Barthelmess Richard (26 results)

dvd. Condition: Used - Good.

No Binding. Condition: Very Good. 1st Edition. 1545-44. A VG or better original release 8 x 10 still. Scarce. Photographic Image.

No Binding. Condition: Very Good. 1st Edition. 1545-75. A VG or better original release 8 x 10 still. Scarce. Photographic Image.

No Binding. Condition: Very Good. 1st Edition. 1545-62. A VG or better original release 8 x 10 still. Scarce. Photographic Image.

No Binding. Condition: Very Good. 1st Edition. 1545-84. A VG or better original release 8 x 10 still. Scarce. Photographic Image.

No Binding. Condition: Very Good. CA-69. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: VG+. 1545-93. A VG or better original 8 x 10 still. Size: 8" x 10". Photographic Image.

Soft cover. Condition: Very Good. No Jacket. VG++ / -- English and German text. B/w illustrations and line drawings. Pictorial card covers with french flaps. Binding is firm and tight. No inscriptions. Not ex-library.

First Edition. Sheet music with words and music for the song from the Richard Barthelmess film with his photograph portrait on the cover. Ownership signature. Some splitting at folds, very good.

Vintage press portrait photograph of Nita Naldi to publicize the 1921 film. With a seller stamp on the verso. Based on the 1914 Broadway play. A moral allegory, wherein Youth (Richard Barthelmess) leaves home at the urgings of Ambition, guided by Experience and Opportunity, and (hopefully) not waylaid by Pleasure, Beauty, Temptation, or Chance. 8 x 10 inches. Very Good, with a horizontal crease to the bottom edge, and light, even toning.

Broschiert. Condition: Sehr gut. 1. Aufl. 94 Seiten kartonierter, deckelillustrierter Band im Querformat (hier: 22 x 19 cm); sehr gut erhaltenes Exemplar mit zahlreichen Abbildungen Sprache: Deutsch Gewicht in Gramm: 1.

No Binding. Condition: Very Good. Signed-Autograph Very Good BARTHELMESS, Richard. SIGNATURE on album leaf [Hollywood, 1938]; with signature of comedian/entertainer "Parkyakarkus" (Harry Einstein) on verso. Oblong 8vo. Signed by Author(s).

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Designed by Robert Edgar Long & illustrated and printed by the Adart Co., NY. Original color wrappers.7-3/4 x 10-3/4, 12 pp. Vintage American Theater brochure. An attractive very good copy which has a few closed and small tears on the front and rear covers. Overall, this program is a pleasing survivor from this 3-hour epic. Lillian Gish plays Anna, a country girl seduced and abandoned by a rich cad. The resulting baby dies and Anna is alone in the world. She meets the kindly Bartlett family and it seems that her life is taking a turn for the better when the son (Richard Barthelmess) falls for her that is until her past is exposed. Although it was Griffith's most expensive film to date, it was also one of his most commercially successful. Way Down East is the fourth-highest grossing silent film in cinema history, taking in more than $4.5 million at the box office in 1920.

10 x 8", sepia tone photo of an intense Barthelmess answering a phone, slight wear else vg. INSCRIBED "To Mush" & SIGNED BY RICHARD BARTHELMESS. Ink notation on reverse reads "Lux Radio Theatre, CBS 485 Mad Ave, Mon Sept 30 1935".

Collection of 15 vintage tobacco (or cigarette) cards featuring actors, circa 1920s-1930s. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. The collection on offer includes cards for actors Maureen O'Sullivan, Herbert Marshall, Adrianne Allen, Richard Barthelmess, Edna Best, Enid Stamp-Taylor, Colin Clive, Fay Wray, Elizabeth Allan, Alice Terry, