Barry Murnane (61 results)

Condition: As New. Original boards, dust jacket, illustrated, 4to.; Still shrinkwrapped.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good.

Paperback. Condition: New. Focusing on particular cases of Anglo-German exchange in the period known as the Sattelzeit (1750-1850), this volume of essays explores how drama and poetry played a central role in the development of British and German literary cultures. With increased numbers of people studying foreign languages, engaging in translation work, and traveling between Britain and Germany, the eighteenth and nineteenth centuries gave rise to unprecedented opportunities for intercultural encounters and transnational dialogues. While most research on Anglo-German exchange has focused on the novel, this volume seeks to reposition drama and poetry within discourses of national identity, intercultural transfer, and World Literature. The essays in the collection cohere in affirming the significance of poetry and drama as literary forms that shaped German and British cultures in the period. The essays also consider the nuanced movement of texts and ideas across genres and cultures, the formation and reception of poetic personae, and the place of illustration in cross-cultural, textual exchange.…

Pp. m. Sch. Condition: Gut. 143 S. : überw. Ill. ; 27 cm gutes Exemplar Aufgrund der neuen PPWR-Bestimmungen (EU-Verpackungsverordnung) liefern wir derzeit nicht in EU-Mitgliedstaaten. Due to the new PPWR regulations (EU Packaging and Packaging Waste Regulation), we currently do not ship to EU Member States. Sprache: Englisch Gewicht in Gramm: 788.…

Condition: Sehr gut. 143 S. : überw. Ill. ; 27 cm, 750 gr. Gebunden mit Schutzumschlag. Sehr gut erhalten. Sprache: Englisch Gewicht in Gramm: 788.

Paperback. Condition: Brand New. 258 pages. 9.00x6.00x0.59 inches. In Stock.

Hardcover. Condition: Very Good. 1st Edition. Very good condition hardback with no jacket - light general wear.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Focusing on particular cases of Anglo-German exchange in the period known as the Sattelzeit (1750-1850), this volume of essays explores how drama and poetry played a central role in the development of British and German literary cultures. With increased numbers of people studying foreign languages, engaging in translation work, and traveling between Britain and Germany, the eighteenth and nineteenth centuries gave rise to unprecedented opportunities for intercultural encounters and transnational dialogues. While most research on Anglo-German exchange has focused on the novel, this volume seeks to reposition drama and poetry within discourses of national identity, intercultural transfer, and World Literature. The essays in the collection cohere in affirming the significance of poetry and drama as literary forms that shaped German and British cultures in the period. The essays also consider the nuanced movement of texts and ideas across genres and cultures, the formation and reception of poetic personae, and the place of illustration in cross-cultural, textual exchange.…

Condition: New.

Condition: New. 2012. 1st Edition. Hardcover. The German Gothic and Its International Reception, 1800-2000. Series: Studies in German Literature, Linguistics, and Culture. 318 pages. Editor(s): Cusack, Andrew; Murnane, Barry. The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode. Cateogry: (P) Professional & Vocational. BIC Classification: 2ACG; DSB; DSK. Dimension: 235 x 162 x 30. Weight: 698. . . . . . …

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9781571135193.

Condition: New. In English.

Condition: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren. Praktiken literaturkritischen Schreibens nach 1700. Hrsg. von Barry Murnane, Ritchie Robertson, Christoph Schmitt-Maaß und Stefanie Stockhorst. Mit einem Geleitwort von Ritchie Robertson. Über die Entstehungsbedingungen der Literaturkritik: Wieso wird im Deutschen - anders als im Angelsächsischen und Romanischen - zwischen Literaturkritik und Literaturwissenschaft strikt unterschieden? Lässt sich diese Trennung bis in die Entstehungszeit der Literaturkritik um 1700 zurückverfolgen? Diese - und andere - Fragen zur Formierung der deutschsprachigen Literaturkritik verfolgen die 13 Beiträge des Bandes, indem sie die Praktiken literaturkritischen Schreibens im 18. Jahrhundert rekonstruieren. Während im deutschsprachigen Raum zwischen Literaturkritik (als Sonderform journalistischer Auseinandersetzung mit Gegenwartsliteratur) und Literaturwissenschaft (als systematische, analytische und historisierende Auseinandersetzung mit Werken aller Epochen) unterschieden wird, kennt man im romanischen und anglo-amerikanischen Sprachraum diese trennscharfe Unterscheidung nicht: literary criticism bzw. critique littéraire bezeichnen beide Disziplinen. Unklar war bislang, wieso es zu einer solchen Unterscheidung kam. Mögliche Antworten liefert die Hinterfragung der Entstehungsbedingungen der Literaturkritik um 1700, etwa in der gelehrten Streitkultur, in der programmatischen Verbindung von Moralphilosophie und Geschmack nach Shaftesbury oder in der Rationalisierung der Ästhetik nach Pope. Ziel des Bandes ist es, zu erhellen, wie literaturkritische Praxis im entsprechenden Zeitraum funktionierte und welche uneingestandenen Voraussetzungen der frühaufklärerischen kritischen Praxis zugrunde lagen. Die Beiträge gehen zurück auf zwei Workshops, die 2016 am St John's College Oxford stattfanden. Mit Beiträgen von Michael Multhammer, Dirk Niefanger, Friederike Felicitas Günther, Christoph Schmitt-Maass, Barry Murnane, Inga Schürmann, Klaus Birnstiel, Rainer Godel, Kevin Hilliard, Stefanie Stockhorst, Gunhild Berg und Christopher Meid. 294 Seiten, gebunden (Das Achtzehnte Jahrhundert. Supplementa; Band 24/Wallstein Verlag 2019). Statt EUR 29,90. Gewicht: 526 g - Gebunden/Gebundene Ausgabe.…

Hardcover. Condition: Brand New. 1st edition. 309 pages. 9.25x6.25x1.25 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. 2012. 1st Edition. Hardcover. The German Gothic and Its International Reception, 1800-2000. Series: Studies in German Literature, Linguistics, and Culture. 318 pages. Editor(s): Cusack, Andrew; Murnane, Barry. The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode. Cateogry: (P) Professional & Vocational. BIC Classification: 2ACG; DSB; DSK. Dimension: 235 x 162 x 30. Weight: 698. . . . . . Books ship from the US and Ireland. …

Gebunden. Condition: New. The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode.InhaltsverzeichnisIntroduction - Andrew CusackHaunting (Literary) History: An Introd.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: New.

Condition: New. 2026. hardcover. . . . . .

Condition: As New. Unread book in perfect condition.

Buch. Condition: Neu. Neuware - The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode.The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly -- for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. Thisfirst book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to thepresent day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange -- both between cultures and between discourses. Contributors:Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany.…