Barraza Santa (16 results)

Paperback. Condition: Very Good. PAPERBACK. VERY GOOD Condition ,name ep "Elizabeth Newman".else clean, SOLID, BRIGHT; VERY NICE PAPER COVERS HAVE EXTRA WIDE FLAPS.(FRENCH FLAPS) ; Glossy Color Photos; 120 pages; Presents portraits and sample works of each painter and sculptor.provides exposure to important regional artists deserving of attention rather than reintroducing the famous and successful. The selections here cover a surprisingly broad range of styles, and the work of Santa C. Barraza, Joe Guy, James Surls and Patricia Tillman, in particular, is noteworthy. Carlozzi's introductory essay provides an enlightening overview of the art community in Texas. Illustrated by BLOCK, GAY PHOTO PORTRAITS (illustrator).…

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. A study of 34 paintings by Santa Barraza, who depicts the historical, emotional and spiritual land between Mexico and Texas, between present reality and the mythic world of the ancient Aztecs and Mayas. The work includes analyses of the forces that have shaped Barraza as a Chicana artist. Editor(s): Herrera-Sobek, Maria. Series: Rio Grande/Rio Bravo: Borderlands Culture and Traditions. Num Pages: 168 pages, 35 colour plates, 24 b&w photographs, bibliography, index. BIC Classification: 1KBBSX; 1KLCM; 3JJP; ACXJ; AFC; AGB; JFSL. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 254 x 20. Weight in Grams: 1066. . 2000. Hardcover. . . . .…

Condition: New. In English.

Condition: New.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. A study of 34 paintings by Santa Barraza, who depicts the historical, emotional and spiritual land between Mexico and Texas, between present reality and the mythic world of the ancient Aztecs and Mayas. The work includes analyses of the forces that have shaped Barraza as a Chicana artist. Editor(s): Herrera-Sobek, Maria. Series: Rio Grande/Rio Bravo: Borderlands Culture and Traditions. Num Pages: 168 pages, 35 colour plates, 24 b&w photographs, bibliography, index. BIC Classification: 1KBBSX; 1KLCM; 3JJP; ACXJ; AFC; AGB; JFSL. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 254 x 20. Weight in Grams: 1066. . 2000. Hardcover. . . . . Books ship from the US and Ireland.…

Condition: As New. Unread book in perfect condition.

Condition: New. A study of 34 paintings by Santa Barraza, who depicts the historical, emotional and spiritual land between Mexico and Texas, between present reality and the mythic world of the ancient Aztecs and Mayas. The work includes analyses of the forces that have sha.

Buch. Condition: Neu. Neuware - Santa Barraza paints bold representations of Nepantla, the Land Between. Her work depicts the historical, emotional, and spiritual land between Mexico and Texas, between the familiar and the sacred, between present reality and the mythic world of the ancient Aztecs and Mayas. More than thirty of her most powerful and characteristic works are offered in full color and considered in this ground-breaking study of a nationally important Tejana artist. Over the last twenty-five years of her career as a visual artist, Barraza has explored what it is to be a Chicana and a mestiza in this country. Utilizing a variety of media, she has embarked on an artistic journey full of family portraits, watercolor dream scenes, mixed media artist books, and murals that harken back to a pre-Columbian past. By tapping into pre-conquest symbols, personal memories, and traditional sacred art forms such as the retablo and the Codices, she incorporates the value of Mexican artistic traditions and their power to nurture and sustain cultural identity on this side of the border. Barraza's art, which includes public art in the form of murals and children's workshops, has increasingly drawn on the colors and forms of Mesoamerica. Most recently, the Aztec Codices offer her a symbolic form to claim her roots and to invoke much of the cosmology of her ancestors. Within the form, however, she adapts by drawing on contemporary figures such as her own mother, or labor leader Ema Tenayucca, or Barraza's sister with a physical heart (representing a heart transplant she had received) in place of the Virgen de Guadalupe and the Immaculate Heart. Scholars María Herrera-Sobek, Antonia Castañeda, Shifra M. Goldman, Tomás Ybarra-Frausto, and Dori Grace Udeagbor Lemeh contribute distinctive insights to the analysis of the forces that have shaped Barraza as a Chicana artist and the images and aesthetics that characterize the corpus of her work. Their perspectives also contribute to an understanding of the Chicano/a artists (including Barraza) who began their rise to prominence during the Chicano Movement of the 1960s and 1970s. Moreover, the text invites readers to view the Chicano/a as the 'New American artist,' suggesting that the elements of Barraza's painting are important not only to Chicanos/as, but to all Americans in our increasingly bicultural and even mestizo society.…

Condition: New. Satisfaction Guaranteed or your money back.