Arno Schubbach (46 results)

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Taschenbuch. Condition: Neu. Neuware -Die Werke Immanuel Kants prägen philosophische und gesellschaftliche Debatten bis heute. Dies mag überraschen, da Kant der Ruf eines unzugänglichen, trockenen Systematikers vorauseilt. Ein zweiter Blick lässt aber andere Seiten hervortreten: Kant polemisiert gegen die philosophische Tradition, die ihn selbst prägte, lässt sich streitlustig auf Debatten ein und nimmt regen Anteil an aktuellen wissenschaftlichen Entwicklungen seiner Zeit. Seine Philosophie entfaltet sich in diesen Auseinandersetzungen, so dass auch seine drei Kritiken keineswegs bloß ein vorgefasstes System ausführen. Sie lassen vielmehr in beharrlicher Arbeit ein Denken Gestalt annehmen, das seine Prämissen prüft und überdenkt, wenn es notwendig ist. Gerade deshalb sind Kants Texte bis heute ein Anstoß zu philosophieren. 218 pp. Deutsch.…

Taschenbuch. Condition: Neu. Neuware -Die Werke Immanuel Kants prägen philosophische und gesellschaftliche Debatten bis heute. Dies mag überraschen, da Kant der Ruf eines unzugänglichen, trockenen Systematikers vorauseilt. Ein zweiter Blick lässt aber andere Seiten hervortreten: Kant polemisiert gegen die philosophische Tradition, die ihn selbst prägte, lässt sich streitlustig auf Debatten ein und nimmt regen Anteil an aktuellen wissenschaftlichen Entwicklungen seiner Zeit. Seine Philosophie entfaltet sich in diesen Auseinandersetzungen, so dass auch seine drei Kritiken keineswegs bloß ein vorgefasstes System ausführen. Sie lassen vielmehr in beharrlicher Arbeit ein Denken Gestalt annehmen, das seine Prämissen prüft und überdenkt, wenn es notwendig ist. Gerade deshalb sind Kants Texte bis heute ein Anstoß zu philosophieren. 218 pp. Deutsch.…

Taschenbuch. Condition: Neu. Neuware -Die Werke Immanuel Kants prägen philosophische und gesellschaftliche Debatten bis heute. Dies mag überraschen, da Kant der Ruf eines unzugänglichen, trockenen Systematikers vorauseilt. Ein zweiter Blick lässt aber andere Seiten hervortreten: Kant polemisiert gegen die philosophische Tradition, die ihn selbst prägte, lässt sich streitlustig auf Debatten ein und nimmt regen Anteil an aktuellen wissenschaftlichen Entwicklungen seiner Zeit. Seine Philosophie entfaltet sich in diesen Auseinandersetzungen, so dass auch seine drei Kritiken keineswegs bloß ein vorgefasstes System ausführen. Sie lassen vielmehr in beharrlicher Arbeit ein Denken Gestalt annehmen, das seine Prämissen prüft und überdenkt, wenn es notwendig ist. Gerade deshalb sind Kants Texte bis heute ein Anstoß zu philosophieren.…

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Taschenbuch. Condition: Neu. Neuware - Die Werke Immanuel Kants prägen philosophische und gesellschaftliche Debatten bis heute. Dies mag überraschen, da Kant der Ruf eines unzugänglichen, trockenen Systematikers vorauseilt. Ein zweiter Blick lässt aber andere Seiten hervortreten: Kant polemisiert gegen die philosophische Tradition, die ihn selbst prägte, lässt sich streitlustig auf Debatten ein und nimmt regen Anteil an aktuellen wissenschaftlichen Entwicklungen seiner Zeit. Seine Philosophie entfaltet sich in diesen Auseinandersetzungen, so dass auch seine drei Kritiken keineswegs bloß ein vorgefasstes System ausführen. Sie lassen vielmehr in beharrlicher Arbeit ein Denken Gestalt annehmen, das seine Prämissen prüft und überdenkt, wenn es notwendig ist. Gerade deshalb sind Kants Texte bis heute ein Anstoß zu philosophieren.…

Condition: New. Der Band mit Beitraegen aus Literatur-, Kultur-, Theaterwissenschaft und Philosophie widmet sich Praktiken lebendiger Darstellung um 1800 und ihren Diskursen, Institutionen und gesellschaftlichen Kontexten.Das Ideal einer lebendigen Darstellung hat um 1800 i.

