Anna Maria Rain (12 results)

Condition: New.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Constance (Fachbereich Anglistik und Amerikanistik ), course: Bollywood, language: English, abstract: 1.IntroductionThe Rising: Ballad of Mangal Pandey tells the story of the sepoy Mangal Pandey who triggers what the film calls the 'first Indian War of Independence' in 1857. Embedded in a story about the friendship between Mangal and William Gordon, his English superior, The Rising, I would claim, sets out to create nothing less than a myth of birth of the modern Indian nation - the mainstream Hindi film (Bollywood) is, after all, 'society's biggest and most influential mythmaker'.The Rising moves beyond the themes of generational / social class / gender conflicts of Indian popular cinema that are dealt with ad nauseam, but remains true to its 'origins' as regards the characterisation of its protagonists. It touches on questions of imperialism, colonialism and identity as well as, on a narrower level, friendship and morale. This paper will try to analyse the mechanisms upon which the construction of meaning within the film as well as the narrative of nation and nationalism rests - the assumed meaning being deciphered in another step -, concluding that the film moves in a space in-between nationalist ideas (and ideals) and a post-colonial struggle to de-colonise and 'Indianize'3 the history and culture of the nation by creating a unifying, i.e., inclusive and exclusive myth of the activist (Indian) individual. The portrayal of characters of Indians and English is therefore paramount. To what extent the above aim is achievable by means of popular and traditionally colourful filmmaking is a different question that can only speculated about. …

Condition: New.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Magisterarbeit aus dem Jahr 2008 im Fachbereich Germanistik - Neuere Deutsche Literatur, Note: 1.3, Universität Konstanz (Fachbereich Deutsche Literatur ), Sprache: Deutsch, Abstract: 1 EinleitungBut these are the memories of an adult. Curiously enough, the events are rememberedand seem to have been experienced in a way that was far beyondthe normal capacity for recall in a young child of my age. It is as though thisprocess of witnessing is of an event that happened on another level, and wasnot part of the mainstream of the conscious life of a little boy.1Im dritten Kapitel von Testimony2 schlägt Dori Laub vor, den Holocaust als ein Ereignis zubetrachten, das die Bedingung der Möglichkeit von Zeugenschaft (und also Zeugenschaftselbst) zu eliminieren suchte. Dies geschah nicht nur durch die programmatische Ermordungder Zeugen der Verbrechen, sondern zuallererst durch die inhärent nicht-assimilierbareStruktur des Erlebnisses bei den Überlebenden ,3 die jegliche Zeugenschaft von vornhereinausschloss. Die schiere Anwesenheit in einem Geschehen wie dem Holocaust hob die Möglichkeitvon Zeugenschaft augenblicklich auf,4 wie dies fu r schwere Traumen mit anschließenderAmnesie allgemein gilt. Aber: the not telling of the story serves as a perpetuation of itstyranny. 5Damit sind die Schwierigkeiten des Erzählens dieser Geschichte und ihrer (gegebenenfalls)literarischen Vermittlung schon angedeutet: Es soll etwas erzählt oder geschrieben werden,das im Grunde nicht gewusst werden kann.…

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Constance (Fachbereich Anglistik und Amerikanistik ), course: Bollywood, language: English, abstract: 1.IntroductionThe Rising: Ballad of Mangal Pandey tells the story of the sepoy Mangal Pandey who triggers what the film calls the 'first Indian War of Independence' in 1857. Embedded in a story about the friendship between Mangal and William Gordon, his English superior, The Rising, I would claim, sets out to create nothing less than a myth of birth of the modern Indian nation - the mainstream Hindi film (Bollywood) is, after all, 'society's biggest and most influential mythmaker'.The Rising moves beyond the themes of generational / social class / gender conflicts of Indian popular cinema that are dealt with ad nauseam, but remains true to its 'origins' as regards the characterisation of its protagonists. It touches on questions of imperialism, colonialism and identity as well as, on a narrower level, friendship and morale. This paper will try to analyse the mechanisms upon which the construction of meaning within the film as well as the narrative of nation and nationalism rests - the assumed meaning being deciphered in another step -, concluding that the film moves in a space in-between nationalist ideas (and ideals) and a post-colonial struggle to de-colonise and 'Indianize'3 the history and culture of the nation by creating a unifying, i.e., inclusive and exclusive myth of the activist (Indian) individual. The portrayal of characters of Indians and English is therefore paramount. To what extent the above aim is achievable by means of popular and traditionally colourful filmmaking is a different question that can only speculated about. 28 pp. Englisch. …

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Condition: New. Print on Demand pp. 28 424:B&W 5.83 x 8.27 in or 210 x 148 mm (A5) Perfect Bound on Creme w/Matte Lam.

