to Democritus, letters are atoms swirling about in chaos, where clouds of pure possibility converge into real works like Homer's Odyssey or Plato's Dialogues. Every book is the offspring of such chance encounters.Hence, it is we, the readers, who invest this chance with meaning. First, we are struck by the title, the name of the author and possibly the publisher. That alone is enough to begin imagining a story; we can already smell the word worlds like sugar candy. It takes only a few pages for us to dream our way out of the book and back into our own minds. Into imaginary inner worlds, perhaps never even waking up until we find ourselves gazing at the imaginary Library of Lutz & Guggisberg: we hold their books in our hands, and, in doing so, we weigh the weight of our own imaginations.Yes, the feel of their books is a delight, though we can only leaf through them in our own heads. They are unborn books, or, as the Talmud tells us, the child in the womb is a book that has neither been opened nor leafed through.Andres Lutz (1968) and Anders Guggisberg (1966) live and work in Zurich. The artist duo attracted international attention in solo exhibitions at Aargauer Kunsthaus in Aarau, at Museum Folkwang in Essen, at Centre Culturel Suisse in Paris, at Kunstverein Freiburg, at Villa Merkel in Esslingen, and at Ikon Gallery, Birmingham. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Softcover. White pictorial wraps; 95 pp.; profusely illustrated in black and white. Parallel text, German and English, though there isn't much text beyond the titles of the book and works exhibited; Accompanied the exhibition of the same name, which appeared at the Ikon Gallery in Birmingham, England and Museum Folkwang in Essen, Germany. VG- (light foxing to upper block edges and overall shelfwear to wraps).

CD - sehr guter Zustand, h4.

Paperback. Condition: Brand New. 96 pages. German language. 8.43x5.85x0.73 inches. In Stock.

Paperback. Condition: New.

Softcover. Condition: Sehr gut. Auflage aus dem Buch nicht ersichtlich. 78 Seiten Das Buch befindet sich in einem gebrauchten sehr guten Zustand. Es ist gebraucht und hat nur geringe Gebrauchsspuren, wie Verfärbung der Schnittkanten, leichter Abrieb an den Kanten vom Einband. Im Buch sind keine Einträge oder Beschriftungen. Nichtraucherbuch. Rik040363 Sprache: Deutsch Gewicht in Gramm: 300.

Paperback. Condition: new. Paperback. Once upon a time, so we are told by the atomists of ancient Greece, triangular and star-shaped, round and sickle-moon atoms whirled about in outer space, with every atom finding its orbit in free fall and accidentally hooking up with others. Wild monsters with three trunks, free-floating uteruses and interlocked brain boxes flew through the emptiness of space, tangling into universes, blazing new suns and dying planets. Potential worlds, one after the other, kept taking shape until creation found rest of sorts and - as humankind hopes - a higher meaning. The Greek atomists envisioned the works of writers being created in the same manner. According to Democritus, letters are atoms swirling about in chaos, where clouds of pure possibility converge into real works like Homer's Odyssey or Plato's Dialogues. Every book is the offspring of such chance encounters.Hence, it is we, the readers, who invest this chance with meaning. First, we are struck by the title, the name of the author and possibly the publisher. That alone is enough to begin imagining a story; we can already smell the word worlds like sugar candy. It takes only a few pages for us to dream our way out of the book and back into our own minds. Into imaginary inner worlds, perhaps never even waking up until we find ourselves gazing at the imaginary Library of Lutz & Guggisberg: we hold their books in our hands, and, in doing so, we weigh the weight of our own imaginations.Yes, the feel of their books is a delight, though we can only leaf through them in our own heads. They are unborn books, or, as the Talmud tells us, the child in the womb is a book that has neither been opened nor leafed through.Andres Lutz (1968) and Anders Guggisberg (1966) live and work in Zurich. The artist duo attracted international attention in solo exhibitions at Aargauer Kunsthaus in Aarau, at Museum Folkwang in Essen, at Centre Culturel Suisse in Paris, at Kunstverein Freiburg, at Villa Merkel in Esslingen, and at Ikon Gallery, Birmingham. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover without dustjacket as issued, 90 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: New. Once upon a time, so we are told by the atomists of ancient Greece, triangular and star-shaped, round and sickle-moon atoms whirled about in outer space, with every atom finding its orbit in free fall and accidentally hooking up with others. Wild monsters with three trunks, free-floating uteruses and interlocked brain boxes flew through the emptiness of space, tangling into universes, blazing new suns and dying planets. Potential worlds, one after the other, kept taking shape until creation found rest of sorts and - as humankind hopes - a higher meaning. The Greek atomists envisioned the works of writers being created in the same manner. According to Democritus, letters are atoms swirling about in chaos, where clouds of pure possibility converge into real works like Homer's Odyssey or Plato's Dialogues. Every book is the offspring of such chance encounters. Hence, it is we, the readers, who invest this chance with meaning. First, we are struck by the title, the name of the author and possibly the publisher. That alone is enough to begin imagining a story; we can already smell the word worlds like sugar candy. It takes only a few pages for us to dream our way out of the book and back into our own minds. Into imaginary inner worlds, perhaps never even waking up until we find ourselves gazing at the imaginary Library of Lutz and Guggisberg: we hold their books in our hands, and, in doing so, we weigh the weight of our own imaginations. Yes, the feel of their books is a delight, though we can only leaf through them in our own heads. They are unborn books, or, as the Talmud tells us, the child in the womb is a book that has neither been opened nor leafed through. Andres Lutz (1968) and Anders Guggisberg (1966) live and work in Zurich. The artist duo attracted international attention in solo exhibitions at Aargauer Kunsthaus in Aarau, at Museum Folkwang in Essen, at Centre Culturel Suisse in Paris, at Kunstverein Freiburg, at Villa Merkel in Esslingen, and at Ikon Gallery, Birmingham.

