Barnet Peter (123 results)

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.6.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Condition: Very Good. Unmarked, Clean And Solid Copy. Minor Shelf Wear.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.6.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.6.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.6.

Condition: Very Good. 1753695973. 7/28/2025 9:46:13 AM.

hardcover. Condition: Good. . Satisfaction 100% guaranteed.

Paperback. Condition: Good. No Jacket. Various (Photographs) (illustrator). This tall thin exhibition catalogue has a slight crease upper corner of the front cover, light edge wear. Slight sticker residue lower corner of the back cover. Interior text is clean and tight in it's binding. Well illustrated. Size: Folio - over 12" - 15" tall.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

paperback. Condition: Good. Minor wear to wraps. Foxing on edges of text block. Text and images unmarked.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 1.8.

Softcover. Blue and black & color illus. wraps. 332 pp. Profuse color and bw plates. Issued in conjunction with several 1997 exhibitions of Gothic ivory carvings. "We can offer the public the rare pleasure of seeing first-hand these magnificent works of art brought together from many of the best-known museums of Europe and America. Leaves of diptychs that have long been divided are reunited here for the first time in modern history. . Scholars from around the world can make close comparisons of stylistically and iconographically similar ivories, testing the correctness of specific workshop attributions. And, as an added bonus that appeals to our human curiosity and challenges our eyes, the last section of this exhibition focuses on a number of ivories that present various problems of authenticity, including several that are blatant modern fakes. The present handsome catalogue advances our knowledge and appreciation of ivories." (foreword) With illustrated essays by Peter Barnet, Elizabeth Sears, Paul Williamson, Danielle Gaborit-Chopin, Richard H. Randall, Jr., Charles T. Little, and Harvey Stahl. The annotated and illustrated catalogue presents 93 pieces in these categories: The first Gothic ivories; Paris and other centers: devotional objects; Secular objects and the Romance tradition; New devekopments in irvory and bone carving; and Epilogue: pastiches, revivals, forgeries, and open questions. Includes a bibliography. Stunning images. VG (Clean interior; may have some rubbing or scuffing to covers).

Trade Paperback. Condition: Like New. First Edition. First Edition, First Printing. Published by The Detroit Institute of Arts/Princeton, 1997. Folio. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Square quarto, russet cloth (hardcover), gilt letters, xi, 205 pp. Fine in a Fine dust jacket. From dust jacket: This fascinating book explores the history, techniques, and cultural significance of medieval aquamanilia, cast metal objects used to pour liquids in both religious and secular rituals. Often created in appealing animal or human forms, aquamanilia feature two openings, one for filling and the other for pouring. They represent the first emergence of hollow-cast vessels in Western Europe and a significant development in the history of technology. The Metropolitan Museum of Art houses one of the world's most important collections of these medieval bronze vessels and this landmark book results from a collaborative project between the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, and the museum. It presents and catalogues the museum's entire aquamanilia collection for the first time, as well as selected examples from other collections and other related medieval objects. Informative essays by the curators discuss the meaning, usage, and stylistic development of the aquamanile as well as recent technological discoveries concerning aquamanilia and medieval metalworking. A DVD reveals the original techniques employed to make aquamanilia. Antiques & Collectibles, Middle Ages, Metalwork, European History zslic.

Unbound Pages. Condition: Very Good. 7 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: Quarto. Quantity Available: 1. Category: Apollo Arts Magazine; Inventory No: 421970. Cosmo Books : 28 years selling on ABE; 28 years of taking care of customers on ABE; A seller you can rely on.

1st edn. 8vo. Original gilt lettered light brown cloth (Fine), dustwrapper (torn at edges - in protective cover). Pp. 208, illus with coloured and b&w plates and photos and endpaper maps (no inscriptions).

4to. 208pp. Original boards in dustwrapper. Sumptuous colour and black and white illustrations; a fine copy. . First edition.

