Ateneum (19 results)

paperback. Condition: Very Good. Clean, unmarked, tightly bound. Light wear. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

OBroschur. Condition: Sehr gut. Gastspiel anl. XX. Berliner Festtage November 1974. 12 S. mit Stab u. Besetzung, geheft. OBroschur, 8°. Mit 5 s/w-Probenfotos, ausf. Inhaltsangabe des zweiteiligen Stücks sowie 1 Text Warminskis. Ecken u. Kanten gering berieben, leichte vertikale Faltspur. Sonst sehr gutes Exemplar. Broschüre.

Encuadernación de tapa blanda. Condition: Bien. Arte (illustrator). Catalogo de la exposición. Todos nuestros libros son de segunda mano.

Paperback. Condition: VERY GOOD. Very good. Small square softcover published in 1968 by the Art Gallery of Ateneum; unpaginated (about 90 pages); stitched binding for long life. Slight wear; no marks or writing. Not all artists represented are Finnish. **We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA.

191pp. Prof. illus. in color. 4to. Wraps.

Paperback. Condition: Good. Large Art Book, Good condition with some wear.

Soft cover. Condition: Very Good. From the Library of John Russell Taylor.

Mit zahlreichen (ausschließlich farbigen) Abbildungen im Text und auf Tafeln. 191 S. gr. 8° Kt. Vorsatzwidmung und kleiner, stecknadelkopf-großer Fleck auf Deckel, sonst guter bis sehr gut erhalten. Übersetzt ins Englische von Harald Arnkil. Ein englischsprachiger Ausstellungskatalog. Nachhaltige Buchlieferung - Stabile, plastikfreie Verpackung.

Softcover/Paperback. Condition: Wie neu. 222 S. ; Ill. ; 28 cm Zustand: wie neu M-HH3857 9515322294 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Englisch Gewicht in Gramm: 1065.

Softcover. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. AB-9639 9515327679 fi Gewicht in Gramm: 1550.

hardcover. Condition: As New. Hardcover w/dust jacket. Strong binding. Clean, unmarked text. Thanks for looking!

Paperback. Condition: Very Good. Dust Jacket Condition: Very Good. Please note that overseas shipping rates will increase due to size. There is light shelf wear on the surfaces, with a moderate cock to the spine resulting in light bowing of the covers & pages, & light edge & corner wear, as well as light shelf wear on the dust jacket, with light smudging near the upper inner corner of the front cover, spots of scuffing & some faint smudging along the outer edges of the back cover, & light edge & corner wear; the book is attractive & in very good condition.

Häftad, tryckta omslag, prydlig namnteckning daterad 1939, fint exemplar. Helsingfors 1938. 8:o. viii + 132 s. + 24 planschblad med illustrationer.

Halbleinen, gebunden. Condition: Wie neu. S.122, zahlr. Abb., überwiegend farb.; 23 x 26 cm Zustand: sehr gut - neuwertig, ungelesen C-HH3783 9789515312761 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Englisch Gewicht in Gramm: 770.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Neat ink inscription on first page.

hardcover. Condition: Good. Dust jacket is creased inside front cover, few page corners have a slight bend, otherwise good condition, text is unmarked.

4°, Halbleinen mit Umschlag-O. Condition: Gut. 386 S., Mit zahlreichen farbigen Abbildungen, Umschlag minimal berieben, gutes Exemplar. 114909_Kunst Sprache: Englisch Gewicht in Gramm: 2000.

Soft cover. Condition: Near Fine. 1st Edition. Swedish language. Octavo 13 x 16 cm. Weight 80 g. Wrappers, 31 [1] pp., [13] leaves of plates. The book is in Near Fine condition without any visible defects, losses, remarks and stains. One small spine stress line at the centre, soft vertical book-lenght creaser on the front cover; internally few minor foxing spots. The fourth exhibition of works organized by the Septem group was held from March 20 to April 12 1915 at the Ateneum Art Museum in Helsinki. On display were 108 artworks. Of the 13 showing artists, seven were members of the Septem Group - Alfred William Finch, Magnus Enckell, Yrjö Ollila, Mikko Oinonen, Juho Rissanen, Ake Lauren, Verner Thome; five invited participants were the founding members of the upcoming Marraskuu (November) Group - Alvar Cawen, Ragnar Ekelund, Valle Rosenberg, Tyko Sallinen ja Werner Aström; also was included retrospective memorial section of Gustaf Wilhelm Finnberg's works. Therefore, current exhibition demonstrated the major modernist movements in Finnish art and their most important representatives. The early 20th century was characterised by the search for entirely new forms of expression in art. Artists began forming groups with other likeminded artists. Groups also emerged in Finland, such as French inspired Impressionist Septem founded in 1912, whose hallmark was bright colourism. The November group established in 1917 for a darker color expression adopted trends of Cubism. The beginning of the Septem Group establishment started from Paris Autumn Salon of 1908, there foreign art critics had given a low rating to Finnish works considering them old-fashioned, lifeless and drab. Magnus Enckell who had acted as a Commissioner of the Finnish Section at the Exhibition, together with other young artists started the renewal of Finnish painting towards Neo-Impressionism. Their inspiration came partly from the 1904 Impressionist and Neo-Impressionist Franco-Belgian Exhibition in Helsinki. Also, they adopted the color theories of architects Sigurd Frosterus and Gustaf Strengell and introduced a pure palette of rainbow colors. The group held its first joint exhibition in 1912 and this event became a breakthrough in modern Finnish art. Further exhibitions were organized annually. The group included Magnus Enckell, Verner Thome, Alfred William Finch, Yrjö Ollila, Ellen Thesleff, Juho Rissanen ja Mikko Oinonen. In 1914 Juho Rissanen moved to France, and Ake Lauren became a new member. The group's influence continued until about 1920. Catalog for a current exhibition includes list of works - each artist on separate page, two articles by artist Magnus Enckell and curator of Ateneum's art collections Torsten Stjernschantz considering renowned Finnish painter's Gustaf Wilhelm Finnberg (1784-1833) biography and giving characteristic of his work, also attached 13 full-page reproductions of the artworks exhibited.

ca 600 s. Halvklotband. Enstaka blyertsnoteringar, ägarstämpel och namnteckning på försättsbladet. Kulturtidskrift utgiven i Lund 193335 med Sven Hartman som redaktör. Ateneum startade i januari 1933 "i en tämligen studentikos anda". "På hösten ändrade emellertid Ateneum utseende och karaktär. Den blev kvartalstidskrift med allvarlig uppsyn och genomarbetade essayer och recensioner ." (Runnquist, Litterära tidskrifter 1920-1960) . I redaktionen fanns bl a Allan Hagsten, Per Meurling och Per Nyström som bidrog flitigt med texter. 1935 även med en nordisk redaktion.