26x21 cm, 72 S., OKart., sehr gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Condition: Neu. Neuware.

1.Ausgabe. 178 S. Mit 105 farbigen meist doppelseitigen Abb. 1 obere Ecke leicht bestossen, sonst neuwertig. Sprache: Deutsch Gewicht in Gramm: 900 28 cm. x 22,5 cm. Kartonierter Original-Hochglanzband mit farbiger Deckel-Illustr.

Condition: Sehr gut. S. 64, 4°, OPpbd., farbige, z. T. ganzseitige, Abb. Sprache(n)/language(s): deTadelloser Zustand.

520 S. Hardcover Lesebändchen zahlr. farbige Abb., mit Widmung und datierter Signatur von Andreas Lutz, guter Zustand.

Condition: Sehr gut. 520 S., 4°, gebunden, Abb. von Sperrholzstücken in Buchform, auf welche Inkjet-Prints auf Glanz- oder Mattpapier geklebt sind. Sprache(n)/language(s): deSehr guter Zustand (noch in Originalfolie eingeschweisst).

4°, 64 S. m. ca. 60 farb. Taf., 1 loses Bl. Werkverzeichnis, Kart., Einband min. gebrauchsspurig., tadellos. EA. - «Mit «Die Queen im Louvre» stellen die beiden Künstler Andres Lutz und Anders Guggisberg einmal mehr ihre stupende Vielseitigkeit unter Beweis. Die Publikation versammelt über siebzig kleinformatige Bilder, denen ausschliesslich Fotos aus diversen Tageszeitungen zugrunde liegen.Dabei geht es den Künstlern um die Schnittstelle zwischen täglicher Bildinformation und Abfall, werden doch Zeitungen im Künstleratelier vornehmlich dazu verwendet, den Boden zu bedecken und Farbkleckse aufzufangen, um dann entsorgt zu werden. In diesem Moment aber intervenieren Lutz und Guggisberg, um einen Veredelungsprozess der besonderen Art einzuleiten. Wo Kleckse, Flecken, Schmierspuren, Abdrücke von Asphaltlack, Kunstharz-, Öl- und Wasserfarben besonders spannungsvoll oder überraschend auf ein Bildmotiv geraten sind, beginnen die beiden Künstler mit einer feineren Bearbeitung. Federzeichnungen mit Tusche, figurative oder abstrakte Gebilde werden den Zufallsprodukten überlagert: Bildteile und -geschichten heben sich gegenseitig auf, Nebel bleibt. Die Zeitungs-Bilder sind im besten Sinne feinst gearbeitete Kleingemälde, deren Ursprung zwar meist sichtbar bleibt, die aber doch eine bemerkenswerte Metamorphose durchlaufen haben.Ohne grosse Umschweife gibt die Publikation «Die Queen im Louvre» Einblick in diesen übervollen und trotzdem konzentrierten Bildkosmos und zeigt die für ihre üppigen, raumgreifenden Installationen bekannten Künstler für einmal intim und aus nächster Nähe.» 1100 gr. Schlagworte: Kunst - Monographien, Kunst - 20 Jht. nach 1945.

4°, 88 S., durchgeh. farb. Taf., Kart., Tadellos. EA. (= Edition Patrick Frey, Nr. 115). 1100 gr. Schlagworte: Kunst - Monographien, Kunst - 20 Jht. nach 1945.