Barbara Kosta (104 results)

Paperback. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condition: Fine.

Trade Paperback. Condition: Very Good.

Trade Paperback. Condition: Very Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Kosta's book not only adds new material., but performs the invaluable tasks of synthesizing and building on the massive amounts of writing that has accrued around the film, its director, and stars. This makes the book ideal not only for the collections of German Studies and Film Studies scholars, but also as a text for undergraduate and graduate courses. Kosta writes with sophistication and with a secure grasp of a variety of theoretical registers. German Quarterly This interdisciplinary study will appeal to German and film studies scholars as well as readers interested in question s of gender, visuality, and the history of film. Monatshefte Josef von Sternberg's 1930 film The Blue Angel (Der blaue Engel) is among the best known films of the Weimar Republic (1919-1933). A significant landmark as one of Germany's first major sound films, it is known primarily for launching Marlene Dietrich into Hollywood stardom and for initiating the mythic pairing of the Austrian-born American director von Sternberg with the star performer Dietrich.This fascinating cultural history of The Blue Angel provides a new interpretive framework with which to approach this classic Weimar film and suggests that discourses on mass and high culture are integral to the film's thematic and narrative structure. These discourses surface above all in the relationship between the two main characters, the cabaret entertainer Lola Lola (Marlene Dietrich) and the high school teacher Immanuel Rath (one-time Oscar winner Emil Jannings). In addition to offering insight into some of the major debates that informed the Weimar Republic, this book demonstrates that similar issues continue to shape the contemporary cultural landscape of Germany. Barbara Kosta thus also looks at Dietrich as a contemporary cultural icon and at her symbolic value since German unification and at Lola Lola's various "incarnations." Barbara Kosta is Professor in the Department of German Studies and an affiliated faculty member of Women's Studies and Media Arts at the University of Arizona, where she teaches courses on twentieth-century and contemporary German literature, culture, and film.She is the author of Recasting Autobiography: Women's Counterfictions in Contemporary German Literature and Film (1994), co-author of the first-year German textbook auf deutsch! (1990), and co-editor of Writing Against Boundaries: Gender, Ethnicity and Nationality in the German-speaking Context (2003).…

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780801482038. …

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780801482038.

Condition: New. Willing Seduction: The Blue Angel, Marlene Dietrich, and Mass Culture (Paperback or Softback).

Condition: New. 1st edition. Paperback, F. 219pp, index, a fine copy. New. Feminist examination of Postwar German Literature & Cinema. The book examines in detail 2 films and 2 books. 400 grams.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Soft Cover. Condition: Very Good. 2026 jan.

Condition: New.

Paperback. Condition: New. Kosta's book not only adds new material., but performs the invaluable tasks of synthesizing and building on the massive amounts of writing that has accrued around the film, its director, and stars. This makes the book ideal not only for the collections of German Studies and Film Studies scholars, but also as a text for undergraduate and graduate courses. Kosta writes with sophistication and with a secure grasp of a variety of theoretical registers. German Quarterly This interdisciplinary study will appeal to German and film studies scholars as well as readers interested in question s of gender, visuality, and the history of film. Monatshefte Josef von Sternberg's 1930 film The Blue Angel (Der blaue Engel) is among the best known films of the Weimar Republic (1919-1933). A significant landmark as one of Germany's first major sound films, it is known primarily for launching Marlene Dietrich into Hollywood stardom and for initiating the mythic pairing of the Austrian-born American director von Sternberg with the star performer Dietrich.This fascinating cultural history of The Blue Angel provides a new interpretive framework with which to approach this classic Weimar film and suggests that discourses on mass and high culture are integral to the film's thematic and narrative structure. These discourses surface above all in the relationship between the two main characters, the cabaret entertainer Lola Lola (Marlene Dietrich) and the high school teacher Immanuel Rath (one-time Oscar winner Emil Jannings). In addition to offering insight into some of the major debates that informed the Weimar Republic, this book demonstrates that similar issues continue to shape the contemporary cultural landscape of Germany. Barbara Kosta thus also looks at Dietrich as a contemporary cultural icon and at her symbolic value since German unification and at Lola Lola's various "incarnations." Barbara Kosta is Professor in the Department of German Studies and an affiliated faculty member of Women's Studies and Media Arts at the University of Arizona, where she teaches courses on twentieth-century and contemporary German literature, culture, and film.She is the author of Recasting Autobiography: Women's Counterfictions in Contemporary German Literature and Film (1994), co-author of the first-year German textbook auf deutsch! (1990), and co-editor of Writing Against Boundaries: Gender, Ethnicity and Nationality in the German-speaking Context (2003).…

Hardcover. Condition: Very Good.

Condition: New.

Hardcover. Condition: Very Good. 219 pages, a very good hardback [0801428890].

hardcover. Condition: Good. volume 8 Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condition: new. Paperback. Kosta's book not only adds new material., but performs the invaluable tasks of synthesizing and building on the massive amounts of writing that has accrued around the film, its director, and stars. This makes the book ideal not only for the collections of German Studies and Film Studies scholars, but also as a text for undergraduate and graduate courses. Kosta writes with sophistication and with a secure grasp of a variety of theoretical registers. German Quarterly This interdisciplinary study will appeal to German and film studies scholars as well as readers interested in question s of gender, visuality, and the history of film. Monatshefte Josef von Sternberg's 1930 film The Blue Angel (Der blaue Engel) is among the best known films of the Weimar Republic (1919-1933). A significant landmark as one of Germany's first major sound films, it is known primarily for launching Marlene Dietrich into Hollywood stardom and for initiating the mythic pairing of the Austrian-born American director von Sternberg with the star performer Dietrich.This fascinating cultural history of The Blue Angel provides a new interpretive framework with which to approach this classic Weimar film and suggests that discourses on mass and high culture are integral to the film's thematic and narrative structure. These discourses surface above all in the relationship between the two main characters, the cabaret entertainer Lola Lola (Marlene Dietrich) and the high school teacher Immanuel Rath (one-time Oscar winner Emil Jannings). In addition to offering insight into some of the major debates that informed the Weimar Republic, this book demonstrates that similar issues continue to shape the contemporary cultural landscape of Germany. Barbara Kosta thus also looks at Dietrich as a contemporary cultural icon and at her symbolic value since German unification and at Lola Lola's various "incarnations." Barbara Kosta is Professor in the Department of German Studies and an affiliated faculty member of Women's Studies and Media Arts at the University of Arizona, where she teaches courses on twentieth-century and contemporary German literature, culture, and film.She is the author of Recasting Autobiography: Women's Counterfictions in Contemporary German Literature and Film (1994), co-author of the first-year German textbook auf deutsch! (1990), and co-editor of Writing Against Boundaries: Gender, Ethnicity and Nationality in the German-speaking Context (2003). Josef von Sternberg's 1930 film The Blue Angel (Der blaue Engel) is among the best known films of the Weimar Republic (1919-1933). A significant landmark as one of Germany's first major sound films, it is known primarily for launching Marlene Dietrich into Hollywood stardom and for initiating the mythic pairing of the Austrian-born duo. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 232 pages. 9.50x6.50x0.75 inches. In Stock.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780857456199. …

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780857456199.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Brand New. reprint edition. 195 pages. 8.75x6.00x0.50 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.