August Sarnitz (243 results)

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

paperback. Condition: Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Trade Paperback. Condition: Used - Very Good.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condition: As New. Unread book in perfect condition.

PAGES ARE CLEAN AND THE BOOK IS IN GOOD CONDITION. Sold by the U.K Charity Kisharon Langdon. Offering Opportunities and Support for People within the Autism and Learning Disability Community.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. Soft cover. text in german and english.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardback. Condition: New. Adolf Loos (1870-1933) was a flamboyant character whose presence in the cultural hotbed of early 1900s Vienna galvanized the country's architectural landscape. An early, impassioned advocate of modernism, he all-out rejected the grand Secessionist aesthetic prevalent at the time, as well as any hallmarks of the European fin de siècle. Instead, in lectures and essays, such as the milestone Ornament and Crime of 1908, Loos articulated his "passion for smooth and precious surfaces." He advocated that architectural ornamentation was, by its nature, ephemeral-locked into current trends and styles, and therefore quickly dated. Loos, himself a Classicist at heart, argued instead for simple, timeless designs with time-honored aesthetic and structural qualities. In this essential introduction, we explore Loos's writings, projects, and legacy, from his key concept of "spatial plan" architecture to his rejection of decorative fripperies in favor of opulent, fine-quality materials and crisp lines. Featured projects include Vienna's Café Museum (1899), the fashion store Knize (1913), and the controversial Loos House (1912), which Emperor Franz Joseph I would refuse to travel past, bristling with rage at its insolently minimalist aesthetic.

Hardcover. Condition: new. Hardcover. Adolf Loos (1870-1933) was a flamboyant character whose presence in the cultural hotbed of early 1900s Vienna galvanized the country's architectural landscape. An early, impassioned advocate of modernism, he all-out rejected the grand Secessionist aesthetic prevalent at the time, as well as any hallmarks of the European fin de siecle. Instead, in lectures and essays, such as the milestone Ornament and Crime of 1908, Loos articulated his "passion for smooth and precious surfaces." He advocated that architectural ornamentation was, by its nature, ephemeral-locked into current trends and styles, and therefore quickly dated. Loos, himself a Classicist at heart, argued instead for simple, timeless designs with time-honored aesthetic and structural qualities. In this essential introduction, we explore Loos's writings, projects, and legacy, from his key concept of "spatial plan" architecture to his rejection of decorative fripperies in favor of opulent, fine-quality materials and crisp lines. Featured projects include Vienna's Cafe Museum (1899), the fashion store Knize (1913), and the controversial Loos House (1912), which Emperor Franz Joseph I would refuse to travel past, bristling with rage at its insolently minimalist aesthetic. With his passion for smooth surfaces, fine lines, and spatial plans, Adolf Loos was a prophet of 20th-century architecture. This essential introduction explores his rejection of ornamental forms and his radical pursuit of stark, bold, and beautiful design. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: Muy bueno. : Este libro explora la obra del influyente arquitecto y diseñador austriaco Josef Hoffmann, figura clave del modernismo y el Art Déco. A través de sus diseños innovadores y su estrecha relación con el movimiento Arts and Crafts, Hoffmann dejó una huella imborrable en la arquitectura europea. Descubre sus edificios más emblemáticos y su contribución al Wiener Werkstätte en esta completa monografía. EAN: 9783822855898 Tipo: Libros Categoría: Otros Título: Hoffmann Autor: August Sarnitz Editorial: TASCHEN ESPAÑA, S.A.U. Idioma: es-ES Páginas: 96 Formato: tapa blanda.

Hardback. Condition: New. Adolf Loos (1870-1933) was a flamboyant character whose presence in the cultural hotbed of early 1900s Vienna galvanized the country's architectural landscape. An early, impassioned advocate of modernism, he all-out rejected the grand Secessionist aesthetic prevalent at the time, as well as any hallmarks of the European fin de siècle. Instead, in lectures and essays, such as the milestone Ornament and Crime of 1908, Loos articulated his "passion for smooth and precious surfaces." He advocated that architectural ornamentation was, by its nature, ephemeral-locked into current trends and styles, and therefore quickly dated. Loos, himself a Classicist at heart, argued instead for simple, timeless designs with time-honored aesthetic and structural qualities. In this essential introduction, we explore Loos's writings, projects, and legacy, from his key concept of "spatial plan" architecture to his rejection of decorative fripperies in favor of opulent, fine-quality materials and crisp lines. Featured projects include Vienna's Café Museum (1899), the fashion store Knize (1913), and the controversial Loos House (1912), which Emperor Franz Joseph I would refuse to travel past, bristling with rage at its insolently minimalist aesthetic.

Softcover exhibition catalog, 112 pages, very good condition except for previus owner's stamp on first page; no other internal marks, clean and crisp, with b/w reproductions, illustrations, drawings.

Hardcover. Condition: Very Good.

Soft cover. Condition: Near Fine. No Jacket. Binding is tight and pages are clean and unmarked.

Paperback. Condition: Near Fine. Second Revised Edition. Exhibition catalogue, in English and German, 109 pages, 131 b/w illustrations, showing the work of architects Rainer, Holzbauer and Peichl.; 6 3/4 x 9 1/2 ".

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

, Sarnitz, August, 1956-, ed. Drei Wiener Architekten. Three Viennese architects, Wilhelm Holzbauer, Gustav Peichl, Roland Rainer. Vienna : Edition Tusch, 1984, second, revised edition, 111pp., sewn PAPERBACK with stiff covers, very good but with old Institute of Technology stamp on copyright page, previous owner's blindstamp on half-title. Text in German and English in facing columns. Volume consists mostly of black and white photos, diagrams, and sketches. Die hier vorgestellten Wiener Architekten, Wilhelm Holzbauer, Gustav Peichl und Roland Rainer, führen den traditionellen Begriff des Bauens als Baukunst fort, und ihre Arbeiten implizieren, daß Bauwerke ihr Sein durch den Ort empfangen. Kontinuität und Kontextualität reflektieren in ihren Arbeiten den Bezug zur Geschichte. Grenzen, temporär und räumlich, sind die relevanten Bestimmungen, innerhalb derer sich das Wesen formt: im Falle von Holzbauer, Peichl und Rainer indizieren der Wiener Traditionalismus, Klassizismus und Aspekte eines typologischen Fundamentalismus eine innovative und sensitive Antwort auf zeitgenössische sozio-kulturelle Erfordernisse. 9783850631488 ISBN 3850631486.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Condition: Neu. 1. Auflage. 592 pages with many coloured illustrations.

Condition: new.

Condition: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.