Art Action (28 results)

SingleIssueMagazine. Condition: Good to Very Good-. Vol. 19, No. 6. Pulp magazine. Edited by Robert W. Lowndes. Cover art is uncredited. Includes "Blood Trail from the Brazos" (novelet) by T. C. McClary; "Contact in Paradise" (novelet) by W. C. Tuttle; "Kill or Be Killed" by Lon Williams; "The Trading Post" (department) by Harold Gluck; "The Tall Stranger" by Art Baker; "She Played Checker" (special feature) by Sam Allison; "Painted Heaven" by Frank Marks; "The Cactus Flash" (verse) by Edward Garner; "Debts to Square" by Cleve Curran; "Badlands Justice" by Dev Klapp; "A Death to Avenge" (novelet) by William F. Schwartz; "The Great Como Indian War" (special feature) by Nan Baker; "Sand Storm" by Floyd Beaver; "Aces Always Win" by Michael Avallone; "Lobo Sign" by Harlan Clay. Extra Features: "How Well Do You Know Your Range Territory" by James A. Hines; "Dogtown U.S.A." by E. E. Clement. Uncredited illustrations. Creasing; roll; first page hinge wrinkle; short tears, nicks, chips and wear at edges. Book.

HARDCOVER. Condition: Very Good. Dust Jacket Condition: Fair. Illustrated by Schoare Action ENDPAPER Art (illustrator). Book Club Edition. VERY GOOD CONDITION IN FAIR UNCLIPT(BOOK CLUB EDITION) DUST JACKET. dust jacket show chips and taped fold tears .still solidly bound. ; GOLD SPINE TITLES ON RED HARD COVERS.BLACK TITLES ON ORANGE DUST JACKET, SHOWING VARIOUS NORTHWEST (WASHINGTON STATE.endpapers show DRAMATIC FOREST FIRE SCENE by SCHOARE ; 286pg pages; EARLY SEATTLE & WOODS EMPIRE SETTINGS.ROMANCE WITH "a man like the bronzed,muscular woodsman with his blend of audacity and gentleness.his drive to succeed.".

Soft cover. Condition: Very Good. Biesenthal, Betty; Art Direction, Design and Production: Dori Burchat (illustrator). Binding tight, interior clean, printed on paper containing over 50% recycled paper including 10% post-consumer fiber. Book in good condition other than light shelf wear on spine and corner of front cover. Includes over 160 recipes by Julian Armstrong, Marie Nightingale, Cynthia Wine, and many others. From the back cover, "most recipes are accompanied by wine suggestions by Tony Aspler, wine critic for 'The Toronto Star.'" 194 pages.

Paperback. Condition: Very Good. b/w photos, Ads, Etc.; Cover Art: Old Vic Company in Action By Houston Rogers (illustrator). 1st. 80 clean, unmarked pages; stapled wraps; items by/about: William Carlos Williams (Script: "Many Loves"); Louis Kronenberger (Scavengers and Salels on Broadway); Richard Gehman (Irving P. Lazar); Warren Clymer (Stage Design: "Wrie Mw a Murder"); Play Reviews and Much More.

Paperback. Condition: As New. 10.5 X 8.1 X 0.3 inches; 70 pages.

Condition: -. Dust Jacket Condition: Nein. Tb, Reiseführer mit den üblichen Inhalten, Kartenskizzen ect., 17,5x11 cm, 126 S., guter Zustand.

Binding neatly split in the middle; all pages intact. No marks in text. Not a library book. One copy only of this title. Ships in a cardboard enclosure. THE BOOK YOU SEE DESCRIBED IS THE COPY YOU WILL RECEIVE. Tim's Used Books, open shop in Provincetown, Mass., providing good books at reasonable prices on the same spot since 1991. shelf LL/far right.

Soft cover. Condition: Very Good. Raay, Jan Van; Steir, Pat; Abeles, Julie; Clemm, Eleanor; Hendricks, Jon; Hui, Ka Kwong; Stamerra, Joanne; Johnson, Poppy; Touche, Virginia; (illustrator). 1st Edition. We may ask for additional charges for international shipping, if quoted shipping price does not cover actual shipping costs.

