Baroni Vittore (22 results)

Paperback. Condition: Good. Sensoria From Censorium, a book about "The Network" and "Networkers." Pieces both visual and word by John Marriott, Ich Neuman, Vittore Baroni, Mike Gunderloy, John Held Jr., Ruggero Maggi, Ryosuke Cohen, Daniel Plunkett, Mike Dyer, Shaun Caton and others. Unpaginated. Includes contact information of the parties. Black and white reproduction. Paper with stiff cover. 8 1/2" x 11". Good condition.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Pamphlet. Condition: Near fine. First Edition. NEW OBSERVATIOPNS 101: Copy CultureFeatures in this issue: "Introduction, Copy Culture: Barbarians in the Copy Shop" by Stephen Perkins and Lloyd Dunn; "Cultural Subversion " by Frank Moore; "Cheap Memes: Zines, Metazines, and the Virtual Press" by Mark Frauenfelder; "Plagiarism: The Truth in Doubling" by Mark Palmer. Other contributors include Vittore Baroni, Peggy Cyphers, Laurence Roberts, Dissemination Network, T.S. child, Al Ackerman, Reed Altemus, Knickerbocker, Piermario Ciani, Antonio Nelos, Franz John and Jean-François Robic. 31 pages. Paper with stiff cover. Near fine condition.

Condition: NEW.

Brossura. Condition: fine. Roma, 2005; br., pp. 220, cm 14x21. Prendendo le mosse dai pionieri delle avanguardie storiche, il volume ricostruisce sinteticamente il percorso della cartolina d'artista, spaziando dalle spedizioni concettuali di fluxus alle variopinte bizzarrie del circuito planetario della mail art, da singolari "pezzi unici" alle più stimolanti spedizioni alternative e new pop, fino ad arrivare al fenomeno delle free-card promozionali e alle e-card virtuali via internet. Illustrato, il libro comprende interventi originali e materiali selezionati da artisti e sperti ed editori di cartoline: Anna Banana e Julien Blaine, Guy Bleus, Mario Giavino, John Held Jr., Janosz Kubas, Jürgen O. Olbrich, Enrico Sist, Enrico Sturani. Libro.

Tadelloses, frisches Exemplar. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Ohne Stempel, keine An- und Unterstreichungen, sehr guter Zustand. Signiert. Softcover. Original Pappmappe.

Ohne Stempel, keine An-und Unterstreichungen. Zustand: sehr gut. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Sehr guter Zustand. Signiert. Softcover / Original gheftet.

Hardcover. Condition: Very good. First edition. Collection 'C'est mon Dada' n. 21, a collection of small artist's books for visual poetry, experimental texts and works influenced by Dada and Fluxus. This book is the product of a deranged mix-up of details from collages, photos and mixed-media works (ca. 1975-2008) handpicked from my archive, then scanned and multi-layered on the pc with a primitive graphic programme. Combining my lifelong obsessions for the history of r'n'r and Dada, Don't You Rock Me Dada-O is respectfully dedicated to the CabVolt Contingent with thanks to Lonnie D. & The Vipers. SIGNED and DEDICATED. 36 pp; 15x10,5 cm.

