Anna Gray Bennett (58 results)

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good.

hardcover. Condition: Good.

Soft cover. Condition: Fine. (xii)+330 pp. Owner's name on ffep, o/w As New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Minor shelf wear to binding. Text and images unmarked. Small marks to bottom edge of text block. The dust jacket shows light sunning to spine, in a mylar cover. 4to. 329pp.

Hardcover. Condition: As New in As New dust jacket. 329 pages. Color and b/w show 100 of the tapestries in San Francisco's Fine Arts Museums, from the Middle Ages to the 20th century. Discussion of design history, weaving techniques, color and dyes. Shipping will be extra for this large and heavy book, please inquire. ; 9 1/2 x 12 /14 ".…

Paperback. Condition: New. This book is brand new; never used or opened. No remainder marks. This is a softcover edition so it may have some shelfwear. ; 11.80 X 9 X 1.30 inches; 344 pages.

Soft cover. Condition: As New. Clean copy in as new condition. BP/Fashion/Fans.

hardcover. Condition: Fine copy in fine dust jacket. 1st. Oblong 4to, 270 pp. Profusely illustrated (illustrator).

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. 270pp. Oblong black cloth hardback, DJ VG with very light rubbing at corner and spine tips, front flap creased, First Edition, index, bibliography, appendix, color photos, UNFOLDING BEAUTY : The Art of the Fan, the Collection of Esther Oldham and the Museum of Fine Arts, Boston.…

Paperback. Condition: VG+. Revised Edition. Paperback in Very Good+ condition. 9.25 X 1 X 12 inches. 344 pages. Clean, unmarked interior. No creasing to cover. Light fading to covers at and near spine - see photo. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.…

Paperback. Condition: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Trade Paperback. Condition: Used - Very Good. Used copy with some wear. Binjding is tight no interir marks.

Hardcover. Condition: Used - Very Good. Very nice clean, tight copy free of any marks.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 2nd Edition. Revised edition. Small folio. Color and B&W illustrations. Fine in fine DJ. Pages: xii, 330.

Paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Oversized paperback. Condition: Fine. The Collection of Esther Oldham and the Museum of Fine Arts, Boston, Museum of Fine Arts, c1988. 270pp., 45 images of fans. Rectangular 8vo. Small sticker shadow upper edge of first page, else fine unread softcover, uncreased spine.

Soft cover. Condition: Fine. Fine Arts Museums of San Francisco & Chronicle Books, 1992. Softcover, 329 pp. Revised edition. Profusely illustrated. In fine condition.

Paperback. Condition: Near Fine. Full color photographs of the Museum of Fine Arts, Boston, collection of exquisite fans. Appendix, Bibliography, 270 pp. CONDITION: Near fine paperback, pictorial cover with title. Mild edge wear. Full refund if not satisfied.

Hardcover. Condition: Very Good. Revised Edition. Stellar copy of the Revised Edition, and augmented with the Director's Forewor by Harry S. Parker III, "Tapestry Redux" by Mark Adams, and a full array of gorgeous photographic reproductions, printed on high-gloss paper, reproducing often wall-sized, mural-sized tapestries from European collections and libraries. A superior copy inside and out, being a sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bound handsomely in brown cloth, with sharp and distinct black lettering to spine. Bright and shiny dust jacket, paper-backed, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Gift-quality condition inside and out.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. revised edition; dust jacket price-clipped with fading to spine and portion of front panel. Dust jacket in clear protector. 100 tapestries are described and illustrated, many accompanied by numerous figures. 329pp 4.87lb 12.3x9.5x1.4in.

270pp. 158 illus. (111 color). Oblong 4to. Wraps. Published in conjunction with an exhibition at the Museum of Fine Arts, Boston, March-June 1988.

Soft cover. Condition: Good. 39pp. Fully illustrated in colour and b&w plates. Spine sunned, and there is a light crease in the frnot cover.

ISBN 0-87846-294-5. Trade Paperback. Tight, bright, attractive copy with no markings to the book. As New condition, still in plastic wrap.

Hard Cover. Condition: Very Good. Very good hardcover with no dust jacket. Color photos.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Revised Edition. Revised edition, hardcover, tiny remainder mark to bottom page edges, slight lean, otherwise clean and bright, a Near Fine copy in like dustjacket.

Paperback. Condition: Very Good. First Edition. Original stiff card covers; in better than very good shape; no tears, chips or creases, just mildly rubbed and edge-worn. Contents sound and clean; no pen-marks. Not from a library so no such stamps or labels.