Barbara Cavaliere (32 results)

Softcover, 64 pages, in German and English,very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. A clean unmarked copy in excellent condition. 63 pages.

Softcover, 64 pages, as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Good solid copy, mild to moderate reading/age wear, no DJ if issued, may have some light markings or exowner inscription. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.…

Softcover. Condition: VG, some slight wear. Black wraps with red and white lettering. 63 pp. 14 color plates. Catalogue of an exhibition from December 12, 1991- January 18, 1992.

Softcover exhibition catalog, 36 pages, as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Soft cover. Condition: New.

Condition: Very Fine. 1st Edition. 1st. Edition only printing 1992 , Stiff paper French wraps , 63 page book with full page color plates . Condition : Very Fine , ex-owners infomation on last blank page. Size: Folio - over 12" - 15" tall. Theodoros Stamos (illustrator). Book.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. Ancient Mediterranean Art: The William D. and Jane Walsh Collection at Fordham University is the catalogue of Fordham University's remarkable collection of Classical antiquities, comprising objects dating from the fourth millennium B.C.E. to the 4th century C.E., originating from Greece, Italy, Turkey, the Near East, and Egypt. It is one of the largest collections of antiquities held by an academic institution in the New York area and includes many important works of ancient Mediterranean art that are published here for the first time. This lavishly illustrated book features 104 of the most significant objects in the William D. and Jane Walsh Collection. All the major art forms from the Greek, Etruscan, and Roman worlds are represented, including pottery, sculpture, glass, architectural decoration, and coins. Each object entry is accompanied by one or more color photographs, some with detailed profile drawings, along with explanatory text examining the individual artistic significance of the pieces; their domestic, religious, civic, or funerary function; and their relationship to objects of similar type published elsewhere and in other museum collections. Interspersed throughout are enlightening thematic essaysfor example, on Italic votives and on Etruscan roofs and their decorationthat provide valuable context for the individual objects. An appendix provides a comprehensive list of the works in the collection with brief descriptions and photographs of those not given fuller scholarly attention. The extensive bibliography and notes further augment the value of this catalogue as an educational resource and a notable contribution to the corpus of scholarship about the art, history, and culture of the ancient Mediterranean world. A catalogue of Greek, Roman, and Etruscan objects in the collection of Fordham University, some published for the first time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: New.

Condition: New.

Hardcover. Condition: Near Fine. Near Fine. First Edition. 343pp. Gray cloth boards, blindstamped titles on spine. Crisp dust jacket, bright, unmarked pages. Near fine copy overall, book and dust jacket. Book.

Condition: Good. 4to. [24 pp]. Stiff, stapled white wraps with square cut-out, framing decorative endpaper below. Very good with marginal sunning along back wrap spine. Printed decorative vellum endpapers. Color plates. "Altered Sites" essay by Barbara Cavaliere. Includes, as insert, an additional loose one-sided black and white gravure by Cristos, 7.75 " x 11". Created on occasion of exhibition "Cristos Gianakos: Athens" at Gallery A.D. in Athens, Greece from November through December, 1991. In English and in Greek.From the Collection of the Art Historian Peter Selz.…

Hardback. Condition: New. New copy - Usually dispatched within 3 working days.

Condition: New. pp. 360 352 Illus. (Col.).

Gebunden. Condition: New. A catalogue of Greek, Roman, and Etruscan objects in the collection of Fordham University, some published for the first time.&Uumlber den AutorrnrnBarbara Cavaliere is a freelance editor and writer who has edited publications for The Met.

Condition: New. New. In shrink wrap. Looks like an interesting title! 1.11.

Buch. Condition: Neu. Neuware - Ancient Mediterranean Art: The William D. and Jane Walsh Collection at Fordham University is the catalogue of Fordham University's remarkable collection of Classical antiquities, comprising objects dating from the fourth millennium B.C.E. to the 4th century C.E., originating from Greece, Italy, Turkey, the Near East, and Egypt. It is one of the largest collections of antiquities held by an academic institution in the New York area and includes many important works of ancient Mediterranean art that are published here for the first time. This lavishly illustrated book features 104 of the most significant objects in the William D. and Jane Walsh Collection. All the major art forms from the Greek, Etruscan, and Roman worlds are represented, including pottery, sculpture, glass, architectural decoration, and coins. Each object entry is accompanied by one or more color photographs, some with detailed profile drawings, along with explanatory text examining the individual artistic significance of the pieces; their domestic, religious, civic, or funerary function; and their relationship to objects of similar type published elsewhere and in other museum collections. Interspersed throughout are enlightening thematic essays-for example, on Italic votives and on Etruscan roofs and their decoration-that provide valuable context for the individual objects. An appendix provides a comprehensive list of the works in the collection with brief descriptions and photographs of those not given fuller scholarly attention. The extensive bibliography and notes further augment the value of this catalogue as an educational resource and a notable contribution to the corpus of scholarship about the art, history, and culture of the ancient Mediterranean world. …

