Barbier Paris (33 results)

Meist farbige Abbildungen.Tadelloser Zustand. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Soft cover. Condition: Good. Mild scuffing and wear to cover and corners, with some light toning. Otherwise, clean and sound. 175 pgs. Exhibition Catalogue. Rodin Museum., France. Text in French. (ISBN:2901428317).

Couverture rigide. Condition: Très bon. 1 vol.; 281 p. : ill. ; 24 cm Broché couv. souple, état correct. Etiquette collée sur dos. Intérieur très frais. Très bon état. 11F2. Barbier, Frédéric (1952-2023). Éditeur scientifique Jolly, Claude (1947-.). Éditeur scientifique Juratic, Sabine. Éditeur scientifique Institut d'histoire moderne et contemporaine (Paris). Éditeur scientifique (illustrator).…

Broché, couverture illustrée. Condition: Très bon. 2ème Édition. Camille Claudel. Luxueux catalogue de l'exposition tenue à la Fondation Pierre Gianadda, Martigny, Switzerland en 1990-1991. Préface de Léonard Gianadda. Textes de Reine-Marie Paris,Nicole Barbier, Jean-Pierre Armengaud et Martine Droit. Illustrations couleurs à pleine page des oeuvres exposées avec notice pour chacune d'entre elles. Bibliographie. Tableau synoptique. 24 x 22 cm. 167 pages. 850 g. Parfait état.…

Soft cover. Condition: New. 288 pages. in French. Format (mm) : 220x280. 'Mas'udi, mort en 345/956 ; traduction francaise de Barbier de Meynard et Pavet de Courteille ; revue et corrigee par Charles Pellat.'.

Couverture souple. Condition: bon. R300323452: 1915. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Papier jauni. 325 + XII pages. . . . Classification Dewey : 540-Chimie et sciences connexes.

Kl.-4°. 2 Bll. (= 4 Seiten). Br. (gebräunt, angestaubt und braunfleckig. Ränder unbeschnitten und lappig). "Ein abscheuliches, von den fürchterlichen Umständen begleitetes Verbrechen erfüllte die Pariser Bevölkerung mit Entsetzen. Oben auf dem Mont St. Hilaire . hatten ein Barbier und ein Pastetenbäcker ihre Buden aufgeschlagen . Gegenüber diesen . stand aber eine schwarze, traurige Hütte, das Eigenthum eines armen Schlossers, Namens Gomire . / . begaben sich der Richter von la Tournelle und der Stadtrichter von Paris . zum Bader des Mont St. Hilaire. Da bot ein gräßliches Schauspiel sich ihren Blicken dar; in dem Keller des Barbiers . fanden sie zehn Leichname längs der Mauer aufgehängt . Unverzüglich wurden die beiden in die Gewölbe des Chatelet geworfen, und ihr Prozeß am Gerichtshof von la Tournelle schnell eingeleitet; es wurde bewiesen, daß seit 5 Jahren, so lange dieser abscheuliche Handel gedauert hatte, 143 Personen von des Barbiers Messer geschlachtet worden waren. Sie wurden auf dem Greveplatz lebendig gerädert und sodann gehangen, zur großen Zufriedenheit der Menschenmasse . Diese von Gomire entschleierte Verbrechen wurde die Quelle seines Glückes.".…

souple. Condition: Assez bon. Dans la Littérature, les Sciences et les Arts, 32 vol. in-8 br., Au Bureau de la Revue Encyclopédique, Janvier 1819 à Août 1821, environ 580 pp. par volume (soit un total d'environ 6000 pages) Tête de série peu commune, complète des 10 premiers volumes (avec leurs 30 livraisons), auxquels on joint les 2 premières livraisons du volume 11. Dans sa " Bibliographie historique et critique de la presse", Hatin évoque un recueil "justement estimé, qui compta parmi ses rédacteurs les hommes les plus éminents de l'époque" (Hatin, 569). Etat très satisfaisant (petit grignotage affectant lég. qq. lettres en marge du dernier ff. de la première livraison, couv. parfois frottées avec mq. en dos, bon ensemble par ailleurs) pour cette tête de série peu commune. Remplie d'excellents comptes-rendus d'ouvrages et de biographies (notices nécrologiques), cette revue est non seulement un instrument bibliographique remarquable, mais également un ouvrage passionnant, qui intéressera tout homme cultivé. Le Grand Larousse est d'ailleurs aussi clair qu'élogieux à son propos : "Jamais publication périodique ne justifia aussi pleinement son titre. A vrai dire, c'est la seule revue que la littérature française ait possédée. Voici le plan sur lequel ses fondateurs l'avaient établie : exposer avec précision et avec fidélité la marche et les progrès successifs des connaissances humaines [ . ] ; rechercher et consulter les ouvrages les plus instructifs et les plus utiles, pour en donner un compte-rendu exact et impartial ; analyser les principaux travaux scientifiques et littéraires, historiques, économiques et politiques ; insérer des mémoires originaux, des notices diverses ; résumer la substances des journaux spéciaux [ . ]" (Larousse, GDU, XIII, 1130). On y découvre la science, la littérature, les arts et l'histoire dans tous leurs développements, en ce début du XIXe siècle. On y passe d'un article de Moreau de Jonnés "Sur le tremblement de terre qui a eu lieu à Sainte-Lucie" à la recension de l'ouvrage de Jomard sur son "Voyage dans l'intérieur de l'Afrique", en passant par un "Tableau météorologique représentant les variations de la température en 1819" (Jullien), une "Notice sur l'exposition annuelle des produits des manufactures royales" ou un compte-rendu de Lanjuinais sur les "Recherches sur les Langues tartares" par Abel Rémusat. Langue: Français.…

