Axel Rueger (39 results)

Condition: as new. Wie neu/Like new.

Paperback edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 72 pages : color illustrations, maps (1 color) ; 27 cm. Subjects; Delft school ; Exhibitions. Painting, Dutch Netherlands Delft 17th century ; Exhibitions. Vermeer, Johannes 1632-1675 ; Exhibitions. Fabritius, Carel 1622-1654 Exhibitions. Vermeer, Johannes 1632-1675 Influence. 1 Kg.…

Paperback edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 72 pages : color illustrations, maps (1 color) ; 27 cm. Subjects; Delft school ; Exhibitions. Painting, Dutch Netherlands Delft 17th century ; Exhibitions. Vermeer, Johannes 1632-1675 ; Exhibitions. Fabritius, Carel 1622-1654 Exhibitions. Vermeer, Johannes 1632-1675 Influence. 1 Kg.…

First Edition. Near fine paperback copy; edges very slightly dulled. A well-preserved copy overall; tight, bright, clean and especially sharp-cornered. Physical description; 72 pages : colour illustrations, maps (1 colour) ; 27 cm. Notes; Catalogue of an exhibition held at the National Gallery, London, June 20 - September 16, 2001. Includes bibliographical references (page 69). Subjects; Vermeer, Johannes (1632-1675) - Exhibitions, Painting, Dutch - Netherlands - Delft - 17th century - Exhibitions, Delft school of art - Exhibitions. 1 Kg. …

Condition: acceptable.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. The dust jacket has some light wear and minor creasing. The pages are free from markings and highlighting. Nice overall. See pictures for more details.

Paperback. Condition: New. As museums worldwide shuttered in 2020 because of the novel coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight dialogues in this book explores a particular topic of relevance to art institutions today, and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention. CONVERSATION PARTNERS: Marion Ackermann, Cecilia Alemani, Anton Belov, Meriem Berrada, Daniel Birnbaium, Tom Campbell, Tania Cohen, Rhana Devenport, Maria Mercedes Gonzales, Max Hollein, Sandra Jackson-Dumont, Mami Kataoka, Brian Kennedy, Koyo Kouoh, Sonia Lawson, Adam Levine, Victoria Noorthoorn, Hans Ulrich Obrist, Anne Pasternak, Adriano Pedrosa, Suhanya Raffel, Axel Ruger, Katrina Sedwick, Franklin Sirmans, Eugene Tan, Phil Tinari, Marc-Olivier Wahler, Marie-Cécile Zinsou.…

First Edition. Near fine paperback copy; edges very slightly dulled. A well-preserved copy overall; tight, bright, clean and especially sharp-cornered. Physical description; 72 pages : colour illustrations, maps (1 colour) ; 27 cm. Notes; Catalogue of an exhibition held at the National Gallery, London, June 20 - September 16, 2001. Includes bibliographical references (page 69). Subjects; Vermeer, Johannes (1632-1675) - Exhibitions, Painting, Dutch - Netherlands - Delft - 17th century - Exhibitions, Delft school of art - Exhibitions. 1 Kg. …

Paperback. Condition: Very Good. No jacket. National Gallery Company, 2001. Paperback, 4to, 72pp, illust. A good copy. 1857099109/0.4uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

Paperback. Condition: Very Good. No jacket. National Gallery, 2001. Paperback, 4to, 72pp, illust. A good copy. 1857099109/0.4uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

Paperback. Condition: Very Good. No jacket. National Gallery Company, 2001. Paperback, 4to, 72pp, illust. A good copy. 1857099109/0.4uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

Paperback. Condition: Brand New. 01 edition. 317 pages. 7.50x4.75x1.00 inches. In Stock.

hardcover. Condition: Very Good. The Metropolitan Museum of Art and Yale University Press; New York and New Haven and London, 2001. Hardcover. A Very Good, black cloth binding with silver lettering on spine, binding sturdy and intact, some fading along board edges, small and faint rub mark bottom text block corner, some scattered foxing top text block edge, very mild scattered foxing to fore-edge and half title, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, scattered foxing to verso panels and flaps, Mylar protected, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 626pp., notes, bibliography, indexed, credits, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Thick folio. Color and B&W illustrations. Condition: inked name on half-title page; else fine in fine DJ. Pages: xiii, 626.

