Balshofer Fred (22 results)

Hardcover. Condition: Near Fine. Dust Jacket Condition: Good. 1st edition. 218pp, octavo. hc w/jacket, tight binding, clean throughout, clean boards with touches of corner wear, worn jacket with creases and small tears to the edges, soiled on back.

Hardcover with dustjacket, 218 pages; good condition, moderate rubbing and edgewear to dj with small tears and pieces missing at top and bottom edge; owner's name; no other internal marks. Foreign shipping may be extra.

Condition: New. In.

Paperback. Condition: Brand New. 228 pages. 9.17x6.14x0.59 inches. In Stock.

Hardcover. Condition: Fine. Dust Jacket Condition: Fair. First Edition. Salmon cloth stamped in black and white. Decorative endpages. First edition. Frontis photo. Trace rubbing to cloth edges. The DJ in mylar with flap price of $6.95 has considerable wear with rubbing and some tears. A square tight unmarked copy. Scarce. ; 8vo 8" - 9" tall.

Hardcover. First Edition. Octavo, vi, viii, x, 218 pages. In Very Good condition with a Good dust jacket. Spine blue with white and black lettering. Exterior has moderate wear including whitish scuffs, light soiling, rubbed joints/fore edges and minor chips to the head/tail edges. Price clipped front flap and slight soiling interiorly. Boards have very slight wear including mild sunning and minor edge wear. Text block has slight wear including slight age toning to the edges. Pictorial end papers. Frontispiece. Illustrated. First edition. NOTE: Shelved in Netdesk Column O, ND-O. 1391104. FP New Rockville Stock.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine dj. First Edition. [a very nice copy, no discernible wear at all to the book; the jacket shows only minimal handling wear]. (B&W photographs) Joint reminiscences of the early days of filmmaking by two veteran cinematographers whose "careers span the crucial period from the beginning to the consolidation of the Hollywood industry after the introduction of sound. From the personal stories of the two men (giving in alternating chapters with a charming cross-cutting effect) emerges an intimate account of the infant industry: the ruthless commercial piracy taken for granted by all, the attempt by a small group of men to monopolize the making of pictures, and the methods used by the independent companies to survive. Illustrated with many working scenes from early studios, and stills from the authors' personal archives." Both men entered the film business in its infancy: Balshofer with the Lubin Company in Philadelphia in 1905, with Miller following soon after, as Balshofer's then 14-year-old assistant!

Condition: New. KlappentextThis title is part of UC Press s Voices Revived program, which commemorates University of California Press s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist d.

Condition: New. In.

Condition: Good. Used - Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre.' Ex-library, but has been well cared for. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condition: New. KlappentextThis title is part of UC Press s Voices Revived program, which commemorates University of California Press s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist d.

Hardcover. Condition: Brand New. 228 pages. 6.14x0.70x9.21 inches. In Stock.

Hardcover. Condition: Very Good. Dust Jacket Condition: very good. 2025 janNote: Signed "To Art Riley From Arthur C miller Feb 26-69".

