Andre Gali (70 results)

Paperback. Condition: Very Good.

Paperback. Condition: Good. There are many ways to perceive and interpret contemporary craft objects - for instance, as works of representational art in materials like ceramics, glass, textile, metal or wood, or as functional, handmade everyday objects. In this publication, the editors have invited different voices in craft theory to investigate the perception of contemporary craft as a particular discourse and aesthetic vocabulary. According to the editors, contemporary crafts can benefit from being discussed as representations of reality that do not rely on the concept of autonomy. As such, neither do they rely on the conventional dualism between aesthetic objects and everyday things. The authors investigate the possibility to perceive craft objects from perspectives that relate to the aesthetic tradition of materialism.…

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: As New. Unread copy in mint condition.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Paperback. Condition: Good. There are many ways to perceive and interpret contemporary craft objects - for instance, as works of representational art in materials like ceramics, glass, textile, metal or wood, or as functional, handmade everyday objects. In this publication, the editors have invited different voices in craft theory to investigate the perception of contemporary craft as a particular discourse and aesthetic vocabulary. According to the editors, contemporary crafts can benefit from being discussed as representations of reality that do not rely on the concept of autonomy. As such, neither do they rely on the conventional dualism between aesthetic objects and everyday things. The authors investigate the possibility to perceive craft objects from perspectives that relate to the aesthetic tradition of materialism.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. **PAPERBACK**.

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New. In English.

Condition: New. In English.

Hardcover. Condition: Good. Original decorated boards, illustrated with numerous (full page) photographs, square (circa 20x20cm).

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: D'occasion - Très bon état.

Taschenbuch. Condition: Neu. Neuware - Es gibt viele Möglichkeiten, kunsthandwerkliche Unikate zu begreifen und zu interpretieren - etwa als Werke gegenständlicher Kunst aus Materialien wie Keramik, Glas, Textil, Metall oder Holz, oder aber als handgemachte Alltagsobjekte, die einer besonderen Funktion dienen. In dieser Publikation lassen die Herausgeber Theoretiker zu Wort kommen, die der zeitgenössischen angewandten Kunst einen speziellen Diskurs mit eigenständigem ästhetischem Vokabular zusprechen. Schließlich könne sie davon profitieren, als eine besondere Form der Wirklichkeitsrepräsentation diskutiert zu werden, die sich vom Konzept der künstlerischen Autonomie - und damit vom Dualismus zwischen ästhetischem Objekt und Alltagsgegenstand - unterscheidet. Die Autoren untersuchen das Erfassen zeitgenössischer kunsthandwerklicher Unikate daher aus unterschiedlichen Perspektiven, die sich der Tradition des ästhetischen Materialismus verbunden fühlen.…

Paperback. Condition: Brand New. 180 pages. French language. 8.25x5.00x1.00 inches. In Stock.

TAPA DURA CON SOBRECUBIERTA. 375 PAGINAS. ILUSTRADO. BUEN ESTADO. Size: 32 X 26.

Paperback. Condition: Very Good. The profession of exhibition making and curatorial practices has over the course of the last twenty years undergone a seminal change, something which in turn has challenged the notion of what an exhibition can be, not least in terms of communication and design. Large scale group exhibitions, like documenta in Kassel, seem to have involved discussions on exhibition making and curatorial models at the heart of their organisational body. Another common aspect of these large-scale events is that they employ new venues for showing and presenting works, be it museums that normally don't show contemporary art or craft, abandoned factories or various public spaces. Craft 2014, the annual group exhib.…

hardbound. Condition: Very Good. Illustrated survey of the work of designer/artist Sigurd Bronger; text in German and English; includes an interview with Bronger by Andre Gali; colour and b&w illustrations throughout. no dustwrapper. 215pp. 28.5 x 20cm. Very Good. profusely illustrated (illustrator).…

Hardback. Condition: New. Scandinavian studio jewellery is simply unimaginable without Tone Vigeland (b.1938) and her work. Her distinctive objects flatter the human body and captivate through their dimensions and volume, yet they are assembled from the tiniest hand-crafted components. Tubes of silver wire, precisely cut plates, spheres and eyelets, all in small scale, are invisibly interconnected, and Vigeland's use of heavily oxidised, almost iron-black silver and steel is a typical feature. The result: art on the human body - highly aesthetic, perfectly executed and always wearable. Around 150 jewellery objects from 1958 to 2010 document Tone Vigeland's pioneering creativity. They are complemented with a selection of objects and sculptures from 1998 to the present day, which can now be seen in an exhibition and publication for the very first time. Text in English and German. Exhibition: Die Neue Sammlung - The Design Museum, Munich (DE), 11.3.-11.6.2017.…

Hardback. Condition: New. Scandinavian studio jewellery is simply unimaginable without Tone Vigeland (b.1938) and her work. Her distinctive objects flatter the human body and captivate through their dimensions and volume, yet they are assembled from the tiniest hand-crafted components. Tubes of silver wire, precisely cut plates, spheres and eyelets, all in small scale, are invisibly interconnected, and Vigeland's use of heavily oxidised, almost iron-black silver and steel is a typical feature. The result: art on the human body - highly aesthetic, perfectly executed and always wearable. Around 150 jewellery objects from 1958 to 2010 document Tone Vigeland's pioneering creativity. They are complemented with a selection of objects and sculptures from 1998 to the present day, which can now be seen in an exhibition and publication for the very first time. Text in English and German. Exhibition: Die Neue Sammlung - The Design Museum, Munich (DE), 11.3.-11.6.2017.…