Hardcover. Condition: As New. Limited Edition. 28 PRIVATE PRESS VOLUMES FROM THE REDFOXPRESS - CO MAYO, IRELAND: NB: Only the first listed is Flat Signed by the Author. Most of the volumes are As New, others are at least Fine, unless stated. All are matching in style and are 15cm. Hardcovers, thread and quarter cloth binding. Laser printing on ivory paper. I believe that no more than 200 copies of each was published 1st Listing - C'est mon dada ; nr 11. As New. 40 unnumbered pages : color illustrations ; 2nd Listing; Published 2011, C'est mon dada ; no. 57, 48 unnumbered pages : colour illustrations.[ As New ]; 3rd Listing : published 2020 [ As New ], C'est Mon Dada, 140, 1 volume (unpaged) : color illustrations. 4th Listing : Published 2020, C'est Mon Dada, 141, [ As New ] 1 volume (unpaged) : color illustrations ; 5th Listing : Published 2019, C'est Mon Dada, 138, As New; 1 volume (unpaged) : illustrations (some colour); 6th Listing ; published 2011, As New, C'est mon dada ; no. 59. 1 volume (unpaged) [42 ] : illustrations ; 7th Listing : Published 2008, C'est mon dada ; no. 15. [36] : color illustrations. As New ; 8th Listing : Published 2008, C'est mon dada ; no. 21, As New, 40 unnumbered pages : color illustrations. 9th Listing : Published 2010, C'est mon dada ; no. 51, As New, 1 volume (unpaged) [41] p : chiefly illustrations (colour) ; 10th Listed : Published 2011, C'est mon dada ; no. 55, As New. 40 unnumbered pages ; 11th Listed : published 2012, C'est mon dada ; no. 75. 40 unnumbered pages : all color illustrations ; As New. ; 12th Listed : published 2012, C'est mon dada No 69, "February 2012"--Final page. [41] p. : col. ill. 13th Listed : Published 2012, C'est mon dada. No 72 ; [41] p. : col. ill. ; 15 x 10 cm. Very good, covers with some marking [ see image ] internally fine+; 14th Listed : published 2012, C'est mon dada. ; 74, As New copy. [41] p. : colour. ill. ; 15th Listed : published 2015, C'est mon dada ; 95, As New. 48 unnumbered pages : chiefly color illustrations ; 16th Listed : published 2015, C'est mon dada ; 125, 40 unnumbered pages : illustrations (black and white, and colour) Fine copy. 17th Listed : published 2020, C'est mon dada. 146. [41] p. : col. ill. ; 15 x 10 cm As New. ; 18th Listed : published 2009, C'est mon dada. ; 33 . Fine copy. [41] p. : col. ill. ; 19th Listed : published 2008, C'est mon dada ; no. 20. As New. Text in English. 40 unnumbered pages : color illustrations ; 20th Listed : published 2008, As New, C'est mon dada ; no. 17. 36 unnumbered pages : color illustrations ; 21st Listed : published 2010, C'est mon dada ; no. 45., As New- 40 unnumbered pages : illustrations (some colour) ; 22nd listed : published 2019, As New, C'est mon dada, no. 129, 40 unnumbered pages : chiefly illustrations.; 23rd Listed : published 2009, C'est mon dada, no. 32, 40 unnumbered pages : chiefly illustrations (some colour) ; As New.; 24th Listed : published 2019, C'est mon dada ; 133. Very nice example. [41] p. : col. ill. 25th Listed : published 2020, C'est mon dada. ; 144. As New. [41] p. : col. ill. ; 26th Listed: published 2018, C'est mon dada. ; 124 As New. [41] p. : col. ill. ; 27th Listed : published 2013, As New, C'est mon dada ; nr. 77 . As New. [41] p. : col. ill. ; 28th Listed : published 2018, C'est mon Dada ; nr. 121. As New. [41] p. : col. ill. Lovely Group. Signed by Author(s).

