hardcover. Condition: Very Good. Very Good Condition- May show some limited signs of wear and may have a black line or red dot on edge of pages. Pages and dust cover are intact and not marred by notes or highlighting.
Language: English
Published by Ottawa Art Gallery, Ottawa, Ontario, Canada, 2005
ISBN 10: 1894906160 ISBN 13: 9781894906166
Seller: The Second Reader Bookshop, Buffalo, NY, U.S.A.
Hardcover. Condition: Very Good+. With the barest wear to covers, along with rounded corners. Interior clean & bright. 79 pp. Art Monographs; 4to - over 9¾" - 12" tall.
Hardcover. Condition: Fine. hardcover with no dust jacket. Signed by Author(s).
Published by Ottawa Art Gallery, Ottawa, 2005
Seller: Montreal Books, Westmount, QC, Canada
Hardcover. Condition: Fine (Book Condition). [Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair.]. Book.
Language: English
Published by Southern Alberta Art Gallery, Lethbridge, Alberta, 1990
ISBN 10: 0921613245 ISBN 13: 9780921613244
Seller: W. Lamm, Los Angeles, CA, U.S.A.
First Edition
Soft Cover. Condition: Near Fine. First Edition; First Printing. Numerous illustrations. With essays by Renee Baert and Don Goodes. Published on the occasion of the exhibition at the Southern Alberta Art Gallery, December 8, 1990 to January 20, 1991. ; As New. Tight, clean and crisp. A gently browsed book in excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. ; Square 12mo ; 79 pages.
23 x 15cm 189pp b&w illust softcover very good. Selection of writings on art and culture and how the meaning of difference is either made or unmade.Includes contributions by Amy Gogarty Daina Augaitis Lotretta Toddet el.
Language: English
Published by Mendel Art Gallery, Saskatoon, 2011
ISBN 10: 1896359760 ISBN 13: 9781896359762
Hardcover. Condition: Near Fine. No Jacket. Text in French and English.
Language: English
Published by Power Plant, Toronto, 1988
ISBN 10: 0921047444 ISBN 13: 9780921047445
Soft cover. Condition: Near Fine. No Jacket.
Published by Newzones Gallery of Contemporary Art Calgary, 1987
ISBN 10: 096888721X ISBN 13: 9780968887219
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, 16 pages; very good condition, light rubbing to covers; no internal marks.
Published by Mendel Art Gallery, Saskatoon, 2011
Seller: Tiber Books, Cockeysville, MD, U.S.A.
Hardcover. Condition: New. . . . . 8vo, hardcover. No dj. NEW. No wear inside or out: crisp, clean - pristine. 55 pp., color illus.
Language: English
Published by Southern Alberta Art Gallery, 1990
ISBN 10: 0921613245 ISBN 13: 9780921613244
Trade Paperback. Condition: Very Good. 79 page exhibition catalog in small format for the show Dec. 8 1990 to Jan 20, 1991 at publisher's gallery. Covers are slightly curled at outside edges, last page has tiny tear at outside edge, book shows light use only. Lots of b&w photos, a few color. Selling books for 20 years, we pack books individually in appropriate shipping material to arrive undamaged.
Published by Artculture Resource Centre, Toronto, 1986
Seller: Handbook, Toronto, ON, Canada
First Edition
Oblong 8vo, folded and stapled, illustrated card wrapper. Catalog of works illustrated with b/w video-stills throughout. Fair condition, has been folded, resulting in heavy crease to rear panel. Rare.
Language: English
Published by Ottawa Art Gallery, Ottawa, 2005
ISBN 10: 1894906160 ISBN 13: 9781894906166
Seller: J.C. Bell, Lunenburg, NS, Canada
First Edition
Hardcover. Condition: Fine. First Edition. [80] pp, illus. [09].
Language: English
Published by Walter Phillips Gallery, 1993
ISBN 10: 0920159486 ISBN 13: 9780920159484
Seller: Frabjous Books, Calgary, AB, Canada
Soft cover. Condition: Very Good. 189 pp. "These essays propose challenging ideas about how the meaning of difference is made.and unmade." Illustrated. Covers rubbed along spine and edges. Otherwise a bright clean copy.
Published by Galerie Powerhouse, Montreal, 1989
Seller: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
Soft cover. Condition: Very Good. Softcover. Some light corner wear. Otherwise clean, tight and unmarked. Very neat. Illustrated art exhibition catalogue. 32pp. Size: 4to - over 9¾ - 12" tall. Book.
Language: German
Published by Toronto: The Power Plant, 1988
Seller: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany
48 S., broschiert. Condition: Wie neu. When Renee Baert approached us with her initial proposal for an exhibition at The Power Plant, we were intrigued by her curatorial approach and thesis. We felt that she had carved out an interesting area for exploration which held the potential for a thought-provoking exhibition. Over the past many months, she has pursued her research and investigations and has honed a tight and coherent selection of artworks which give rise to a thoughtful analysis. Baert posits the resurgence of the enchanting, pleasurable qualities of art, inextricably linked to the realm of disturbance as the commonality underlying the selection of works in the exhibition. She argues convincingly about the compelling presence of these artworks because of the inherent duality contained within them: simultaneous enchanting and disturbing qualities.Umschlag leicht berieben, sonst aber ein gutes und sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 550.
Published by Maclean Hunter / Key Publishers, Canada, 1990
First Edition
Paperback. Condition: Good. First Edition. 96 pages. Features: Men and guns and the Montreal Massacre; More space doesn't mean better museums; Genevieve Cadieux's installations; Vancouver design collective Proto/zoan; Julie Voyce; The architectural interventions of Martha Fleming and Lyne Lapointe; An exploration of gardens as living metaphors; Kim Adams' vision of society; and more. Moderate wear. Unmarked. A sound copy.; Magazine; 4to - over 9¾" - 12" tall; Canadian Art Magazine, Spring 1990, Volume 7, Number 1 guns and the Montreal Massacre; More space doesn't mean better museums; Genevieve Cadieux's installations; Vancouver design collective Proto/zoan; Julie Voyce; The architectural interventions of Marth.