Athanasopoulos Charles (16 results)
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Taschenbuch. Condition: Neu. Black Iconoclasm | Public Symbols, Racial Progress, and Post/Ferguson America | Charles Athanasopoulos | Taschenbuch | xiv | Englisch | 2025 | Springer | EAN 9783031669262 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[…dot]com | Anbieter: preigu.
Language: English
Published by Springer, Berlin|Springer Nature Switzerland|Palgrave Macmillan, 2024
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Published by Springer Nature Switzerland, Springer Nature Switzerland, 2024
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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In the decade since the 2014 Ferguson Uprising, re-intensified conversations about racial progress continue to be at the forefront of American culture. The monikerBlack Lives Matter, for example, emerged as a rallying cry of Black-led mass rebellions call…ing into question the rigidWestern social codes of race, gender, class, and sexuality. These values emerge through iconography: those social codes reflected by a corresponding rolodex of public symbols (whether positive or negative) in American culture.Black Lives Matterfractured icons such as the first Black president, the innocent police officer, and the charismatic Black male activist opening space for new theories and practices of Black radical disruption. At the same time, groups such as #BLM10, BLM Grassroots, and Mass Action for Black Liberation criticize the Black Lives Matter Global Network as having transformed into a new icon of racial progress, demonstrating that themeaning of Black liberation remains hotly contested. How do we discern Black radical thought and activism from the co-options of Western Man Are we doomed to repeat a cycle of destroying a few icons only to inevitably produce new ones InBlack Iconoclasm,Charles Athanasopoulosdismantles the Eurocentric notion of iconoclasm as the physical destruction of icons and/or the recovery of supposedly pure counter-ideologies. Instead, Black iconoclasm refers to a liminal orientation toward cracks and fissures in narratives of linear racial progress and teleological narratives of Black liberation.Athanasopoulos examines conflicting messages surrounding Black liberation in post/Ferguson America across activism, Black radical theory, communicative situations, cinema, and street art. Across each arena of American culture, his orientation toward the liminal unsettles the supposed cyclical nature of icons/iconoclasm by demonstrating that theories and practices of Black radical disruption always reflectbothBlack radical excess and the iconographic residues of Western Man. Those residues do not preclude those theories/practices from teaching us important lessons, they arehowthose lessons are learned to evolve our theories and practices of Black radical disruption. Institutional capture is neither simply inevitable just as no movement, person, or idea will be totally immune to Western Man's racial icons.Thus, Black iconoclasm eschews purity politics and the pursuit of epistemological closure in favor of a critical orientation toward ritual transgression and Black radical discernment. Reframing iconoclasm in this way, Athanasopoulos opens avenues for new approaches to the relationship between Black resistance and the co-option of that resistance.
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 252 pp. Englisch.
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Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -In the decade since the 2014 Ferguson Uprising, re-intensified conversations about racial progress continue to be at the forefront of American culture. The moniker Black Lives Matter, for example, emerged as a rallying cry of Black-led…mass rebellions calling into question the rigid Western social codes of race, gender, class, and sexuality. These values emerge through iconography: those social codes reflected by a corresponding rolodex of public symbols (whether positive or negative) in American culture. Black Lives Matter fractured icons such as the first Black president, the innocent police officer, and the charismatic Black male activist opening space for new theories and practices of Black radical disruption. At the same time, groups such as #BLM10, BLM Grassroots, and Mass Action for Black Liberation criticize the Black Lives Matter Global Network as having transformed into a new icon of racial progress, demonstrating that the meaning of Black liberation remains hotly contested. How do we discern Black radical thought and activism from the co-options of Western Man Are we doomed to repeat a cycle of destroying a few icons only to inevitably produce new ones In Black Iconoclasm, Charles Athanasopoulos dismantles the Eurocentric notion of iconoclasm as the physical destruction of icons and/or the recovery of supposedly pure counter-ideologies. Instead, Black iconoclasm refers to a liminal orientation toward cracks and fissures in narratives of linear racial progress and teleological narratives of Black liberation.Athanasopoulos examines conflicting messages surrounding Black liberation in post/Ferguson America across activism, Black radical theory, communicative situations, cinema, and street art. Across each arena of American culture, his orientation toward the liminal unsettles the supposed cyclical nature of icons/iconoclasm by demonstrating that theories and practices of Black radical disruption always reflect both Black radical excess and the iconographic residues of Western Man. Those residues do not preclude those theories/practices from teaching us important lessons, they are how those lessons are learned to evolve our theories and practices of Black radical disruption. Institutional capture is neither simply inevitable just as no movement, person, or idea will be totally immune to Western Man's racial icons. Thus, Black iconoclasm eschews purity politics and the pursuit of epistemological closure in favor of a critical orientation toward ritual transgression and Black radical discernment. Reframing iconoclasm in this way, Athanasopoulos opens avenues for new approaches to the relationship between Black resistance and the co-option of that resistance.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 252 pp. Englisch.