Softcover/Paperback. Condition: Very Good. Vittore Baroni (Editor).Arte Postale! #55: Mail Art Handbook with signed letter.Forte Dei Marmi, Italy: Near The Edge Editions, 1986. Staple-bound softcover. 28 pages including covers. Edition of 500. Very good. Light edge wear. Arte Postale! #55: Mail Art Handbook is an idiosyncratic introduction to mail art with some examples of mail art by A.1. Waste Paper Company. Ltd., T. Lowes, Blaster Al Ackerman, and Bread & Puppet, etc.Two rubber stamps by Baroni, signed at "End of Programme" and numbered on back cover. Arte Postale! #55: Mail Art Handbook stamp sheet present, Marty Cantsin printed stamp sheet, 1986 Decentralized Worldwide Mail-Art Congress postcard, 3 Ethereal Open Network stickers, and typewritten letter with handwritten corrections, etc addressed to Alex & Kate (Smegma magazine publisher Torrid Zone Igloo (a.k.a Alex Igloo a.k.a Alex Hirka) and Kate (Klammer ?).INTRODUCTION. Here comes at last, after painful delay due to laziness and worldly occupations, my small Mail Art Handbook: surely not a serious piece of scholarship nor a profound attempt to unveil all the multiple facets of postal networking. It is more a condensed "reader's digest" of MA, some scratches over the surface, thoughts erupted from the heart rather than objective researches and figures. After over ten years in the network, I still understand it more by intuition than by statistics. MA is a mental process as well as a physical one. An invisible psychic link, an imaginary web that takes different shapes in the mind of each networker. Here I project my own ideal web unto you. It's a subjective but thoroughly honest viewscape: please take notice and react! Once again, for evident simple reasons of economy and for easier communication with as much people as possible, I printed only a monolingual edition. I hope thet all non-english speaking readers will forgive me (in particolare I miei conterranei!) and freely help them- selves with dictionaries and imagination. On the other hand, I hope that all english speaking readers will excuse my far from perfect mastery of the language."ARTE POSTALE! POSTAL ART! (1979-2009) A Mail Art Magazineby Vittore BaroniThe idea of creating a magazine entirely dedicated to mail art came to me in 1979, two years after my first contact with the world of mail art, thanks to a chance encounter with the renowned collector and mail artist Guglielmo Achille Cavellini. I called my self-published periodical simply Postal Art!, with an exclamation point at the end to indicate the exuberance and warmth of the "Eternal Network" (as Fluxus artist Robert Filliou had christened the rapidly developing creative network), a friendly and open circle of authors committed to the free exchange of all kinds of ideas and works, transcending racial, ideological, and linguistic differences. A sort of "social network" that anticipated the Internet with the simple use of letters, postcards, and stamps.Over the course of three decades, I published Arte Postale! with highly irregular periodicity and circulation, often adopting different formats and configurations. In the first two years, I managed to maintain an almost monthly cadence, with a somewhat rough cut-and-paste layout, in the vein of the punk fanzines of the late 1970s. Gradually, the releases became less frequent and more complex in structure and packaging. The first fifty issues of Arte Postale! were produced in limited editions of 100 copies, adopting the "assemblage" strategy pioneered in New York by experimental poet Richard Kostelanetz in his seminal publication Assembling: each participant sent one hundred copies of a single page, postcard, artist's stamp, or other contribution. I then collected the materials together with the addition of a cover and some editorial pages. Many issues of the magazine had a dominant theme (music, badges, poetry, stickers, photographs, Neoism, etc.) or were dedicated to individual mail artists, living or dead (Ray Johnson, David Zack, Lon Spiegelman, Piermario Ciani), while other issues had a free theme but required contributions in specific formats (e.g., no. 24 was a special 3D issue, with small objects contained in a cardboard box; no. 49 was dedicated to miniature works, with the small works collected in an audio-cassette case). After no. 50, I stopped the assembly process and usually printed the entire periodical independently, by photocopy or offset, always adding various manual interventions, making each copy a sort of "collector's piece". The print run varied from the single copy of no. 53 (a special issue prepared by Mark Pawson as a tribute to my publication) to the 600 copies of no. 63, containing a 7" vinyl single by the group Le Forbici di Manitù with the anthem of the 1992 Decentralized Networker Congress. Over thirty years, around a thousand authors from sixty countries have participated in the magazine.Although regularly available to the public by subscription, Arte Postale! has mostly been exchanged free of charge for similar materials or publications by other mail artists, in keeping with the "free exchange" and anti-commercial spirit typical of mail art. The publication has also been sent to a select number of archives, museums, and libraries around the world: a complete collection is held in the Ruth and Marvin Sackner Archive of Visual and Concrete Poetry (Miami, USA), as well as in the VEC Archive (Netherlands) managed by Ros Summers, and in the Guy Bleus Archive in Belgium. A variable number of copies are also included in many other important museums, public libraries, and private collections in Italy and abroad. In 2007, to celebrate my thirty years in the mail art circuit, I produced five issues of Arte Postale! connected to five different projects and group exhibitions, thus providing a new impetus to the magazine's circulation.Despite all its practical limitations and its persistent underground status, mail art remains a powerful affirmation of creative collectivism, a viable model of d.

Paperback. Condition: Very Good. Book. 295 x 210 mm, staple bound exhibition catalogue for International Artists' Books Exhibition, October 18 - December 7, 1987. Introductory essay by Marta Kovalovsky (Hungarian, with English translation); a text by Guy Bleus entitled 'Why Artists' Books?' (Hungarian, with English translation); and 37 b&w plates by artists such as Gyorgy Galantay, Robert Swierkiewicz, Robin Crozier, Geza Perneczky, Klaus Groh, Vittore Baroni and Peggy Horgan. Documents the first of the international artists' books exhibitions. Comes together with two signed letters from the director and curator of the Szent Istvan Kiraly Muzeum.Condition: some handling marks and light wear to covers, slight ding to bottom corner, rust to parts of staples but no major bleeding, light toning to four inside pages and some handling marks. No writing or tears. Overall VG.

Condition: Ottimo. Prima edizione. Pubblicazione d'artista. 6 fogli sciolti; 29,5x23,7 cm Fogli sciolti in cartellina editoriale.

Ohne Stempel, keine An-und Unterstreichungen, guter bis sehr guter Zustand. Original Pappbox.

Ohne Stempel, keine An-und Unterstreichungen, guter bis sehr guter Zustand. Original Pappbox.