Hardcover. Condition: VG+. Dust Jacket Condition: VG. Photos, Action Charts, Art Frontis (illustrator). 1st. 1st edition of 1957. 22cm by 14.5cm, hard cover with VG colour DJ. which has small V section cut from lower front flap (probably price removal) ,internallty excellent. Blue hard covers have gilt spine titles with tiny stain lower spine extremity, 20 b/w photos, e/paper maps, numerous intext battle charts, art frontis. Many accounts of the major naval encounter of WWI, off Jutland in 1916 , have been written but few have been as concise and yet as comprehensive as Captain Macintyre's. It sets the scene for the battle by outlining the Anglo-German naval race in the early 1900s, the men who world control the fleets when they met and the merits of the ships they commanded. An outstanding study of the action and its conseqences. 210 pages including appendices on fleets/commanders, index.

Trade Paperback. Condition: Used - Good. Some mild age, a few very minor stains at outer edges, and light scuffing to cover. A bit of creasing along spine. Otherwise, book is neat and tight. Inside is in excellent condition. With no creased pages, no tears, and no markings. Binding feels unworn with all pages tightly intact.

184 pp.; 27.7 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Art Journal. Guest edited by Clive Phillpot. "Editor's Statement," by Clive Phillpot; "Looking at a Printed Page," by Tony Rickaby; "Messages Received," by Howardena Pindell; artist's project by Sol LeWitt; "Kangaroo? (Some Songs by Art & Language and the Red Crayola," by Art & Language, The Red Crayola; "artist's project by Davi Det Hompson; "Why Write," by Daniel Buren; Color / Language Studies 1973 - 82, by Iain Baxter" artist's project by John Fekner; "The Walking Man 1975 - 1978 and The Artist's Dream," by Ian Breakwell; "Extracts fom Personhood's Self-Cancellation," by Henry A. Flynt Jr.; "Notes from Art (4 pages)," by Lawrence Weiner; artist's project by Ben; "The Definitive/ist Manifesto by the Guerrilla Art Action Group"; artist's project by Les Levine; artist's project by Jenny Holzer; artist's project by John Baldessari "On Social Grease," by Hans Haacke. Additional content by Marsha Morton, Maureen Connor, Bernard Hanson, Douglas G. Campbell, and Karen F. Beall. Very Good. Light bumping of corners and rubbing of covers. Yellowing at edges of cover. Contents clean and unmarked.

Condition: Très bon état. plaquette in-8, agrafée, (22) pp. portrait-frontispice de Louise Lara et 14 dessins et photos en noir. Edition originale de la seconde des conceptions de structures dramatiques théorisées par le mouvement Art et Action. Envoi autographe signé d'Edouard Autant et Akakia-Viala à Edouard Gazanion et sa famille, "en la mémoire de notre si chère Louise Lara, esprit et guide, fidèlement vénérée". On joint le carton annonçant le dépôt des archives d'Art et Action à la bibliothèque de l'Arsenal.Né de la rencontre d'une sociétaire de la Comédie Française (Louise Lara) et d'un architecte (Edouard Autant), le mouvement "Art & Action" marque un profond renouvellement de la scène française dans l'entre-deux-guerres. Du graphisme à la scénographie, en passant par la direction d'acteurs, l'art du costume et des décors, ce "laboratoire de Théâtre" s'attache à métisser différents courants artistiques comme l'expressionisme, le Bauhaus, le futurisme ou le simultanéisme. S'inspirant des théories de Meyerhold, Taïrov ou encore Artaud, "Art & Action" concentre son activité autour du théâtre-atelier-appartement du 66 de la rue Lepic, entièrement financé par le ménage Autant-Lara, sans souci de reconnaissance du public ni des institutions. Et cependant, entre 1912 et 1952, pas moins de 400 représentations seront données, parfois dans des lieux insolites, et 112 oeuvres jouées, la plupart réputées "inadaptables". La grande originalité de "Art & Action" aura aussi été de réunir des professionnels et des amateurs afin de réaliser avec des moyens de fortune un théâtre de la simplicité, libéré des contraintes esthétiques en vigueur depuis le XVIIème siècle. S'il n'y a pas de véritable manifeste à l'origine du mouvement, il existe en revanche de nombreux textes théoriques rédigés par les Autant-Lara et Akakia-Viala, généralement édités à compte d'auteur et qui sont d'une grande rareté.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Soft cover. Condition: Near Fine. 1st Edition. Art-Rite Publishing Co., New York, 1975. First Edition. Side-stapled softcover. [44] pp., 8.25 x 11 inches. Condition: Near Fine. Age toning and mild wear at upper edge. Special performance issue of Art-Rite, guest edited by John Howell. With black-and-white photographs of performance pieces, and contributions from Howell, Diego Cortez, David Antin, Guerrilla Art Action Group, and Lucy Lippard. Cover by Joseph Beuys.

