Andy Lavender (177 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. Making contemporary theatre reveals how some of the most significant international contemporary theatre is actually made. The book opens with an introductory chapter which contextualises recent trends in approaches to theatre-making. In the ensuing eleven chapters, eleven different writer-observers describe, contextualise and analyse the theatre-making practices of eleven different companies and directors, including Japans Gekidan Kaitaisha and the Quebecois director Robert Lepage. Each chapter is enriched with extensive illustrations as well as boxed-off asides, giving the reader different perspectives on the work. Chapters usually focus on a single production, such as Complicites 2003-04 The Elephant Vanishes, allowing detailed investigations of complex practices to emerge. The book concludes with a brief manifesto for making contemporary theatre by the editors, plus a bibliography suggesting further reading. Making contemporary theatre is a rich resource for the theatre-making student and the theatre-goer alike, full of diverse examples of how the most exciting theatre is actually made. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condition: Good. Dust Jacket Condition: Very Good. Clean copy. Pages toned, with hinge just starting at last page (endnotes).

Soft cover. Condition: Fine. 1st Edition.

Condition: New.

Paperback. Condition: New. What distinguishes documentary theatre from other forms of drama? How has it integrated different media across the years, and to what effect? What is its relationship to truth and reality, and defining moments of civic unrest and political change? In this short, authoritative book, Andy Lavender surveys a century of documentary theatre and performance and analyses key productions. Arranged in 3 sections that take a broadly chronological approach, the volume considers the nature of documenting, forms of intervention through theatre, the presentation of lived experience, and issues of truth, reality and representation.The book includes a variety of case studies, beginning with Piscator's In Spite of Everything! (1925) and tracing the work that followed in Europe and America, including the tribunal and testimony plays of the 1990s and 2000s. It examines the relationship of 3 key productions to moments of civic and political crisis: Fires in the Mirror: Crown Heights Brooklyn and Other Identities (1992), Twilight: Los Angeles, 1992 (1993) and The Colour of Justice: The Stephen Lawrence Enquiry (1999). Finally, it looks at the impact of digital technologies, social media and hybrid artforms in the 21st century, to explore the engagement of documentary performance with mediations and experiences of cultural change and shifting identities across a range of case studies. …

Soft cover. Condition: As New. 1st Edition. Trade paperback. Stiff wrapps., black, white lettering, white line on b/w photo and chartreuse field. Backstr. black lettering on chartreuse. Illus. Xx, 252pp. incl. sel. bibliogr., index. AS NEW. MINT COPY.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719074929.

Paperback. Condition: New. What distinguishes documentary theatre from other forms of drama? How has it integrated different media across the years, and to what effect? What is its relationship to truth and reality, and defining moments of civic unrest and political change? In this short, authoritative book, Andy Lavender surveys a century of documentary theatre and performance and analyses key productions. Arranged in 3 sections that take a broadly chronological approach, the volume considers the nature of documenting, forms of intervention through theatre, the presentation of lived experience, and issues of truth, reality and representation.The book includes a variety of case studies, beginning with Piscator's In Spite of Everything! (1925) and tracing the work that followed in Europe and America, including the tribunal and testimony plays of the 1990s and 2000s. It examines the relationship of 3 key productions to moments of civic and political crisis: Fires in the Mirror: Crown Heights Brooklyn and Other Identities (1992), Twilight: Los Angeles, 1992 (1993) and The Colour of Justice: The Stephen Lawrence Enquiry (1999). Finally, it looks at the impact of digital technologies, social media and hybrid artforms in the 21st century, to explore the engagement of documentary performance with mediations and experiences of cultural change and shifting identities across a range of case studies. …

Condition: new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. What distinguishes documentary theatre from other forms of drama? How has it integrated different media across the years, and to what effect? What is its relationship to truth and reality, and defining moments of civic unrest and political change? In this short, authoritative book, Andy Lavender surveys a century of documentary theatre and performance and analyses key productions. Arranged in 3 sections that take a broadly chronological approach, the volume considers the nature of documenting, forms of intervention through theatre, the presentation of lived experience, and issues of truth, reality and representation.The book includes a variety of case studies, beginning with Piscators In Spite of Everything! (1925) and tracing the work that followed in Europe and America, including the tribunal and testimony plays of the 1990s and 2000s. It examines the relationship of 3 key productions to moments of civic and political crisis: Fires in the Mirror: Crown Heights Brooklyn and Other Identities (1992), Twilight: Los Angeles, 1992 (1993) and The Colour of Justice: The Stephen Lawrence Enquiry (1999). Finally, it looks at the impact of digital technologies, social media and hybrid artforms in the 21st century, to explore the engagement of documentary performance with mediations and experiences of cultural change and shifting identities across a range of case studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 1st edition. 272 pages. 9.25x6.25x0.75 inches. In Stock.

Condition: New.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 2024. Paperback. . . . . .

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780719074912.…

Paperback. Condition: New. Making contemporary theatre reveals how some of the most significant international contemporary theatre is actually made. The book opens with an introductory chapter which contextualises recent trends in approaches to theatre-making. In the ensuing eleven chapters, eleven different writer-observers describe, contextualise and analyse the theatre-making practices of eleven different companies and directors, including Japan's Gekidan Kaitaisha and the Québécois director Robert Lepage. Each chapter is enriched with extensive illustrations as well as boxed-off 'asides', giving the reader different perspectives on the work. Chapters usually focus on a single production, such as Complicite's 2003-04 The Elephant Vanishes, allowing detailed investigations of complex practices to emerge. The book concludes with a brief manifesto for making contemporary theatre by the editors, plus a bibliography suggesting further reading. Making contemporary theatre is a rich resource for the theatre-making student and the theatre-goer alike, full of diverse examples of how the most exciting theatre is actually made.…