Language: English
Published by Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Language: English
Published by Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Language: English
Published by Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by Cambridge University Press, GB, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. In three sections, the author surveys the architectural model of theatre by Vitruvius, the woodcut of Marlow's Doctor Faustus, Aby Warburg's Mnemosyne-Atlas, the spells and drawings of Antonin Artaud, the performance Paradise Now (the Living Theatre) and the choreography I am 1984 (Barbara Matijevic). Demonstrating that diagrams can be applied to multiply dramaturgical trajectories, the text reviews their relevance for performance-making, analysis and documentation. The author argues that diagrams provide new tools for theory, practice and archiving, while at the same time enabling reflection on the intersections between poetics and politics. Focusing on the potentiality of diagrams to cut through representation and dichotomies, this Element affirms the visual, corporeal and spatial dimensions of performance-making. In doing so, it elucidates the significance of diagrammatic thinking for performance studies.
Language: English
Published by Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Language: English
Published by Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Language: English
Published by Cambridge University Press -, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Language: English
Published by Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Language: English
Published by Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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Seller: Brook Bookstore On Demand, Napoli, NA, Italy
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Language: English
Published by Cambridge University Press, 2024
ISBN 10: 1009446223 ISBN 13: 9781009446228
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. A collection of essays that offer an understanding of how performance art can be a tool for dissent against power structures and a means to reach a broad audience outside informed art circles. Challenging dominant histories of the genre, this book focuses on trans-local and transcultural connections and seeks to generate and expand knowledge on different narrations of the beginnings of performance art. It brings together essays by leading international scholars, curators, archivists, and artists to explore the strategies and tools which museums, galleries, theorists, and artists use to understand artistic and activist practice. Written from different perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural contexts, including contributions from Switzerland, Slovakia, the United States, Israel, Germany, former Yugoslavia, the United Kingdom, and Italy.
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Language: English
Published by Diaphanes AG 2023-10-20, 2023
ISBN 10: 3035806411 ISBN 13: 9783035806410
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Add to basketPaperback. Condition: Brand New. 243 pages. 8.75x5.50x1.00 inches. In Stock.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Language: English
Published by Diaphanes AG, Zurich, 2024
ISBN 10: 3035806411 ISBN 13: 9783035806410
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. A collection of essays that offer an understanding of how performance art can be a tool for dissent against power structures and a means to reach a broad audience outside informed art circles. Challenging dominant histories of the genre, this book focuses on trans-local and transcultural connections and seeks to generate and expand knowledge on different narrations of the beginnings of performance art. It brings together essays by leading international scholars, curators, archivists, and artists to explore the strategies and tools which museums, galleries, theorists, and artists use to understand artistic and activist practice. Written from different perspectives and thus offering multiple methodological frameworks, the publication comes as a result of an intensive dialogue between authors coming from various cultural contexts, including contributions from Switzerland, Slovakia, the United States, Israel, Germany, former Yugoslavia, the United Kingdom, and Italy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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