paperback. Condition: Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Ukiyo-e ---- modern art part (May 2012 auction in Japan. the Chinese version) 40Four Satisfaction guaranteed,or money back.

paperback. Condition: Good. Paperback. Pub Date: 2011 Publisher: SHINWA ART ACTION Auction Company ---------------- Tips: ------------------ === pro: Please carefully next single Oh - Once confirmed the shop will be regarded as the credibility of the guarantee! Pro: you are requested remittance within 15 days of placing an order or cancel the order - if there are special circumstances. please be sure the message is to inform! Instead - Shop will be regarded as malicious intrusion will be given negative feedback. complai.

paperback. Condition: Good. Paperback. Pub Date: 2011 Publisher: SHINWA ART ACTION Auction Company ---------------- Tips: ------------------ === pro: Please carefully next single Oh - Once confirmed the shop will be regarded as the credibility of the guarantee! Pro: you are requested remittance within 15 days of placing an order or cancel the order - if there are special circumstances. please be sure the message is to inform! Instead - Shop will be regarded as malicious intrusion will be given negative feedback. complai.

71 pp.; 25.5 x 21 cm.; glue bound; loose card[s] in envelope; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Wedge magazine. Edited by Brian Wallis and Phil Mariani. Essays " "Put me on this train!" An interview with Joseph Beuys," by Art Papier; "The Enigma and Melancholy of Nostalgia," by Jonathan Crary; "Time," by Kathy Acker; "License Action (January 17-18, 1981) Who, me? I don't know nothing. (December 15, 1981) Ron Bled to Death (February 17, 1982)," by the Guerrilla Art Action Group with license to burn books insert; "An Interview with Jean-Marie Straub and Daniele Huillet," by Phil Mariani; "Notes on Expression/Repression," by Margia Kramer; "Essays," by Jenny Holzer; "Glory Gut," by Schuldt; "On the Carnivalesque," by Robert Stam; "Song Paintings," by Paul McMahon and Nancy Chunn; "SOMBA," by Oyvind Fahlstrom; "Governing Authority: Robert Longo's Performance Empire," by Brian Wallis "EMPIRE: A Performance Trilogy," by Robert Longo. Reference : No. A.49 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 310, 309. Very Good. Rubbing of covers and yellowing at spine. Light bumping of corners. Contents clean and unmarked. Includes sealed Guerrilla Art Action Group [GAAG] tipped-in envelope with contents.