Hardcover. Condition: new. Hardcover. Ancient Mediterranean Art: The William D. and Jane Walsh Collection at Fordham University is the catalogue of Fordham University's remarkable collection of Classical antiquities, comprising objects dating from the fourth millennium B.C.E. to the 4th century C.E., originating from Greece, Italy, Turkey, the Near East, and Egypt. It is one of the largest collections of antiquities held by an academic institution in the New York area and includes many important works of ancient Mediterranean art that are published here for the first time. This lavishly illustrated book features 104 of the most significant objects in the William D. and Jane Walsh Collection. All the major art forms from the Greek, Etruscan, and Roman worlds are represented, including pottery, sculpture, glass, architectural decoration, and coins. Each object entry is accompanied by one or more color photographs, some with detailed profile drawings, along with explanatory text examining the individual artistic significance of the pieces; their domestic, religious, civic, or funerary function; and their relationship to objects of similar type published elsewhere and in other museum collections. Interspersed throughout are enlightening thematic essaysfor example, on Italic votives and on Etruscan roofs and their decorationthat provide valuable context for the individual objects. An appendix provides a comprehensive list of the works in the collection with brief descriptions and photographs of those not given fuller scholarly attention. The extensive bibliography and notes further augment the value of this catalogue as an educational resource and a notable contribution to the corpus of scholarship about the art, history, and culture of the ancient Mediterranean world. A catalogue of Greek, Roman, and Etruscan objects in the collection of Fordham University, some published for the first time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

62 pp.; 27 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; March / April 1980 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "Barnett Newman," by Barbara Cavaliere; "Salvador Dali," by Laura Cherubini; "Demythization. The End of Nature and the Death of Art," by Rosario Assunto; "Interview with Clement Greenberg," by Ann Stubbs; "Flash Art New York," reviews by Barbara Cavaliere, Thomas Lawson, Douglas Blau, Valentine Tatransky, and Kim Levin; "Modern Painting and Modern Criticism in England," by Ian Bennett; "Style and Sensibility in British Painting," by Andrea Hill; "Recent British Painting. Future Space," by Adrian Searle; "Flash Art California," review by Richard Armstrong; "The Bewildered Image," by Achille Bonito Oliva; "Italy;" "American Avant-Garde Theater: The Eighties," by Mel Gordon; "Post Avant-Garde Theater in Italy. From Analysis deviance, from subjectivity to the 'show' (1975-1979)," by Giuseppe Bartolucci; "New York 1980," by John Howell; "Reviews," by Tim Maul, Douglas Blau, Andrea Hill, and Helena Kontova; "Switzerland," review by Christoph Schenker and "Flash Art Germany: Notizen," reviews by Annelie Pohlen, Ernst Busche, Heftige Malerei," by Ernst Busch. English translations, corrections, and editings by Michael Moore, Gwen Jones, and Nella Verducci. Cover: Barnett Newman. Very Good / Fine. Light dusting of covers with light edge wear and light sunning of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

65 pp.; 27 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; December 1981 / January 1982 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "Philip Guston," by Dore Ashton; "Le Nouveau Réalisme," by Pierre Restany; "Is There Life After Performance?," by Lynn Zelevansky; "Jirí Kolár," by Thomas M. Messer; "Art and Psychoanalysis," by Peter Fuller; "Flash Art London," reviews by Caroline Collier, Nena Dimitrijevic, Michael Newman; "Flash Art New York," reviews by Barbara Cavaliere, Jonathan Crary, Judd Tully, Lynn Zelevansky, Valerie Smith, Douglas Blau; "Flash Art Germany," reviews by Annelie Pohlen; "Flash Art Spain," reviews by Gloria Moure; "Flash Art Australia," reviews by Jennifer Phipps, Mike Parr, Bernice Murphy "Flash Art Paris," reviews by Marie Boué, Bernard Blistene, Catherine Strasser, Anne Dagbert. Cover: Philip Guston. Very Good / Fine. Light dusting of covers with light edge wear and light sunning of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Condition: Good. [Exhibition catalogue]. 4to. 62 pp. Soft, glossy black wraps with red and white lettering and French folds. Very good. Color plates, including frontis. Gray end papers. Includes an essay by Barbara Cavaliere. Includes artist chronology and C.V. Catalogue created to accompany the exhibition "Theodoros Stamos: An Overview", held from December 12, 1991 through January 18, 1992 at ACA Galleries in New York, NY. Previous owner's name inscribed in black ink on top of gray first free front end paper: Peter Selz. In English und Auf Deutsch. Scarce. From the Collection of the Art Historian Peter Selz.…

Hardcover. Condition: Near fine. Dust Jacket Condition: very good. 1st. Bound in the publisher's original grey cloth over boards. Illustrated throughout in black & white and color.

63 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1980 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Spaces;" "Stephen Seemayer: Profiled and interviewed by Linda Burnham;" "Jerry Dreva: An Introduction;" "Jerry Dreva: A Letter;" "Dreva Questions Dreva" "Artist's Chronicle," by Phil Berkman, Robin Yvonne King, John Sheridan, Julie Wallace Keller, Valerie Bechtol, Anne Mavor, Marianne Bonetti, John Duncan, Ross Muirhead, Darryl Sapien/Performance Foundation, Richard Alpert, Danny Devos, Bill Gordh, Barbara T. Smith, Rachel Rosenthal, Linda Nishio, Jerri Allyn, Diane Holland, John Ryskamp, Ruedi Schill, Sandra McKee, Bob & Bob, Planstudio Siepmann, Mark Smith, John Boone, Barbara Cavaliere, and Al Payne. Front cover: Stephen Seemayer. Back cover: Jerry Dreva. Good. 7 mm. tear with some loss to top of spine edge and 6 mm. tear with loss to bottom of spine edge. 16 ccm. area of yellowing and yellow soiling to recto. 6 cm., 2 mm., 1.1 cm. areas of yellow soiling to verso. Rubbing of covers and light edge wear. Contents clean and unmarked.…