Ashbery John (Over 2,700 results)

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Hardback. Condition: Good. Recipient of the Hubert Herring Memorial Award from the Pacific Coast Council on Latin American Studies for the best unpublished manuscript of 1973, Prose Fiction of the Cuban Revolution is an in-depth study of works by Cubans, Cuban exiles, and other Latin American writers. Combining historical and critical approaches, Seymour Menton classifies and analyzes over two hundred novels and volumes of short stories, revealing the extent to which Cuban literature reflects the reality of the Revolution. Menton establishes four periods--1959-1960, 1961-1965,1966-1970, and 1971- 1973--that reflect the changing policies of the revolutionary government toward the arts. Using these periods as a chronological guideline, he defines four distinct literary generations, records the facts about their works, establishes coordinates, and formulates a system of literary and historical classification. He then makes an aesthetic analysis of the best of Cuban fiction, emphasizing the novels of major writers, including Alejo Carpentier's El siglo de las luces, and Jos Lezama Lima's Paradiso. He also discusses the works of a large number of lesser-known writers, which must be considered in arriving at an accurate historical tableau. Menton's exploration of the short story combines a thematic and stylistic analysis of nineteen anthologies with a close study of six authors: Guillermo Cabrera Infante, Calvert Casey, Humberto Arenal, Antonio Ben tez, Jes s D az Rodr guez, and Norberto Fuentes. Several chapters are devoted to the increasing number of novels and short stories written by Cuban exiles as well as to the eighteen novels and one short story written about the Revolution by non-Cubans, such as Julio Cort zar, Carlos Mart nez Moreno, Luisa Josefina Hern ndez, and Pedro Juan Soto. In studying literary works to reveal the intrinsic consciousness of a historical period, Menton presents not only his own views but also those of Cuban literary critics. In addition, he clarifies the various changes in the official attitude toward literature and the arts in Cuba, using the revolutionary processes of several other countries as comparative examples.…

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Paperback. Condition: Good. A celebration of the first edition of Best American Poetry and a tribute to the late John Ashbery--the guest editor and one of the best American poets of all time--this thirtieth anniversary edition is a look back at the beginning of a renowned anthology series and an outstanding collection of poems. In 1988, series editor David Lehman began an institution with the inaugural installment of Best American Poetry. Thirty years later, this anniversary edition celebrates its guest editor, the brilliant John Ashbery. Ashbery was a vastly-admired, highly decorated, and generative artist; The New Yorker noted that, however one interprets Ashbery, An alternative view says that every Ashbery poem is about poetry. How fitting that he worked with Lehman on the first Best American Poetry, which would go on to become nearly as admired and generative as Ashbery himself--and always a book of poetry about poetry. The Best American Poetry 1988 includes poems by Derek Walcott, Amy Gerstler, Donald Hall, Robert Pinsky, Ruth Stone, Ann Lauterbach, Seamus Heaney, and many more. With a Foreword by Lehman, in which he calls Ashbery a poet's poet's poet, and an Introduction by Ashbery, where he reflects that life is what present American poetry gets to seem more like, and the more angles we choose to view it from, the more its amazing accidental abundance imposes itself, this edition, with a new Preface from Lehman about how Best American Poetry has developed over the years, is a rewarding look back at the beginnings of the series.…

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Hardback. Condition: Good. A masterful collection from "the grand old man of American poetry" (New York Times) You meant more than life to me. I lived through you not knowing, not knowing I was living. I learned that you called for me. I came to where you were living, up a stair. There was no one there. No one to appreciate me. The legality of it upset a chair. Many times to celebrate we were called together and where we had been there was nothing there, nothing that is anywhere. We passed obliquely, leaving no stare. When the sun was done muttering, in an optimistic way, it was time to leave that there.   --from "The New Higher".…

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Condition: As New. Like New condition. From the collection of Tom Verlaine. Verlaine was a guitarist, singer, and songwriter who was a founding member of the seminal punk rock band Television. He was known for his innovative guitar playing and songwriting, and he is considered to be one of the most important and influential musicians of the past 50 years.…

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