Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 268.
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 268.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by Taylor & Francis Ltd, 2020
ISBN 10: 0367586193 ISBN 13: 9780367586195
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
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Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. pp. 268.
Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketPaperback. Condition: Brand New. 268 pages. 9.21x6.14x0.79 inches. In Stock.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Add to basketHardback. Condition: New. Using a radical and inclusive definition of the genre, this collection explores musicians' autobiographies as articulated in print, on stage, and through various expressive media as a dynamic factor in contemporary culture. Popular musicians' autobiographies are one of the most important ways that stars create, negotiate and perpetuate the realities and myths of their lived experiences for fans. Autobiographical creations such as Bruce Springsteen's book Born to Run, Kendrick Lamar's lyrics, ABBA's virtual Voyage show, and the reimaginings of Lennon and McCartney's childhood homes have been both critically acclaimed and lucrative, whilst delivering for many fans an apparent insider's understanding of musicians whose work they are invested in. Yet such narratives have many other functions beyond thrilling their consumers with a sense of intimacy. The pop music autobiographies discussed here variously attempt to rewrite social history; to redress gender or racial stereotypes; to question received models of fame; to validate new genres and scenes; to explore complex subjectivities; to justify or atone for transgressive behaviour; and to critique the music industry.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Taylor & Francis Ltd, London, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. How has the history of rock n roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genres primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music. "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
US$ 143.26
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Add to basketHardback. Condition: New. Using a radical and inclusive definition of the genre, this collection explores musicians' autobiographies as articulated in print, on stage, and through various expressive media as a dynamic factor in contemporary culture. Popular musicians' autobiographies are one of the most important ways that stars create, negotiate and perpetuate the realities and myths of their lived experiences for fans. Autobiographical creations such as Bruce Springsteen's book Born to Run, Kendrick Lamar's lyrics, ABBA's virtual Voyage show, and the reimaginings of Lennon and McCartney's childhood homes have been both critically acclaimed and lucrative, whilst delivering for many fans an apparent insider's understanding of musicians whose work they are invested in. Yet such narratives have many other functions beyond thrilling their consumers with a sense of intimacy. The pop music autobiographies discussed here variously attempt to rewrite social history; to redress gender or racial stereotypes; to question received models of fame; to validate new genres and scenes; to explore complex subjectivities; to justify or atone for transgressive behaviour; and to critique the music industry.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: Majestic Books, Hounslow, United Kingdom
US$ 227.51
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Language: English
Published by Taylor & Francis Ltd, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
US$ 241.32
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Add to basketHardback. Condition: New. New copy - Usually dispatched within 4 working days.
Condition: New.
Language: English
Published by Taylor & Francis Ltd, London, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Seller: CitiRetail, Stevenage, United Kingdom
US$ 212.72
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Add to basketHardcover. Condition: new. Hardcover. How has the history of rock n roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genres primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music. "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Seller: Revaluation Books, Exeter, United Kingdom
US$ 251.34
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Add to basketHardcover. Condition: Brand New. 242 pages. 9.50x6.25x1.00 inches. In Stock.
Language: English
Published by Taylor & Francis Ltd, London, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: new. Hardcover. How has the history of rock n roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genres primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music. "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Seller: moluna, Greven, Germany
US$ 225.06
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Add to basketGebunden. Condition: New. David Sanjek (1952-2011) was Professor of Popular Music and Director of the Music Research Centre at the University of Salford, Greater Manchester, England. He was considered to be a world expert in this field. Professor Sanjek received .
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New.
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware - 'Popular musicians' autobiographies are one of the most important ways that stars create, negotiate and perpetuate the realities and myths of their lived experiences for fans. Using a radical and inclusive definition of the genre, this collection explores musicians' autobiographies as articulated in print, on stage, and through various expressive media as a dynamic factor in contemporary culture. These narratives function beyond thrilling fans with a sense of intimacy, as they attempt to create a narrative or reclamation on the musician's terms'--.