Asher Joseph (93 results)

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Soft cover. Condition: Fine. Softcover, 184 pgs. Poetry, fiction, translations. Fine.

Condition: New.

Condition: As New. Unread book in perfect condition.

Softbound. Condition: Very Good. Small quarto, stapled sheets, 3 single-sided pp. A mimeographed copy of the Rosh HaShanah sermon of the head rabbi of Congregation Emanu-El of San Francisco.

Condition: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.

Hardbound. Condition: Good. Folio, maroon cloth with gold lettering, xiv, 114, 26, 24, 206, 26, 44, 26 pp., minor pencil Text is in Hebrew.

Condition: New. In.

paperback. Condition: Good. First Edition. Beloit, WI: Beloit College. Good. 1950. First Edition. Softcover. First edition. Magazine. Pictorial design by James R. Thompson wrappers [about 5" x 8.5"], saddle-stapled, 32 pages. Birthday inscription inside the front cover that is signed "Elise" Elise Asher. is one of the contributors. Toning to alledges, rubbing to spine. bx119E.

Condition: New.

Paperback. Condition: Good.

Condition: As New. Unread book in perfect condition.

Hardbound. Condition: Very Good. Small quarto, maroon cloth with gold lettering, 350, 150 pp. Text is in Hebrew.

Hardbound. Condition: Very Good. Small quartos, maroon cloth with gold lettering, ii, 414, 330 + ii, 442, 215 pp. Text is in Hebrew.

Hardbound. Condition: Very Good. Small quartos, maroon cloth with gold lettering, 512, 140 + 676 pp. Text is in Hebrew.

Hardbound. Condition: Very Good. Small quartos, maroon cloth with gold lettering, 416, 124 + 754 pp. Text is in Hebrew.

Hardcover. First Edition. This vintage hardcover book titled "The Psychology Of Normal People" offers valuable insights into the complexities of human behavior. Written by Joseph Tiffin, Eston Jackson Asher, and Frederic B. Knight, this nonfiction novel explores the topic of psychology and help in a language that is easy to understand. Published by D. C. Heath and Company in 1940, this first edition book is a must-have for adults interested in the subject. With its original language of English, this book is a valuable addition to any collection. The book is categorized under "Books & Magazines" and "Books" and is sure to be a fascinating read for anyone interested in the topic.; 10.00 x 8.00 x 4.00.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Well-preserved copy--clean, crisp with solid binding. "New Edition".

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Well-preserved copy: clean, crisp, solid binding.

Paperback. Condition: Very Good. The cover has a little wear. The title page has an inscription from a previous owner. 357 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Hardbound. Condition: Very Good. Quarto, blue cloth with gold lettering, ii, 112, 83 pp., with the facsimile of "Sefer Torah or," and with the title page and a couple of photos of manuscript pages from the Venice edition of 1595 Text is in Hebrew.

Hardcover. Condition: Used - Very Good. The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised andexpanded edition of the 1989 publication 'Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection,' thishandsome volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations.' 'This is a revised and expanded edition of a book originally published by the Philadelphia Museum of Art in 1989 under the title 'Masterpieces of Impressionism and Post-Impressionism: the Annenberg Collection''--T.p. verso.

Paperback. Condition: New. Print on Demand. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Hardbound. Condition: Very Good. Quarto, blue cloth with gold lettering, 146, 28, 201 pp., with the facsimile of "Sefer Torah or," and with the title page and a couple of photos of manuscript pages from the Venice edition of 1595 Text is in Hebrew.

304 pp.; 23.8 x 22 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph by Achille Bonito-Oliva with editorial coordination by Corinna Ferrari. Artists include Marina Abramovic, Vito Acconci, Vincenzo Agnetti, Laurie Anderson, Carl Andre, Giovanni Anselmo, Eleanor Antin, Art & Language, Michael Asher, David Askevold, Gabor Attalai, Michael Badura, Jo Baer, Marco Bagnoli, John Baldessari, Martin Barré, Robert Barry, Lothar Baumgarten, Didier Bay, Bernd and Hilla Becher, Bill Beckley, Larry Bell, Lynda Benglis, Joseph Beuys, James Bishop, Mel Bochner, Alighiero Boetti, Mari Boeyen, Marinus Boezem, Christian Boltanski, George Brecht, K.P. Brehmer, Marcel Broodthaers, Stanley Brouwn, Trisha Brown, Gunter Brüs, Chris Burden, Daniel Buren, Victor Burgin, James Lee Byars, André Cadere, Pier Paolo Calzolari, Peter Campus, Louis Cane, Enrico Castellani, Mark Camille Chaimowitz, Alan Charlton, Sandro Chia, Christo, Francesco Clemente, Chuck Close, Hanne Darboven, Walter De Maria, Agnes Denes, Jan Dibbets, Richard Estes, Valie Export, Robert Filliou, Dan Flavin, Simone Forti, Terry Fox, Hamish Fulton, General Idea, Gilbert & George, Philip Glass, Dan Graham, Robert Grosvenor, Hans Haacke, Duane Hanson, Michael Heizer, Eva Hesse, Dick Higgins, Nancy Holt, Rebecca Horn, Douglas Huebler, Robert Irwin, Ray Johnson, Joan Jonas, Donald Judd, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, David Lamelas, La Monte Young, Marian Zazeela, Barry Le Va, Les Levine, Sol LeWitt, Richard Long, George Maciunas, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Gordon Matta-Clark, Mario Merz, Annette Messager, Mary Miss, Meredith Monk, Robert Morris, Antonio Muntadas, Bruce Nauman, N.E. Thing Co., Barnett Newman, Dennis Oppenheim, Nam June Paik, Michelangelo Pistoletto, Arnulf Rainer, Yvonne Rainer, Ad Reinhardt, Gerhard Richter, Terry Riley, Dieter Rot [aka Dieter Roth], Alan Ruppersberg, Edward Ruscha, Robert Ryman, Lucas Samaras, Richard Serra, Charles Simonds, Robert Smithson, Keith Sonnier, Nancy Spero, Daniel Spoerri, Frank Stella, Richard Tuttle, Wolf Vostell, Andy Warhol, and Lawrence Weiner. Includes author biography. Texts in English, French, and German. Very Good. Small chip to bottom edge of dust-jacket at spine. Light bumping of cover and page corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softbound. Condition: Very Good. Second Edition. Royal octavo, stapled paper covers, 63 pp.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!