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Taschenbuch. Condition: Neu. Neuware -In the second half of the eighteenth century, the category of the sublime became a central concept of the fledgling field of aesthetics. Originally located at the margins of discourses on rhetoric, it became a source of fascination in literary and artistic production, but quickly proved to be a complicated matter, especially for the visual arts. Artists and philosophers contended with the question of whether the sublime can be depicted at all or whether the events that can cause viewers to experience the sublime can be adequately represented in painting. The contributions of this special issue suggest, however, that the contested visual representability of the sublime might have spurred visual artists to devise innovative, experimental solutions in the eighteenth and nineteenth century. 164 pp. Englisch.…

Taschenbuch. Condition: Neu. Neuware -In the second half of the eighteenth century, the category of the sublime became a central concept of the fledgling field of aesthetics. Originally located at the margins of discourses on rhetoric, it became a source of fascination in literary and artistic production, but quickly proved to be a complicated matter, especially for the visual arts. Artists and philosophers contended with the question of whether the sublime can be depicted at all or whether the events that can cause viewers to experience the sublime can be adequately represented in painting. The contributions of this special issue suggest, however, that the contested visual representability of the sublime might have spurred visual artists to devise innovative, experimental solutions in the eighteenth and nineteenth century. 164 pp. Englisch.…

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Taschenbuch. Condition: Neu. Neuware -In the second half of the eighteenth century, the category of the sublime became a central concept of the fledgling field of aesthetics. Originally located at the margins of discourses on rhetoric, it became a source of fascination in literary and artistic production, but quickly proved to be a complicated matter, especially for the visual arts. Artists and philosophers contended with the question of whether the sublime can be depicted at all or whether the events that can cause viewers to experience the sublime can be adequately represented in painting. The contributions of this special issue suggest, however, that the contested visual representability of the sublime might have spurred visual artists to devise innovative, experimental solutions in the eighteenth and nineteenth century.…

Taschenbuch. Condition: Neu. Neuware - In the second half of the eighteenth century, the category of the sublime became a central concept of the fledgling field of aesthetics. Originally located at the margins of discourses on rhetoric, it became a source of fascination in literary and artistic production, but quickly proved to be a complicated matter, especially for the visual arts. Artists and philosophers contended with the question of whether the sublime can be depicted at all or whether the events that can cause viewers to experience the sublime can be adequately represented in painting. The contributions of this special issue suggest, however, that the contested visual representability of the sublime might have spurred visual artists to devise innovative, experimental solutions in the eighteenth and nineteenth century.…

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Taschenbuch. Condition: Neu. Neuware -In the second half of the eighteenth century, the category of the sublime became a central concept of the fledgling field of aesthetics. Originally located at the margins of discourses on rhetoric, it became a source of fascination in literary and artistic production, but quickly proved to be a complicated matter, especially for the visual arts. Artists and philosophers contended with the question of whether the sublime can be depicted at all or whether the events that can cause viewers to experience the sublime can be adequately represented in painting. The contributions of this special issue suggest, however, that the contested visual representability of the sublime might have spurred visual artists to devise innovative, experimental solutions in the eighteenth and nineteenth century.Meiner Felix Verlag GmbH, Richardstr. 47, 22081 Hamburg 164 pp. Englisch.…

Hardback. Condition: New. Ernst Cassirer's philosophy of culture has been much discussed in recent years. However, it remains unclear how it evolved from his older theory of knowledge. This study deals with this question on the basis of Cassirer's 'disposition' of a 'philosophy of the symbolic', reconstructed here for the first time. This text shows that the 'symbolic' refers to culture as a whole and to its inherent diversity. Therefore, 'the symbolic' includes the relationship between the general transcendental conditions of culture and its empirical specificities in language and languages, art and the arts, myth and myths, science and disciplines. Cassirer does not comprehend this empirical and specific reality of symbolization depending on pre-existing transcendental conditions. Instead, he proceeds from the empirical diversity of the symbolisations and reflects on their simultaneously general and specific conditions. Thus, Cassirer embarks on a path that he finds paved in Kant's "Critique of Judgement": He consequently defines 'the symbolic' as the horizon for a reflective approach based on empirical findings - and not as the foundation of a systematic derivation of the diversity of culture in the style of the idealistic tradition. …

Hardback. Condition: New. Ernst Cassirer's philosophy of culture has been much discussed in recent years. However, it remains unclear how it evolved from his older theory of knowledge. This study deals with this question on the basis of Cassirer's 'disposition' of a 'philosophy of the symbolic', reconstructed here for the first time. This text shows that the 'symbolic' refers to culture as a whole and to its inherent diversity. Therefore, 'the symbolic' includes the relationship between the general transcendental conditions of culture and its empirical specificities in language and languages, art and the arts, myth and myths, science and disciplines. Cassirer does not comprehend this empirical and specific reality of symbolization depending on pre-existing transcendental conditions. Instead, he proceeds from the empirical diversity of the symbolisations and reflects on their simultaneously general and specific conditions. Thus, Cassirer embarks on a path that he finds paved in Kant's "Critique of Judgement": He consequently defines 'the symbolic' as the horizon for a reflective approach based on empirical findings - and not as the foundation of a systematic derivation of the diversity of culture in the style of the idealistic tradition. …