Barbara Stubbs (24 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Condition: As New. Like New Condition.Crisp pages. Clean cover and pages. Book shows no shelf wear. Not Satisfied? Contact us to get a refund.

Condition: Good. Good condition ex-library book with usual library markings and stickers.

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

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Hard Cover. Condition: Very Good+++. Dust Jacket Condition: No Jacket (as issued). 6th Printing. A wealth of information. Traces the history of this popular breed as well as the essentials of choosing a puppy, grooming, unprecedented analysis of the breed Standard, medical care, the success of the Bichon in oerformance events and as a therapy dog, plus more. 280 pages. B&W photos. Small bump on upper front edge. Otherwise very nice copy.…

hardcover. Brand new! ships within 24 hours.

hardcover. Condition: New.

Hardcover. Condition: New.

Hardback. Condition: Very Good. 1st edition. The Complete Bichon Frise by Barbara B Stubbs. Published by Howell Book House, New York, NY, 1990. 1st Edition 3rd Printing. Hardbound. No DJ. Size 8vo (up to 9-1/2'' tall). Condition: Nr Fine. 280 Pgs. ISBN 0876050534. LCCN 89-35294. Charting the breed's meteoric rise to fame and analyzing the breed Standard for first-time owners or longtime fanciers, the author offers a detailed focus on trimming and grooming, families of top winners and producers, breeding, and breed-specific care essentials. Drawings and black and white photographs illustrate. Description text copyright 2008 BooksForComfort. Item ID 18217. book.…

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hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

The inaugural issue of this Swarthmore literary magazine featuring typist Jane Alpert who was arrested in 1969 for a number of bombings and who went undergound until 1974 when she turned herself in. This issue features an article by Peter Katzenstein on "American Trade Unionism and Social Change," drawings by Chuck Rosenberg, poetry by Bella Akhmodulina and Lucy Schenider, "Wyeth: Traditional Modern" by Miriam Rosen, fiction by Larry Arnstein, and a review by Marshall Beil. Stapled, photo-illustrated wrappers, 24 p., illus. Toning along the spine, some splitting at the crown. Alpert's name is penciled along the top of the Contents page, although we're unsure whether this was her copy. Advertised as a monthly publication of Swarthmore College's long-running newspaper, the Phoenix, it doesn't appear that any further issues were published (and we couldn't find the magazine separately catalogued in WorldCat). …

Softcover. Condition: Fine. First Edition. Volume 1, Number 1. Octavo. 23pp. Illustrated. Printed self-wrappers. Two brief manuscript edits in blue ink. Rear wrapper with light foredge wear and a short crease, else just about fine. The first issue of the zine / arts journal-of-sorts, called on the table of contents "a monthly publication of the Swarthmore College *Phoenix*." Includes a poem by Russian poet Bella Akhmodulina (translated by Daniel Hoffman and Thompson Bradley), drawings by Chuck Rosenberg, and the essay "American Trade Unionism and Social Change" by Peter Katzenstein (who, later in life, the journal *Foreign Relations* would call a "renowned scholar of international relations"; he was 21 at the time), and others. Laid in is a note from Larry Arnstein, contributor and member of the Board of Editors, to the noted poet Daniel Hoffman (in this issue a translator), passing along his copy. We have been unable to locate another copy of this, or any subsequent, issues of *The Pigeon*.…

62 pp.; 27 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; March / April 1980 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "Barnett Newman," by Barbara Cavaliere; "Salvador Dali," by Laura Cherubini; "Demythization. The End of Nature and the Death of Art," by Rosario Assunto; "Interview with Clement Greenberg," by Ann Stubbs; "Flash Art New York," reviews by Barbara Cavaliere, Thomas Lawson, Douglas Blau, Valentine Tatransky, and Kim Levin; "Modern Painting and Modern Criticism in England," by Ian Bennett; "Style and Sensibility in British Painting," by Andrea Hill; "Recent British Painting. Future Space," by Adrian Searle; "Flash Art California," review by Richard Armstrong; "The Bewildered Image," by Achille Bonito Oliva; "Italy;" "American Avant-Garde Theater: The Eighties," by Mel Gordon; "Post Avant-Garde Theater in Italy. From Analysis deviance, from subjectivity to the 'show' (1975-1979)," by Giuseppe Bartolucci; "New York 1980," by John Howell; "Reviews," by Tim Maul, Douglas Blau, Andrea Hill, and Helena Kontova; "Switzerland," review by Christoph Schenker and "Flash Art Germany: Notizen," reviews by Annelie Pohlen, Ernst Busche, Heftige Malerei," by Ernst Busch. English translations, corrections, and editings by Michael Moore, Gwen Jones, and Nella Verducci. Cover: Barnett Newman. Very Good / Fine. Light dusting of covers with light edge wear and light sunning of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Hardcover. Condition: Sehr gut. 158 Seiten Das Buch bietet eine Anleitung zum Kopieren von 30 berühmten Gemälden. Es unterstützt den Leser dabei, eigene Meisterwerke zu malen, indem es Schritt-für-Schritt-Anleitungen zur Verfügung stellt. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! HC1-581-8/8-00583669 Sprache: Französisch Gewicht in Gramm: 953.…

