Assaf Pinkus (117 results)

Hardcover. Condition: Fine. a fine fresh copy bound in publishers glazed pictorial boards. 252-ppgs, indexed. The Marian portals in Augsburg, Freiburg im Breisgau, Thann and Ulm - products of the Parler workshops - are among the most spectacular and innovative gothic enterprises of the fourteenth century. Teeming with hundreds of sculptured figures set in an elaborate narrative, they share a similar story: the life of the Virgin Mary and stories of the creation.…

Hardback. Condition: New. Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers' bodies and minds so violently that they amounted to what Pinkus describes as "visual aggressions." Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus's research for years to come.…

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Hardcover. Condition: new. Hardcover. Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers bodies and minds so violently that they amounted to what Pinkus describes as visual aggressions. Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkuss research for years to come. Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Dec 01, 2008. Condition: gebraucht; wie neu. minimale Spuren, wie ungelesen.

251 S., reich illustriert, OPbd., Gr.-8*. Sauberer Pappband. 69 Sprache: Englisch.

Hardcover/Pappeinband. Condition: Gut. 251 Seiten. Einband berieben, untere Ecken bestoßen. Besitzerstempel auf Vorsatz. Ansonsten gut erhalten. 9783422068193 Sprache: Englisch Gewicht in Gramm: 1200.

Condition: Sehr gut. 251 Seiten. Gebunden. Sehr gut. Sprache: Englisch Gewicht in Gramm: 856.

Condition: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD ? HARDBACK - light wear and scuff marks to jacket, pages in nice condition, shipped from the UK.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: new. Hardcover. The Basilica of the Annunciation in Nazareth is among the most celebrated loca sancta in the Holy Land, a sacred destination of both Eastern and Western pilgrims for millennia. Celebrating the 50th anniversary of the modern edifice, this anthology is the first to offer a comprehensive study of the church, comprising the historical stages of its construction from the Byzantine era, through Crusader and Franciscan campaigns, and into the present day; the impact of the Second Vatican Council on the reception of modern elements of its architecture; and studies of its decorative elements including stained-glass windows, bronze doors, and votive panels from all over the world. These various analyses take into consideration the complex challenges facing Christian art in a multicultural world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: New. pp. 264.

Condition: New. pp. 264.

Condition: Used.

Condition: Used.

Condition: New. 2020. Illustrated. Hardcover. . . . . .

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: New.

Paperback. Condition: New. 1st. Engaging with the imaginative, nonreligious response to Gothic sculpture in German-speaking lands and tracing high and late medieval notions of the 'living statue' and the simulacrum in religious, lay, and travel literature, this study explores the subjective and intuitive potential inherent in thirteenth- and fourteenth-century sculpture. It addresses a range of works, from the oeuvre of the so-called Naumburg Master through Freiburg-im-Breisgau to the imperial art of Vienna and Prague. As living simulacra, the sculptures offer themselves to the imaginative horizons of their viewers as factual presences that substitute for the real. In perceiving Gothic sculpture as a conscious alternative to the sacred imago, the book offers a new understanding of the function, production, and use of three-dimensional images in late medieval Germany. By blurring the boundaries between viewers and works of art, between the imaginary and the real, the sculptures invite the speculations of their viewers and in this way produce an unstable meaning, perpetually mutable and alive. The book constitutes the first art-historical attempt to theorize the idiosyncratic character of German Gothic sculpture - much of which has never been fully documented - and provides the first English-language survey of the historiography of these works.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.