Condition: Bon état. in-8, broché, 214 + (2) pp. (dos passé, légères décharges de ruban adhésif aux pages de garde), 59 photographies hors-texte. Edition originale de la 5e et dernière des conceptions de structures dramatiques théorisées par le mouvement Art et Action. Envoi autographe signé d'Edouard Autant et Louise Lara à l'historien de l'art et militant communiste Joseph Billiet.Né de la rencontre d'une sociétaire de la Comédie Française (Louise Lara) et d'un architecte (Edouard Autant), le mouvement "Art & Action" marque un profond renouvellement de la scène française dans l'entre-deux-guerres. Du graphisme à la scénographie, en passant par la direction d'acteurs, l'art du costume et des décors, ce "laboratoire de Théâtre" s'attache à métisser différents courants artistiques comme l'expressionisme, le Bauhaus, le futurisme ou le simultanéisme. S'inspirant des théories de Meyerhold, Taïrov ou encore Artaud, "Art & Action" concentre son activité autour du théâtre-atelier-appartement du 66 de la rue Lepic, entièrement financé par le ménage Autant-Lara, sans souci de reconnaissance du public ni des institutions. Et cependant, entre 1912 et 1952, pas moins de 400 représentations seront données, parfois dans des lieux insolites, et 112 oeuvres jouées, la plupart réputées "inadaptables". La grande originalité de "Art & Action" aura aussi été de réunir des professionnels et des amateurs afin de réaliser avec des moyens de fortune un théâtre de la simplicité, libéré des contraintes esthétiques en vigueur depuis le XVIIème siècle. S'il n'y a pas de véritable manifeste à l'origine du mouvement, il existe en revanche de nombreux textes théoriques rédigés par les Autant-Lara et Akakia-Viala, généralement édités à compte d'auteur et qui sont d'une grande rareté.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.

[26] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; photocopy / xeroxed Exhibition catalogue published in conjunction with show held April 10 - May 12, 1992. Curated by Max Schumann. Includes artists'' statements by some of the artists in the exhibition including: Liz Was, Paul Dean/Paper Shrine, Stokley Towles, Carol Stetser, Dana Henry, Karen M. Wirth, Frank Moore, Susan Gold, Larry Walczak, Marcello Diotallevi, Christian Rigal, Simon Ford, Judith Weinperson, Daniel Plunkett, J. Nebraska Gifford, Robert Drake, Deborah Small, Elizabeth Sisco, Carla Kirkwood, Scott Kessler, Louis Hock, David Avalos, Stephen Willats, Harold Lohner, Art Strike Action Committee, Joseph Nechvatal, Joan Mathews, Paul Weinman, Sabra Moore, Peter Silvia, Bern Porter, Sharon Gilbert, Heino Partanan, Miekal And, Tom Scarpino, Andrea Scott, David Thorne. "This book gathers together artists'' statements from participants in the exhibition BY ANY MEANS NECESSARY: Photocopier Artists'' Books and the Politics of Accessible Printed Technologies, held at the Printed Matter bookstore at Dia, from April 10 to May 12, 1992. The texts were generated from a questionnaire circulated by the curator Max Schumann." -- publisher''s statement. Good. 3 cm. dog-ear to top left corner of recto. Additional bumping along spine edge and rubbing of covers. Contents clean and unmarked.

Paris, Impr. Bernard Julien 1934. 24 x 16,5 cm, 214 pp. Broché, couverture légèrement salie et ouvrage en partie débroché sinon bon exemplaire. 59 photographies hors-texte. Édition originale de la cinquième et dernière des conceptions de structures dramatiques théorisées par le mouvement Art et Action. Né de la rencontre d'une sociétaire de la Comédie Française (Louise Lara) et d'un architecte (Edouard Autant), le mouvement "Art & Action" marque un profond renouvellement de la scène française dans l'entre-deux-guerres. Du graphisme à la scénographie, en passant par la direction d'acteurs, l'art du costume et des décors, ce "laboratoire de Théâtre" s'attache à métisser différents courants artistiques comme l'expressionisme, le Bauhaus, le futurisme ou le simultanéisme. S'inspirant des théories de Meyerhold, Taïrov ou encore Artaud, "Art & Action" concentre son activité autour du théâtre-atelier-appartement du 66 de la rue Lepic, entièrement financé par le ménage Autant-Lara, sans souci de reconnaissance du public ni des institutions. Et cependant, entre 1912 et 1952, pas moins de 400 représentations seront données, parfois dans des lieux insolites, et 112 oeuvres jouées, la plupart réputées "inadaptables".

Bruxelles, Braine-Le-Comte , Paris, directeur Emile Lecomte, 1923, format in-4°, 27 x 21,5 cm . Le numéro complet comme sortie de la presse. ( dos légèrement abimé). Le numéro est consacré à Art & Action; association pour l'affirmation et la défense d'oeuvres modernes.(Rue Lepic 66, à Paris). Avec des bois et linos de Akakia-Viala, Chana Orloff, Masereel, Numéro complet de cette rare revue belge de littérature - voyez Aron-Soucy nr. 701 (Les Revues Littéraire belge de langue française).