114 meist lose Einblattdrucke (wenige gefaltet u. doppelblattgroß. In verschiedenen Formaten. Mit zahlreichen Abbildungen (wenige Zweifarbige). Zusammen in Illustrierter Original-Einsteckmappe. (Mappe mit Gebrauchsspuen an den Rändern. Ansonsten in tadelloser Erhaltung). 23x16 cm * Sehr seltene Ausgabe dieser Mail-Art Sammlung - hier mit ungewöhnlich hoher Beilagenzahl. ----- Beteiligt: Edgardo Vigo / Ruth Wolf-Rehfeldt / Aaron Flores / Leonardt Frank Duch / Unhandeijara Lisboa / Klaus Groh / Endre Tot / Bill Gaglione / Ruggero Maggi / Michele Perfetti / Guillermo Deisler u.v.v.a. ------ Vittore Baroni (born 1956 in Forte dei Marmi, Italy), is an Italian mailartist, music critic and explorer of countercultures. Since the mid-1970s he has been one of the most active and respected promoters and documenters of mail art.[ He has written or edited various books on aspects of the networking cultures that anticipated the Internet, among which is the mail art guide book, Arte Postale. He has also contributed to many of the seminal works about mail art published in recent decades, including Chuck Welch's Eternal Network, H.R. Fricker's I am a Networker (Sometimes), and Renaud Siegmann's Mail Art, Art postal - Art posté. In the past three decades he has organized many exhibitions, events, publications and collective projects in the fields of mail art, audio art, visual poetry, underground comics and street art, including 100 issues of Arte Postale! mail art magazine. He was the originator of formative networking projects such as the TRAX modular system (19811987) [citation needed], the multiple names Lieutenant Murnau and Luther Blissett, the Stickerman project and F.U.N. (Funtastic United Nations, since 2001).Vittore Baroni was introduced to the mail art network in 1977 through Guglielmo Achille Cavellini, and instantly became heavily involved, participating every year in dozens of international projects and shows. From 1979 he organized a series of Mail Art exhibitions for the Forte dei Marmi Town Library and published the first issue of his enduring magazine Arte Postale! During the summer of 1995 there was a retrospective exhibition of all Arte Postale! magazines (1979-1995) in Guy Bleus' E-Mail Art Archives in the provincial Centre for Arts (now Art Museum Z33) in Hasselt, Belgium. In 1992 he created, with Piermario Ciani, the Stickerman Museum devoted to all forms of adhesive art. In addition to writing the influential books, Arte Postale, guida al network della corrispondenza creativa (1997) and Postcarts Cartoline dartista (2005), he also edited the books Rubber Stamp Art by John Held Jr. (1999) and Artistamps by James Warren Felter (2002). In 2000, Baroni was Curator of the Mail Art section for a large retrospective exhibition on the art avant-gardes of the 20th century, Sentieri Interrotti at the Museo d'Arte Moderna of Bassano del Grappa. He is co-founder of the cultural association BAU in Viareggio. (Quelle Wikipedia) Sprache: Deutsch Gewicht in Gramm: 700 This catalogue has been hand-assembled in 500 copies.

Condition: Very Good +. 140x100mm postcard. Printed on one side only with artist's black circular rubber stamp on recto together with lithographic image of performance/event (processional work covered Roman litter and all participants wearing togas on an Italian urban street). Purple rubber stamp on verso with artist's name and address. No edition size given, undated (early 1970s). Provenance: Art Information Centre.

Revue produite par Mind Invaders (Piermario Ciani) et Lt. Murnau (Vittore Baroni), avec des contributions de : Piermario Ciani, Vittore Baroni, Ado for Towns, George Anderer, CC et CC, Massimo Giacon, Cristina Masutti, Moreno T., Daniele C., Diego S., Emanuel. 1981. Une plaquette agrafée 23 x 23 cm, non paginé. Deux disques vinyl 45 t. Un de in Invaders et un de Ice & the Iced. Avec quelques ephemera divers comme un autocollant Cavellini, des autocollants, des cartes postales.

Forte dei Marmi, Near the Edge Editions, 1982. Dans son enveloppe d'origine un ensemble d'ephemera : affiche, cartes postales, fanzine. Une partie des ephemera n'est pas visible car encore dans un fanzine scellé par une bande collée. Avec un autographe de Baroni.

Forte dei Marmi, Near the Edge Editions, 1982. Dans son enveloppe d'origine un ensemble d'ephemera : affiche, cartes postales, fanzine.

Forte dei Marmi, Near the Edge Editions, 1982. Dans son enveloppe d'origine un ensemble d'ephemera : affiche, cartes postales, fanzine. Une partie des ephemera n'est pas visible car encore dans un fanzine scellé par une bande collée. Avec un autographe de Baroni.