Soft cover. Condition: Very Good. 1st Edition. FIRST EDITION. Octavo (25 x 19cm), pp.63-126. Publisher's card wraps, stapled. Cover design by Henry Moore, decorations by John Craxton. Neat ownership to inside of front cover, edges toned, some rubbing to spine and the edges of the covers, some toning to rear panel. Very good.…

Original Wraps. Condition: Near Fine. No Jacket, as Issued. First Edition. Vol.2, No.8 - the eighth issue in the original series of the historic Poetry magazine, designed and edited by Tambimuttu, with the Henry Moore designed colour cover illustration of The Lyre Bird. This is an exceptional copy in virtually fine condition - a very rare wartime survivor. ***Near fine in the original colour illustrated stapled card covers. The covers are exceptionally clean, even the white back cover. Light creasing to the bottom corner tips of the last few pages. Slight splitting to the paper at the top of the spine. Staples rusted as usual. Internally also near fine - pages clean with hardly any of the usual foxing. A few marks and light creases - mainly production creasing as very thin paper was used (wartime paper restrictions were in force). No tears. The centre-spread of illustrations is printed on higher quality cartridge paper. Spine tight. ***64 pages (plus adverts on inside of front cover, and to make the maximum use of the covers, continuation of text on both sides of the back cover. 248mm x 185mm. ***Contents: Kenneth Allott: The Memory of Yeats; Audrey Beecham: Poem; Laurence Clark: To the Muse, Memo, First Fortnight of War; Stephen Coates: Poem; G. S. Fraser: To a Scottish Poet, Syntax and Imagery in Poetry; Robert Gittings: September 3rd, 1939; W. S. Graham: Here Next the Chair, I, No More Real than Evil, Who, With a Pen; Keith Douglas: The Prisoner; Geoffrey Grigson: Journey in May, The Well in the Valley; John Hall: The Fairs, No Mercy; John Heath-Stubbs: Elegy in a Town Churchyard; Sean Jennett: Spring Tide, Andromeda and Perseus, Missing; Sidney Keyes: The Uncreated Images, Two Variations, Seascape, Rome Remember; Francis King: On a Child's Hand, Endymion and the Moon; Patricia Ledward: Air Raid Shelter; The Corn Ripens; Emanuel Litvinoff: What do You Look for in World, in War?, Passover; H. B. Mallalieu: Excerpt from a Play; Fred & Senta Marnau: Red and Black; Nicholas Moore: Requiem; Norman Nicholson: Before I was Born; Barbara Norman: Song of the Mary who Did Not Turn Back, For the Children of Eve; Robert Payne: The Persian Boy, A Song for Yao and Shen, The Chinese Solder Speaks of Death; Francis Scarfe: The Pearl of Life, Ode to Christ; Terence Tiller: The Acid of the Heart, On One Side Lay the Ocean; Vernon Watkins: Sonnets of Resurrection; George Woodcock: Song from the North, Spoken in Love; David Wright: Illusions Perdues, For George Rapp; Points of View: The Poet as Critic by Kathleen Raine; Poets and Journalists by Francis King; Time and the Poet by George Woodcock; A Book of New Lyric by Derek Stanford; Cover by Henry Moore. ***Vol. 2. No. 8 - the eighth issue of the original first series of this renowned poetry magazine, edited by Tambimuttu, published during the Second World War. Of interest to collectors of poetry first editions, and the publications of Poetry London. ***The wartime issues of Poetry (London) magazine are now quite scarce, and copies in such nice collectable condition are seldom seen. Issue No. 8 was the second of the series to have a full colour cover, and be expanded from 36 to 64 pages, which was quite a challenge considering it was published under wartime restrictions. A superb example of this magazine. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Henry Moore (Colour cover design) (illustrator).…