Condition: New. Print on Demand pp. 28.

Condition: New. PRINT ON DEMAND pp. 28.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Constance (Fachbereich Anglistik und Amerikanistik ), course: Bollywood, language: English, abstract: 1.IntroductionThe Rising: Ballad of Mangal Pandey tells the story of the sepoy Mangal Pandey who triggers what the film calls the ¿first Indian War of Independence¿ in 1857. Embedded in a story about the friendship between Mangal and William Gordon, his English superior, The Rising, I would claim, sets out to create nothing less than a myth of birth of the modern Indian nation ¿ the mainstream Hindi film (Bollywood) is, after all, ¿society¿s biggest and most influential mythmaker¿.The Rising moves beyond the themes of generational / social class / gender conflicts of Indian popular cinema that are dealt with ad nauseam, but remains true to its ¿origins¿ as regards the characterisation of its protagonists. It touches on questions of imperialism, colonialism and identity as well as, on a narrower level, friendship and morale.This paper will try to analyse the mechanisms upon which the construction of meaning within the film as well as the narrative of nation and nationalism rests ¿ the assumed meaning being deciphered in another step ¿, concluding that the film moves in a space in-between nationalist ideas (and ideals) and a post-colonial struggle to de-colonise and ¿Indianize¿3 the history and culture of the nation by creating a unifying, i.e., inclusive and exclusive myth of the activist (Indian) individual. The portrayal of characters of Indians and English is therefore paramount. To what extent the above aim is achievable by means of popular and traditionally colourful filmmaking is a different question that can only speculated about.Books on Demand GmbH, Überseering 33, 22297 Hamburg 28 pp. Englisch. …

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Magisterarbeit aus dem Jahr 2008 im Fachbereich Germanistik - Neuere Deutsche Literatur, Note: 1.3, Universität Konstanz (Fachbereich Deutsche Literatur ), Sprache: Deutsch, Abstract: 1 EinleitungBut these are the memories of an adult. Curiously enough, the events are rememberedand seem to have been experienced in a way that was far beyondthe normal capacity for recall in a young child of my age. It is as though thisprocess of witnessing is of an event that happened on another level, and wasnot part of the mainstream of the conscious life of a little boy.1Im dritten Kapitel von Testimony2 schlägt Dori Laub vor, den Holocaust als ein Ereignis zubetrachten, das die Bedingung der Möglichkeit von Zeugenschaft (und also Zeugenschaftselbst) zu eliminieren suchte. Dies geschah nicht nur durch die programmatische Ermordungder Zeugen der Verbrechen, sondern zuallererst durch die inhärent nicht-assimilierbareStruktur des Erlebnisses bei den Überlebenden ,3 die jegliche Zeugenschaft von vornhereinausschloss. Die schiere Anwesenheit in einem Geschehen wie dem Holocaust hob die Möglichkeitvon Zeugenschaft augenblicklich auf,4 wie dies fu r schwere Traumen mit anschließenderAmnesie allgemein gilt. Aber: the not telling of the story serves as a perpetuation of itstyranny. 5Damit sind die Schwierigkeiten des Erzählens dieser Geschichte und ihrer (gegebenenfalls)literarischen Vermittlung schon angedeutet: Es soll etwas erzählt oder geschrieben werden,das im Grunde nicht gewusst werden kann. 80 pp. Deutsch.…

Taschenbuch. Condition: Neu. Phantomspuren der Zeit in W.G. Sebalds "Austerlitz" | Anna Maria Rain | Taschenbuch | 80 S. | Deutsch | 2010 | GRIN Verlag | EAN 9783640562411 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu Print on Demand. …