144pp. 4to. Original boards in pictorial dustwrapper. Black and white prints. Decorative endpapers. A very good copy. First edition.

Paperback. Condition: Fine. First Edition. Large softcover in Fine condition. Published to accompany a 1997 exhibition of the same name organized by the Detroit Institute of Arts and shown in that museum and at the Walters Art Gallery in Baltimore. Book is As New. Neatly inked name of former owner on front end page. Illustrated throughout. Laid in is a stapled and somewhat crinkled six-page paper titled "Gothic Ivories: Art in the Private Sphere" given at the International Congress on Medieval Studies held at Western Michigan University in May 1997. 4to. 332 pp. Heavy--packed weight is six pounds and may require additional postage if shipped priority or outside the U.S.

Soft cover. Condition: Very Good. Periodical, softcover, 11 3/4 by 8 1/2 inches. Covers have minimal wear and the pages are clean. Articles include: Saltillo serape, Sarab, Westphalian lecturn coverand more. Because of the weight of this periodical, I will not mail it overseas.

Soft cover. Condition: Very Good. 1st Edition. SIGNED. Stiff color illus. wraps. Modest handling wear with a few light creases along top front cover edge. Catalog to accompany 2010 Montclair exhibition. Signed by artist on upper contents page, full signature in blue ink, no inscription or date. 80 pp., illus. Size: Folio - over 12" - 15" tall. Signed by Author(s). Book.

Condition: Used: Like New. Broché, comme neuf.

Soft Cover. Condition: Very Good. Copyright © 1999. 280 pp. Over-sized and/or over weight book; may require extra postage. Please note that large and/or heavy items may incur an additional shipping charge. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Slightly slanted spine.

OPappband. 520 S. : zahlr. Illustrationen ; 31 cm Buch in sehr guter Erhaltung, Einband sauber und nur minimalst bestoßen, Seiten hell und sauber, ohne Einträge, Buchblock fest und kompakt, Köln war im Mittelalter größte Stadt Deutschlands und in seiner Blütezeit von 1000 bis 1550 eines der führenden Kunstzentren Europas. Größer als Paris oder Venedig in dieser Zeit war die Stadt Metropole für Wirtschaft und Handel, berühmter Wallfahrtsort und die Wiege bürgerlicher Freiheiten. Sie hat große Schätze in allen alten Kunstdisziplinen herbvorgebracht, und es ist im Vergleich zum gesamten mittelalterlichen Kunstgut besonders viel erhalten geblieben. Maler, Bildschnitzer und Goldschmiede entwickelten im Dialog mit Meisterwerken aus Paris und Prag, den Niederlanden und Italien eine typische kölnische Kunstsprache, die weit über die Grenzen der Stadt hinaus geschätzt wurde. Die Spitzenstücke, die in Köln entstanden sind nun in den ganz großen Sammlungen Europas und Amerikas zu den Meisterwerken zählen, werden einmalig wieder an ihrem Ursprungsort zusammengeführt und in diesem Band vereint. Das vielfältige und typische Schaffen Altkölner Kunst von Handschriften und Goldschmiedekunst über Skulptur, Glasmalerei und Textilien bis hin zur Tafelmalerei aus über 500 Jahren verdeutlicht die Vorliebe jedes Jahrhunderts für eine bestimmte Disziplin. Zugleich werden die wirtschaftliche Situation Kölns, der Handel, das erstarkte Bürgertum und das Verältnis von Kirche und Stadt beleuchtet. 0 Sprache: Deutsch Gewicht in Gramm: 2900.

Cloth. Condition: Fine Condition. Dust Jacket Condition: Fine Condition. 332 pp., many illustrations over one hundred in color. First edition. Published on the occasion of the exhibition from The Detroit Museum of Art, Detroit MI March 9-May 11, 1997 and the Walters Art Gallery, Baltimore MD June 22-August 31, 1997. The exhibition catalog is the first survey of Gothic ivories in English. Dustjacket is protected with a mylar cover. Book.