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Language: English
Published by Springer Nature Switzerland, Springer Nature Switzerland Sep 2024, 2024
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Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In the decade since the 2014 Ferguson Uprising, re-intensified conversations about racial progress continue to be at the forefront of American culture. The monikerBlack Lives Matter, for example, emerged as a rallying cry of Black-led mass… rebellions calling into question the rigidWestern social codes of race, gender, class, and sexuality. These values emerge through iconography: those social codes reflected by a corresponding rolodex of public symbols (whether positive or negative) in American culture.Black Lives Matterfractured icons such as the first Black president, the innocent police officer, and the charismatic Black male activist opening space for new theories and practices of Black radical disruption. At the same time, groups such as #BLM10, BLM Grassroots, and Mass Action for Black Liberation criticize the Black Lives Matter Global Network as having transformed into a new icon of racial progress, demonstrating that themeaning of Black liberation remains hotly contested. How do we discern Black radical thought and activism from the co-options of Western Man Are we doomed to repeat a cycle of destroying a few icons only to inevitably produce new ones InBlack Iconoclasm,Charles Athanasopoulosdismantles the Eurocentric notion of iconoclasm as the physical destruction of icons and/or the recovery of supposedly pure counter-ideologies. Instead, Black iconoclasm refers to a liminal orientation toward cracks and fissures in narratives of linear racial progress and teleological narratives of Black liberation.Athanasopoulos examines conflicting messages surrounding Black liberation in post/Ferguson America across activism, Black radical theory, communicative situations, cinema, and street art. Across each arena of American culture, his orientation toward the liminal unsettles the supposed cyclical nature of icons/iconoclasm by demonstrating that theories and practices of Black radical disruption always reflectbothBlack radical excess and the iconographic residues of Western Man. Those residues do not preclude those theories/practices from teaching us important lessons, they arehowthose lessons are learned to evolve our theories and practices of Black radical disruption. Institutional capture is neither simply inevitable just as no movement, person, or idea will be totally immune to Western Man's racial icons.Thus, Black iconoclasm eschews purity politics and the pursuit of epistemological closure in favor of a critical orientation toward ritual transgression and Black radical discernment. Reframing iconoclasm in this way, Athanasopoulos opens avenues for new approaches to the relationship between Black resistance and the co-option of that resistance. 252 pp. Englisch.
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Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -In the decade since the 2014 Ferguson Uprising, re-intensified conversations about racial progress continue to be at the forefront of American culture. The moniker Black Lives Matter, for example, emerged as a rallying cry of Black-led mass re…bellions calling into question the rigid Western social codes of race, gender, class, and sexuality. These values emerge through iconography: those social codes reflected by a corresponding rolodex of public symbols (whether positive or negative) in American culture. Black Lives Matter fractured icons such as the first Black president, the innocent police officer, and the charismatic Black male activist opening space for new theories and practices of Black radical disruption. At the same time, groups such as #BLM10, BLM Grassroots, and Mass Action for Black Liberation criticize the Black Lives Matter Global Network as having transformed into a new icon of racial progress, demonstrating that the meaning of Black liberation remains hotly contested. How do we discern Black radical thought and activism from the co-options of Western Man Are we doomed to repeat a cycle of destroying a few icons only to inevitably produce new ones In Black Iconoclasm, Charles Athanasopoulos dismantles the Eurocentric notion of iconoclasm as the physical destruction of icons and/or the recovery of supposedly pure counter-ideologies. Instead, Black iconoclasm refers to a liminal orientation toward cracks and fissures in narratives of linear racial progress and teleological narratives of Black liberation.Athanasopoulos examines conflicting messages surrounding Black liberation in post/Ferguson America across activism, Black radical theory, communicative situations, cinema, and street art. Across each arena of American culture, his orientation toward the liminal unsettles the supposed cyclical nature of icons/iconoclasm by demonstrating that theories and practices of Black radical disruption always reflect both Black radical excess and the iconographic residues of Western Man. Those residues do not preclude those theories/practices from teaching us important lessons, they are how those lessons are learned to evolve our theories and practices of Black radical disruption. Institutional capture is neither simply inevitable just as no movement, person, or idea will be totally immune to Western Man's racial icons. Thus, Black iconoclasm eschews purity politics and the pursuit of epistemological closure in favor of a critical orientation toward ritual transgression and Black radical discernment. Reframing iconoclasm in this way, Athanasopoulos opens avenues for new approaches to the relationship between Black resistance and the co-option of that resistance.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 252 pp. Englisch.
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