Barney Bubbles (10 results)

Soft cover. Condition: Very Good. Barney Bubbles (illustrator). 1st Edition. The second issue, with stapled binding and without the word 'Directory' on the cover. Some browning near to the spine.

No Binding. Condition: Very Good. Record sleeve artwork; a painting titled Snakecharmer & Reclining Octopus by Barney Bubbles (British 1942-1983) (credited to "Sal Forlenza"), is a pastiche of Pablo Picasso's Three Musicians (1921). 12.5 x 12.5 in. VERY GOOD condition frameable record cover. Costello was taken aback upon seeing the painting for the first time, believing Bubbles had responded to "the more violent and carnal aspects of the songs". The painting depicts a resting woman with laced hands surrounded by zipper-like creatures which spell out "Pablo Si" sitting next to ringmaster-type figure, wearing what Costello interpreted as a tricorn hat. In his book Let Them All Talk, Hinton describes the picture as "a violent exercise in harsh red and blues". The cover won the Creem readers' poll for the best album cover of 1982.[40] The original LP's inner sleeve boasted photographs by David Bailey of the entire band in black-and-white. The one of Costello, in which he glares into the camera with his chin resting on his fist, was used as the sleeve photo for the "Man Out of Time" single.

Soft cover. Condition: Good. Barney Bubbles (illustrator). 1st Edition. First issue, glued spine. Uninscribed. No wear, covers browned.

Hard cover. Condition: Fine. Sewn binding. Paper over boards. 223 p. Contains: Illustrations, black & white, Illustrations, color. Audience: General/trade.

Paperback. Condition: Very Good. First Edition. Wraps. 4to. 30cm by 21cm. pp 32. 16 leaves of plates, printed recto only. Wraps. Original publisher's illustrated stapled covers. Copiously illustrated in black and white throughout. The photographs were taken between 1972-78 with drawings added after the selection was made, the total forming a narrative without words.Sujects inc his friends Charlie Wood and Martin Cropper and various businessman. Photobook. Faint rubbing sound, clean, very good.

Paperback. Condition: Very Good. First Edition. Wraps. 4to. 30cm by 21cm. pp 32. 16 leaves of plates, printed recto only. Wraps. Original publisher's illustrated stapled covers. Copiously illustrated in black and white throughout. Including three postcards of the photographers work, all in fine condition and press release, loosely inserted. Drawings by Barney Bubbles. The photographs were taken between 1972-78 with drawings added after the selection was made, the total forming a narrative without words. Photobook Slight creasing at top edge and spine, with hand-written label on the front inside cover stating 'not for sale', otherwise sound, clean, very good.

28,7:23,7 cm. 223 S. m. unzähl., teils farb. Abb. Farb. ill. OPp. Erste Ausgabe. Vorw. von Malcolm Garrett, Einf. von Billy Bragg. Mit Texten von Peter Saville, First ptinting. The book incorporates an essay by Peter Saville, a foreword by Malcolm Garrett and an introduction by Billy Bragg.

Softcover. Condition: Near Fine. First Edition. Small 4to, Unpaginated (ca 32pp). Printed wraps. One of 500 copies printed. Flatsigned to FFEP. Elegant and quiet work made in collaboration with Barney Bubbles and self published in 1978. Griffin was at the time working for Management Today and shooting musicians, and despite his discreet profile was later hailed as the greatest photographer of the 80's.

First edition of Griffin's first photobook, produced with designer Barney Bubbles, known for his work at New Musical Express, Oz, and across the UK music scene of the 1970s. After graduating in 1972 from Manchester College of Art and Design, Griffin began working with the art director of Management Today, Roland Schenk. Schenk encouraged Griffin's sensibilities, incorporating theatrical and filmic elements into his commercial photography; the resulting style later influenced the visual language of commercial photography. Copyright 1978 includes a number of photographs produced for Management Today alongside work produced for other clients, including one made during a session for Devo's Be Stiff album cover. Barney Bubbles, a designer that caught Griffin's attention through work published in NME, designed this photobook. Griffin asked Bubbles to interpret each photograph into a simple diagram, printed on the same page or opposite as the photographs they represented, allowing for the composition of the photographs to extend past their borders. The duo continued to collaborate on commercial projects and artist publications for years. Offset. Saddle stapled in illustrated wraps. 8 1/4 x 11 3/4 in. [32] pp. Very good; minor bumps and creases to wraps, inside clean and tight.

Condition: Neuf. Londres, à compte d'auteur, 1978 (2016), Paris, Galerie Les Yeux Ouverts, 298x211mm, 32p., broché sous couverture photographique. Illustré de 16 photographies en noir et blanc dans un montage graphique de Barney Bubbles. Première édition du premier livre du photographe, publié à compte d'auteur. Sous l'influence de Roland Schenk, directeur aristique de Management Today, Griffin met en scène un graphisme ce qui devait avoir une large influence sur le langage visuel de la photographie commerciale. "Copyright 1978" inclut de nombreuses images produites pour " Management Today" et autres clients, mélangés aux diagrammes dessinés par Barney Bubbles utilisant uniquement les lignes et des cercles. Exemplaire neuf, signé par Griffin (9/10) Un des dix exemplaires de luxe signé et numéroté par Griffin (9/10) et accompagné d'un tirage original d'une des images du livre, réalisé par le photographe en 2016 ; l'ensemble est contenu dans un emboîtage gainé de toile grise, titre au palladium. (100041) Pas de jaquette Couverture souple Signé par l'auteur.