[2] pp.; 28 x 21.5 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed; Double sided flyer promoting the SoHo Arts Festival For McGovern held Sunday, October 22, [1972]. Theatre events, art exhibits, works for sale - video tapes and experimental films, jazz, electronic and folk music taken place at several art galleries in SoHo. The proceeds will go to the McGovern for President campaign. The verso is the program for the events including "Theater piece on women, by Jean Granirer; "Marionett show," by Bill Baird; Judson Poet's Theatre "Life of Man," by Al Carmines; portions of "The Yanks Are Coming," with Dino and Aleen Narizzano; dance with Yvonne Rainer, Marilyn Wood, Ruth Coron, Kenneth King, Edith Stephen, Gus Solomons, Jr.; music by Philip Corner, Bob Wood, Emmanuel Ghent, SoHo Ensemble, Hayden Wayne; films by Les Levine, Charles Leslie, Maurice Amar, Isuaro Delarosa, Mimi Garrard, James Seawright; and Anti-war poem tee-shirts by John Giorno; an action by the Guerrilla Art Action Group; light sensitizing sound by Nelson Howe, Richard Rigolo, Suzanne & Stephen Price and global village media presentation by Rudi Stern and John Reilly. Artwork on recto uncredited. Very Good. Folded in three, removed staple in top left corner, light edge wear and handling marks.

paperback. Condition: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.EUROPESINCE Western art in October 2011 auctionFour Satisfaction guaranteed,or money back.

[1] pp.; 35.5 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided flyer / poster published in protest of the proposed 1979 / 1980 United States Criminal Code Reforms Acts. Flyer dated February 8, 1980. Fair. Bottom 1/4 of flyer is soiled and wrinkled with a .5 mm puncture hole. Moderate overall handling marks and some overall dusting. See image for detailed condition assessment.

Condition: Very good +. Hacia un perfil del arte latinoamericano: muestra del grupo de los trece e invitados especiales organizada por Jorge Glusberg [Towards a Latin American Profile of Art: Exhibition of the group of the thirteen and special guests organised by Jorge Glusberg], CAyC, Buenos Aires, 20 June 1972. 232 x 172mm. 28 sheets printed black on white stock, in folio printed black on yellow. Unnumbered edition of 2000. Text in Spanish and English. Illustrated throughout. Published to coincide with the exhibition at CAyC, 26 June 3 July 1972. The 'group of the thirteen' includes Jacques Bedel, Luis Benedit, Gregorio Dujovny, Carlos Ginzburg, Victor Grippo, Jorge Gonzales Mir. Jorge Glusberg, Vicente Marotta, Luis Pazos, Alberto Pelligrino, Alfredo Portillos, Juan Carlos Romero, Julio Teich. The 'special guests' include Marcel Alocco, Juan Navarro Baldeweg, Juan Bercetche, Guillermo Deisler, Juan Downey, Ken Friedman, Jochen Gerz, Klaus Groh, Guerrilla Art Action Group, Dick Higgins, Richard Kostelanetz, Uzi Kotler, Auro Lecci, Oscar Maxera, Marie Orensanz, Osvaldo Romberg, Clorindo Testa, Enrique Torrojo, Horst Tress, Jiri Valoch and Horacio Zabala. Contains an essay on 'Art and Ideology' by Glusberg and illustrated profiles on each of the artists, as well as installation shots of the exhibition at the third Coltejer Biennal in Medellin, Columbia, in May-June 1972. Condition: no stamps or writing, light soiling to covers, some light toning to internal pages. Overall: Very good+.

Paperback. Condition: new. Paperback. CURA: A Literary Magazine of Art and Action is a multi-media initiative based at Fordham University committed to integrating the arts and social justice. Featuring creative writing, visual art, new media and video in response to current news, we seek to enable an artistic process that is rigorously engaged with the world at the present moment. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.