2. Paris, Expert Berès, 1997, in-4°, 317 lots, ills. Broché, couverture souple d'origine.

Condition: Used: Like New. Livre à l'état de neuf, très frais sans annotations ni défauts dissmulés.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1859 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 16 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French.…

2. Paris, in-4°, 27,5 x 21,5 cm, ca. 120 nn pp, 317 lots of which more then 40 on Haydn, & b/w ill., orig. wrapper.

2. Paris, Expert Berès, 1997, in-4°, 317 lots, b/w ills., sewn, orig. stiff wrapper.

Manque Page de titre - 1599 - In-12 - Reliure velin tachée - trous de vers - 265 pages + Table 2 Livres.

6. Paris, chez MM. Barrois l'Ainé , Benou, 1828, in-8°, (viii) pp + 136 pp, 2210 + 60 lots, bound in modern paper covered boards. (nice copy). Book auction sale catalogue of the library of A.A. Barbier , bibliographer and librarian to a.o. Napoleon. Text in French, livre en français.

Condition: Gut. Farblithographie, pochoirkoloriert, 24,5 x 19 cm. - Aus: Gazette du Bon ton, Nr. 9, Juli 1913.

Softcover. Condition: New. Reprint. Langue : Français. Environ 470 pages. Français : Réimpression à la demande. Édition originale : 1882. Ouvrage en français. Cet ouvrage présente l'opéra "Françoise de Rimini" en quatre actes, avec prologue et épilogue, composé par Ambroise Thomas sur un livret de Jules Barbier et Michel Carré. ?uvre majeure du répertoire lyrique français, elle s'inspire de la tragédie de Dante et explore des thèmes passionnels et dramatiques. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1882. Text in French. This work presents the opera "Françoise de Rimini" in four acts, with a prologue and epilogue, composed by Ambroise Thomas to a libretto by Jules Barbier and Michel Carré. A major work in the French operatic repertoire, it draws inspiration from Dante's tragedy and explores passionate and dramatic themes. Book images are non-contractual. Cet article est imprimé à la demande et expédié depuis l'atelier de nos partenaires d'impression le plus proche de la destination. Ces ateliers se trouvent principalement aux États-Unis, au Royaume-Uni et au Canada.…

[Das dekorative Blatt finger- und braunfleckig.].

Condition: sehr guter Zustand. Pochoir, auf Bütten. 17,8:11 cm. Aus Journal des Dames et des Modes", Costumes Parisien, 1913, 96. This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914. …

Condition: sehr guter Zustand. Pochoir, auf Bütten. 17,8:11 cm. Aus Journal des Dames et des Modes", Costumes Parisien, 1913, 56. This is a plate-signed hand-coloured pochoir illustration from the 1914 Journal des Dames et des Modes - a Parisian haute couture journal containing these(unbound) artworks published by Tom Antongini from June 1912 until August 1914. …

Condition: sehr guter Zustand. Pochoir, 1921, auf Bütten. Darstellungsgröße 16,8:13,6 cm, ?lattgröße 24,5:19,5 cm. Aus: La Gazette du Bon Ton - No 8, Année 1921. - Pl. 61. Paris, Julien Vogel 1921. Charles Frederick Worth (185-1895) war ein englischer Modeschöpfer, der als einer der Begründer der Haute Couture" gilt. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.…

Condition: sehr guter Zustand. Pochoir, 1921, auf Bütten. Darstellungsgröße 16,6:13 cm, ?lattgröße 24:19 cm. Aus: La Gazette du Bon Ton - No 4, Année 1921. - Pl. 28. Paris, Julien Vogel 1921. Charles Frederick Worth (185-1895) war ein englischer Modeschöpfer, der als einer der Begründer der Haute Couture" gilt. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.…

Condition: sehr guter Zustand. Pochoir, 1924, auf Bütten. Darstellungsgröße 16,8:13,5 cm, ?lattgröße 24,5:19 cm. Aus: La Gazette du Bon Ton - No 1, Année 1924. - Pl. 3. Paris, Julien Vogel 1924-1925. Charles Frederick Worth (185-1895) war ein englischer Modeschöpfer, der als einer der Begründer der Haute Couture" gilt. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.…

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1882. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 470, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 470 470.…

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1839. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: : - 176, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 176 176.…

Condition: sehr guter Zustand. Pochoir, 1924, auf Bütten. Darstellungsgröße 16,9:13,5 cm, ?lattgröße 24,5:19,1 cm. Aus: La Gazette du Bon Ton - No 7, Année 1924. - Pl. 36. Paris, Julien Vogel 1924. Charles Frederick Worth (185-1895) war ein englischer Modeschöpfer, der als einer der Begründer der Haute Couture" gilt. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.…

Condition: sehr guter Zustand. Pochoir, 1921, auf Bütten. Darstellungsgröße 16,5:13 cm, ?lattgröße 24:19 cm. Aus: La Gazette du Bon Ton - No 5, Année 1921. - Pl. 40. Paris, Julien Vogel 1921. Charles Frederick Worth (185-1895) war ein englischer Modeschöpfer, der als einer der Begründer der Haute Couture" gilt. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.…

[Das dekorative Blatt an den Rändern minimal braunfleckig, papierbedingt leicht wellig/knitterfaltig.].

[Das dekorative Blatt an den Rändern braunfleckig, papierbedingt leicht wellig.].