Andrea Andersson (94 results)

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condition: Fine. 1st Edition. Color illustrations.

Paperback. Condition: Brand New. 122 pages. 11.00x8.50x0.31 inches. In Stock.

Paperback. Condition: Brand New. 119 pages. 11.00x8.50x0.30 inches. In Stock.

Paperback. Condition: Brand New. 116 pages. 11.00x8.50x0.29 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: new. Hardcover. In 1960 George Heard Hamilton published the first complete typographic translation of Duchamps Green Box in English. This landmark publication translated Duchamps notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamps conceptual proposal for art that would move from two- into three-dimensional space.Hinge Pictures is an artists book in eight partsa gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejao and Claudia Wieser over the pages of Duchamps imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint (The Bride accepts this stripping) and formal liberation (discover true formdevelop the principle of the hinge.). The artists of Hinge Pictures use formal constrainta commitment to abstractionin a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the books physical qualities mirror its conceptual occupations. "Hinge pictures: Eight women artists occupy the third dimension" runs March 14-June 16, 2019 at the Contemporary Arts Center, New Orleans."--Page 5 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Hardback. Condition: New. In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space.Hinge Pictures is an artist's book in eight parts-a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping.") and formal liberation ("discover true form.develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint-a commitment to abstraction-in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.

Paperback. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. First edition, limited to 1500 copies. Second in a collaborative series between the Contemporary Arts Center, New Orleans, and Siglio. Softbound book. Clean, bright and crisp; full color paper poster-style dust jacket shows light wear to isolated edges.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space.Hinge Pictures is an artist's book in eight parts-a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping.") and formal liberation ("discover true form.develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint-a commitment to abstraction-in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Mickalene Thomas's vivid paintings, collages, and photographs explode off the wall. Their larger-than-life women stare back and down at the viewer, confronting them head on. Over the course of her prolific career, Thomas has created a body of work that expands notions of beauty, gender, sexuality, and race, offering a complex vision of what it means to be a Black woman.In Femmes Noires, Thomas moves breezily between pop culture and the long history of Western and African art, inserting images of Black women into iconic paintings. At times she poses them nude; at other times, she draws on elements as diverse as 1970s black-is-beautiful images of women, Edouard Mamet's odalisque figures, the mise-en-scène studio portraiture of James Van Der Zee and Malick Sidibé, and her own collection of personal portraits and staged scenes. Her ability to detect and contain contradictions and to wrestle with stereotypes translates into powerful, self-possessed depictions of Black women that confront and subvert stereotypes.Femmes Noires is a bold examination of Thomas's work and her artistic practise at an important moment in history. It blends writing from iconic Black writers and essayists (Alice Walker, Chimamanda Ngozi Adichie, Edwidge Danticat, and Lorraine O'Grady) with 120 reproductions from Thomas's oeuvre (collages, paintings, film stills, and photographs). Original essays by Andrea Andersson, visual arts curator of the Contemporary Art Center of New Orleans; Julie Crooks, curator at the Art Gallery of Ontario; and writer-art critic Antwaun Sargent complete the book.Mickalene Thomas: Femmes Noires accompanies an international touring exhibition organized by the Art Gallery of Ontario and the Contemporary Art Centre in New Orleans.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. A sweeping retrospective of Tina Girouard's pioneering contributions across video, performance, textile and community-based art and morePublished with Rivers Institute for Contemporary Art & Thought.From the 1970s until her death, Louisiana-born artist Tina Girouard (19462020) was a dedicated experimental artist, collaborator and art worker. Alongside her individual creative endeavors, she nurtured and was a part of numerous influential artist communities and organizations in New York, Louisiana and Haiti, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, the restaurant Food, the Kitchen, P.S. 1 and the Festival International de la Louisiane. Her acts of upkeep, including domestic labor traditionally associated with "women's work," blurred the boundaries between artmaking and what she called life-making. Sign-In is the first comprehensive monograph on her interdisciplinary oeuvre. It gathers documentation of her work in video, performance, drawing, textile, wall works and installation, tracing Girouard's practice and legacy across genres and geographies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: new. Hardcover. Mickalene Thomas's vivid paintings, collages, and photographs explode off the wall. Their larger-than-life women stare back and down at the viewer, confronting them head on. Over the course of her prolific career, Thomas has created a body of work that expands notions of beauty, gender, sexuality, and race, offering a complex vision of what it means to be a Black woman.In Femmes Noires, Thomas moves breezily between pop culture and the long history of Western and African art, inserting images of Black women into iconic paintings. At times she poses them nude; at other times, she draws on elements as diverse as 1970s black-is-beautiful images of women, Edouard Mamet's odalisque figures, the mise-en-scene studio portraiture of James Van Der Zee and Malick Sidibe, and her own collection of personal portraits and staged scenes. Her ability to detect and contain contradictions and to wrestle with stereotypes translates into powerful, self-possessed depictions of Black women that confront and subvert stereotypes.Femmes Noires is a bold examination of Thomas's work and her artistic practise at an important moment in history. It blends writing from iconic Black writers and essayists (Alice Walker, Chimamanda Ngozi Adichie, Edwidge Danticat, and Lorraine OGrady) with 120 reproductions from Thomas's oeuvre (collages, paintings, film stills, and photographs). Original essays by Andrea Andersson, visual arts curator of the Contemporary Art Center of New Orleans; Julie Crooks, curator at the Art Gallery of Ontario; and writer-art critic Antwaun Sargent complete the book.Mickalene Thomas: Femmes Noires accompanies an international touring exhibition organized by the Art Gallery of Ontario and the Contemporary Art Centre in New Orleans. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. A sweeping retrospective of Tina Girouard's pioneering contributions across video, performance, textile and community-based art and morePublished with Rivers Institute for Contemporary Art and Thought.From the 1970s until her death, Louisiana-born artist Tina Girouard (1946-2020) was a dedicated experimental artist, collaborator and art worker. Alongside her individual creative endeavors, she nurtured and was a part of numerous influential artist communities and organizations in New York, Louisiana and Haiti, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, the restaurant Food, the Kitchen, P.S. 1 and the Festival International de la Louisiane. Her acts of upkeep, including domestic labor traditionally associated with "women's work," blurred the boundaries between artmaking and what she called life-making. Sign-In is the first comprehensive monograph on her interdisciplinary oeuvre. It gathers documentation of her work in video, performance, drawing, textile, wall works and installation, tracing Girouard's practice and legacy across genres and geographies.