Arbore Grigore (86 results)

Hard Cover. Condition: Good. Dust Jacket Condition: Good. Jacket edges are rubbed and curles. Boards have dampstains along lower edges. Pages are clean, text has no markings, binding is sound. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condition: Very Good+. First Edition. 53 superb fullcolour plates and 31 pages of text. Vg+ book and dust jacket. Dust jacket has a protective mylar cover. Ex-Library.

Paperback. Condition: New.

1st Translated Edition. Very good cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall. 31 pages; Physical desc. : 31 p. , 63 plates : ill. (some col. ) ; 32 cm. Subjects: Bellini, Giovanni, 1516. Museum studies. 4 Kg.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. White Boards with Black title on front panel and spien cover, binding tight and square, no damage, text clean and unmarked no names no stamps DJ wrinkled due to heat exposure but intact with small tear on top edge. German translation from Romanian 30 pages text plus 63 color and B/w reproductions.

Condition: Good. 1978. No Edition Stated. Unpaginated. Black pictorial dust jacket over beige cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning. Unclipped jacket has light edge wear with minor tears and chipping. Mild rubbing and marking.

Condition: Fair. 1978. No Edition Stated. 31 pages. Black pictorial dust jacket over beige cloth. Pages are moderately tanned at the edges, with notable foxing. Binding has remained firm. Inscription to front endpaper. Boards have slight shelf with bumping to corners. Spine ends are a little crushed with light tanning. Boards are slightly bowed. Slight forward lean to text block. Light wear to unclipped dust jacket with tears, nicks and creases to spine, edge and corners.

Paperback. Condition: Near Fine. 52 pages; Square octavo in stiff pictorial wrappers. Text in both French and Italian. 15 full colour reproductions and 24 b&w of Martinelli's fabulous works in mixed media. Blind stamp of former owner at lower corner of first & last page. ; Experience the pleasure of reading and appreciating this actual printed item. It has its own physical history that imbues it with a character lacking in ephemeral electronic renderings.

1st English edition, translated from the Romanian original by Andreea Gheorghitoiu. 32 PP with 3 b/w illustrations, plus 56 pages with 39 b/w and 24 colour plates. Hard cover, dj. Occasional foxing and offsetting on endpapers. Very good. 32 x 24.

1st Translated Edition. Very good cloth copy in a good if somewhat edge-torn (with some loss) and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall. 31 pages; Physical desc. : 31 p. , 63 plates : ill. (some col. ) ; 32 cm. Subjects: Bellini, Giovanni, 1516. Museum studies. 2 Kg.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Dust jacket in good condition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

Hard Cover. Condition: Good. Dust Jacket Condition: Very Good. First Edition. 1st UK edition issued in the Abbey Library series translated by Andreea Gheorghitoiu, large 4to, 31pp + 63 cold and b/w photo illustrations, the perils of storage, a little musty-smelling with some mild foxing/browning to top edge o/w decent, VG Copy in VG DJ Size: 4to - over 9¾" - 12" tall.

Softcover. Condition: Fair. Ohne Umschlag; Spuren von Feuchtigkeit / Nässe; Leichte Rillen / Abschürfungen / Risse / Knicke; Farbtonänderung.

Softcover. Condition: Fair. Unterschrift / Widmung ohne Bezug; Leichte Rillen / Abschürfungen / Risse / Knicke; Gebrochener Buchrücken; Geknickte Ecken / Seiten.

Condition: Good. Original stapled wrappers, softcover, numerous illustrations (mostly photographs) in colour and b/w, text in Italian, unpaged, 4to.

Hardcover. Condition: Good. Dj lightly worn, page edge foxed.

large softover, Italian text, very good. Illustrated.

Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Hardcover. Condition: Very good. Dust Jacket Condition: Good. The format is approximately 9.5 inches by 12.5 inches. 31, [1] pages and 63 numbered Reproduction plates (some in color). Notes. Decorative DJ, front and back. DJ has scuff at front spine near bottom. DJ has some other wear and soiling. Scuff on the fep. This is an oversized book and if sent outside of the United States would require additional shipping charges. It is difficult to imagine how Venetian painting would have looked in the absence of Giovanni Bellini. A gem would have been absent from it, a gem whose flashes enhanced the brilliance of other precious stones. No doubt, the fraternity between people and things, which the work of the master left after him as spiritual testament to Venetian paining and through it to the European one, would have been absent. And so would have been the soft, nostalgic light in the midst of which people remember they are gods, and 'gods" return modestly to their former condition: humble human beings yet bearing the sacred stamp of their right to beauty and eternity. Giovanni Bellini (c. 1430 - 29 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned. An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and coloristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Many of Giovanni's great public works are now lost. After 1479-1480 much of Giovanni's time and energy must also have been taken up by his duties as conservator of the paintings in the great hall of the Doge's Palace. The importance of this commission can be measured by the payment Giovanni received: he was awarded, first the reversion of a broker's place in the Fondaco dei Tedeschi, and afterwards, as a substitute, a fixed annual pension of eighty ducats. Besides repairing and renewing the works of his predecessors, he was commissioned to paint a number of new subjects, six or seven in all, in further illustration of the part played by Venice in the wars of Frederick Barbarossa and the pope. These works, executed with much interruption and delay, were the object of universal admiration while they lasted, but not a trace of them survived the fire of 1577. Of the other, the religious class of his work, including both altarpieces with many figures and simple Madonnas, a considerable number have been preserved. They show him gradually throwing off the last restraints of the Quattrocento manner; gradually acquiring a complete mastery of the new oil medium introduced in Venice by Antonello da Messina about 1473, and mastering with its help all, or nearly all, the secrets of the perfect fusion of colors and atmospheric gradation of tones. The old intensity of pathetic and devout feeling gradually fades away and gives place to a noble, if more worldly, serenity and charm. The enthroned Virgin and Child become tranquil and commanding in their sweetness; the personages of the attendant saints gain in power, presence and individuality; enchanting groups of singing and viol-playing angels symbolize and complete the harmony of the scene. The full splendor of Venetian color invests alike the figures, their architectural framework, the landscape and the sky. Presumed first edition in English and first printing thus.

Soft cover. Condition: Very Good. An illustrated history of the famed Baroque-style palace. Text in Italian. Wide 8vo. Light wear at corners and edges, binding secure. Illustrated endpapers. 62pp.

Hardcover. Condition: Very Good-. Covered in clear plastic, tape marks on endpapers.; 63 glossy b/w & colour plates, chronology, list of reproductions, English text. 800gms weight; 4to 11" - 13" tall.

brossura brossura. Condition: Buono (Good).  BTT144RBrossura editoriale,Catalogo pubblicato in occasione della Mostra svoltasi a Parigi, Treviso e Mestre nel 1988/89Volume in buone condizioni, in gran parte illustrato,  testi in francese e italiano,  segni di usura sulla dovuti al fattore tempo sulla copertina,  interno in ottimo stato, legatura salda 51  pagine circaCopertina come da foto ISBN 8843526502   ASIN B008R8SFY0 . Book.

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, bruniture Condizioni dell'interno: Discrete con Difetti, bruniture.

Paperback. Condition: New.

Condition: COME NUOVO. Milano, Electa Ed. cm.25x28, pp.365, 202 illustrazioni e tavole bn.e a colori nel testo, brossura con copertina figurata a colori.

Brossura. Con 541 tavole a colori e in b/n f.t. e altre immagini in b/n e a colori n.t. Numero di tavole: 541 pp.253 9788843565733 altezza 28 larghezza 0 Esemplare in buone condizioni.Copertina con macchie di polvere e segni di usura ai bordi e agli angoli.Pagine lievemente ingiallite ai bordi.Testo in Lingua Italiana.

Cartonato con sovracoperta. Con immagini a colori e in b/n n.t. e f.t. Storia Universale dell'Arte III. Le civiltà dell'occidente Numero di tavole: 0 pp.VII,344 9788802051581 altezza 29 larghezza 0 Esemplare in buone condizioni.Sovraccoperta con macchie di polvere e minimi segni di usura al dorso, ai bordi e agli angoli. Pagine leggermente ingiallite.Testo in Lingua Italiana.

brossura. Condition: Ottimo (Fine). Da Antonello da Messina a Rembrandt. Opere 1947-2000 - Arbore Popescu Grigore - Electa Milano 1996 ? in brossura editoriale illustrata a colori ? in 8° - Capolavori d'arte europea dal Museo Nazionale d'Arte di Romania, Bucarest e dal Museo Nazionale Brukenthal, Sibiu - Catalogo della mostra tenutasi a Milano presso il Museo della Permanente (ottobre 1996 - febbraio 1997) - Numerose tavole a colori - pp. 220 su carta patinata RIF. LIBR.: ARTE generale x 2VOLUME USATO IN BUONE CONDIZIONI la foto corrisponde alla realtàPER QUALSIASI INFORMAZIONE NON ESITATE A CONTATTARMI ? Book.

N. PAG. 365 - BROSSURA ILL. - OTTIMO.

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.