Soft cover. Condition: Near Fine. Publisher Van Gogh Museum, Amsterdam 2009. In pictorial card covers. Tight binding, all pages intact, no markings or inscriptions.

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Qto., xiii, 626 pages, illustrated with large colour plates, and other smaller reproductions.

Hardcover. Condition: new. Hardcover. In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the cafe-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection. Showcases and analyses Van Goghs collection of Japanese prints, exploring the key role they played in his creative output. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Soft cover. Condition: Very Good. 240pp, copiously illustrated, revised and expanded edition (2006). A very respectable copy with unmarked text, no inscriptions and no creasing to the spine (just a hint of use to crown). The pictorial card covers display some traces of surface & edge-wear but remain very presentable. Please see five pictures attached for a closer look. Note: Owing to 1.2kg weight an adjustment to shipping charge may be requested for some International destinations.…

Couverture souple. Condition: bon. RO60138213: 2001. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 72 pages. Photo en couleur en frontispice. Illustré de nombreuses photos en couleur dans et hors texte. . . . Classification Dewey : 0-GENERALITES.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. Large 4to. xiii, 626pp. 526 illus., 225 in color. Original cloth, slightly worn. Dust jacket.

Hardcover. Condition: Near Fine. Near Fine. First. Metropolitan Museum Of Art Series; 10 X 1.75 X 12.5 inches; 550 pages.

Hardcover. Condition: Brand New. 01 edition. 80 pages. 10.43x9.72x0.47 inches. In Stock.

Softcover. Condition: Sehr gut. 1. Auflage. Exhibition in New York and London.Softcover with dust jacket. 24,5x30,5cm. 626pp. Excellent copy, nearly as new.

Condition: New. In Chinese.

Paperback. Condition: New. As museums worldwide shuttered in 2020 because of the novel coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight dialogues in this book explores a particular topic of relevance to art institutions today, and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention. CONVERSATION PARTNERS: Marion Ackermann, Cecilia Alemani, Anton Belov, Meriem Berrada, Daniel Birnbaium, Tom Campbell, Tania Cohen, Rhana Devenport, Maria Mercedes Gonzales, Max Hollein, Sandra Jackson-Dumont, Mami Kataoka, Brian Kennedy, Koyo Kouoh, Sonia Lawson, Adam Levine, Victoria Noorthoorn, Hans Ulrich Obrist, Anne Pasternak, Adriano Pedrosa, Suhanya Raffel, Axel Ruger, Katrina Sedwick, Franklin Sirmans, Eugene Tan, Phil Tinari, Marc-Olivier Wahler, Marie-Cécile Zinsou.…

Hardcover. Condition: new. Hardcover. In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the cafe-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection. Showcases and analyses Van Goghs collection of Japanese prints, exploring the key role they played in his creative output. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardcover. Condition: new. Hardcover. In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the cafe-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection. Showcases and analyses Van Goghs collection of Japanese prints, exploring the key role they played in his creative output. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Audio Book (Cassette). Condition: Near Fine. 1st Edition. A superb survey. Published in conjunction with the 2001 exhibition at the Metropolitan Museum of Art. pp.xiii.626. Illus. Heavy.

Gebundene Ausgabe. Condition: Gut. 1... 304 S. Gebrauchsspuren. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 2159.

Hardcover. Condition: Fine. Dust Jacket Condition: fine. 1st. Bound in publisher's original black cloth with spine stamped in silver. Frontispiece. Profusely illustrated. 9 3/8 x 12 inches. 626 pages.