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1918 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 38 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: New. One Reel a Week by Fred J. Balshofer and Arthur C. Miller, with the assistance of Bebe Bergsten, offers an unparalleled firsthand chronicle of the formative years of American cinema. Balshofer, a pioneering producer-director, and Miller, who rose from lab assistant to Academy Award-winning cinematographer, weave together their personal narratives to reconstruct the struggles and triumphs of early filmmaking. From duplicating French films in basement labs to evading Edison's patent detectives, from establishing Crescent and Bison pictures to filming in Fort Lee, New Jersey, and later Los Angeles, their story captures the precarious blend of innovation, risk, and sheer audacity that gave birth to a new art form. Written alternately by Balshofer and Miller, One Reel a Week delivers both technical detail and vivid anecdotes, charting the industry's evolution from nickelodeons to major studios. Readers encounter Edwin S. Porter, Cecil B. DeMille, John Ford, and Mack Sennett, as well as the development of equipment, locations, and production practices that defined the silent era. With Kemp R. Niver's foreword situating the memoirs in broader film history, the book serves as both a documentary record and a human story of ambition and adaptation. It is an essential resource for film historians and enthusiasts seeking an insider's perspective on how a fledgling novelty became a cornerstone of modern culture. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: New. One Reel a Week by Fred J. Balshofer and Arthur C. Miller, with the assistance of Bebe Bergsten, offers an unparalleled firsthand chronicle of the formative years of American cinema. Balshofer, a pioneering producer-director, and Miller, who rose from lab assistant to Academy Award-winning cinematographer, weave together their personal narratives to reconstruct the struggles and triumphs of early filmmaking. From duplicating French films in basement labs to evading Edison's patent detectives, from establishing Crescent and Bison pictures to filming in Fort Lee, New Jersey, and later Los Angeles, their story captures the precarious blend of innovation, risk, and sheer audacity that gave birth to a new art form. Written alternately by Balshofer and Miller, One Reel a Week delivers both technical detail and vivid anecdotes, charting the industry's evolution from nickelodeons to major studios. Readers encounter Edwin S. Porter, Cecil B. DeMille, John Ford, and Mack Sennett, as well as the development of equipment, locations, and production practices that defined the silent era. With Kemp R. Niver's foreword situating the memoirs in broader film history, the book serves as both a documentary record and a human story of ambition and adaptation. It is an essential resource for film historians and enthusiasts seeking an insider's perspective on how a fledgling novelty became a cornerstone of modern culture. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condition: New. One Reel a Week by Fred J. Balshofer and Arthur C. Miller, with the assistance of Bebe Bergsten, offers an unparalleled firsthand chronicle of the formative years of American cinema. Balshofer, a pioneering producer-director, and Miller, who rose from lab assistant to Academy Award-winning cinematographer, weave together their personal narratives to reconstruct the struggles and triumphs of early filmmaking. From duplicating French films in basement labs to evading Edison's patent detectives, from establishing Crescent and Bison pictures to filming in Fort Lee, New Jersey, and later Los Angeles, their story captures the precarious blend of innovation, risk, and sheer audacity that gave birth to a new art form. Written alternately by Balshofer and Miller, One Reel a Week delivers both technical detail and vivid anecdotes, charting the industry's evolution from nickelodeons to major studios. Readers encounter Edwin S. Porter, Cecil B. DeMille, John Ford, and Mack Sennett, as well as the development of equipment, locations, and production practices that defined the silent era. With Kemp R. Niver's foreword situating the memoirs in broader film history, the book serves as both a documentary record and a human story of ambition and adaptation. It is an essential resource for film historians and enthusiasts seeking an insider's perspective on how a fledgling novelty became a cornerstone of modern culture. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

Hardback. Condition: New. One Reel a Week by Fred J. Balshofer and Arthur C. Miller, with the assistance of Bebe Bergsten, offers an unparalleled firsthand chronicle of the formative years of American cinema. Balshofer, a pioneering producer-director, and Miller, who rose from lab assistant to Academy Award-winning cinematographer, weave together their personal narratives to reconstruct the struggles and triumphs of early filmmaking. From duplicating French films in basement labs to evading Edison's patent detectives, from establishing Crescent and Bison pictures to filming in Fort Lee, New Jersey, and later Los Angeles, their story captures the precarious blend of innovation, risk, and sheer audacity that gave birth to a new art form. Written alternately by Balshofer and Miller, One Reel a Week delivers both technical detail and vivid anecdotes, charting the industry's evolution from nickelodeons to major studios. Readers encounter Edwin S. Porter, Cecil B. DeMille, John Ford, and Mack Sennett, as well as the development of equipment, locations, and production practices that defined the silent era. With Kemp R. Niver's foreword situating the memoirs in broader film history, the book serves as both a documentary record and a human story of ambition and adaptation. It is an essential resource for film historians and enthusiasts seeking an insider's perspective on how a fledgling novelty became a cornerstone of modern culture. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.