Audenaerde Robert 1663 (3 results)

Condition: Good. Engravings. 48 x 36 cm, sheet size. Old thick laid paper.Olschki 17449 , Cicognara 3523 , Berlin Kat. 4206).

Condition: Good. Oblong folio. 50 x 39cm. 83 numbered plates.New half parchment and marbled board binding by the artisan binder, Sasha Mosalov.Title and dedication included in numbering of plates. Single letterpress leaf bears bibliographical information by Domenco de' Rossi. Dedicatory leaf incorporates port. of Cardinal Flavio Chigi, to whom first ed. was dedicated, engraved by V. Guigou. Plate 30 signed with initials by Robert van Audenaerd, who was responsible for other plates as well. Thirty-one of the plates by Bartoli are copies in reverse of plates from François Perrier's Icones et segmenta (Rome, 1645). Perrier's monogram appears on plates 53 & 54. See Indice.First ed. appeared probably in 1666 and comprised 81 plates. Plates 60 & 61 of the present ed., devoted to the Roman fresco known as the Aldobrandini Wedding, were etched by Bartoli in 1677 and added to the work. In 1690 a group of 31 plates was transferred to another de Rossi publication (Veteres arcus Augustorum), and replaced with 31 others in part by Bartoli. .References; OCLC Number874380230;RIBA, Early printed, 1 (1994), no. 206, p.116-7 [describes mainly a pre-1693 edition].Summary Note:The sculptures shown are accompanied by a short explanatory caption, and statement of location. Several are from the collections of the Barberini, Medici, Borghese, Mattei, Giustiniani and Pamphili; a smaller number from the collections of the Mazarins, Montalto, Della Valle, the Queen of Sweden, Farnese, Massimi, Sacchetti and Vitelleschi; one is from the collection of Cardinal Flavio Chigi, to whom the work is dedicated. Others are from the Vatican and Capitoline collections, from churches and from the Forum of Nerva. Only one is shown from outside Rome, from the royal collection in Madrid.

Je ca. 13,5 x 19 cm. In der Platte bezeichnet "C.M. pinxit Rome". Auf feinem Bütten, teils mit der Plattenkante, teils auf diese geschnitten. Zwei Blätter mit Wasserzeichen "Drei Kugeln und Vogel im Kreis mit Anhänger". Vorhanden sind: Die Geburt Christi mit Anbeitung der Heiligen nach dem Fresko von Carlo Maratti, Rom, San Giuseppe dei Falegnami. - Die Verhöhnung Christi. - Ein Engel erscheint Petrus im Gefängnis. - Todesangst im Garten. - Der belgische Maler, Stecher und Radierer Robert Audenaerd (oder Auden-Aer) war Schüler von Francis van Mierhop und Hans von Cleef. 1685 ging Audenaerde nach Rom, wo er knapp vierzig Jahre blieb. In Rom war er zunächst Schüler von Carlo Maratti, dessen Stil einen großen Einfluss auf sein Werk hatte. Maratti erkannte auch sehr bald Audenaeres grafisches Talent und ließ ihn zahlreiche Blätter nach seinen Zeichnungen und Gemälden stechen. - Ein Blatt mit blassen Farbspuren im Rand. Sprache: Deutsch.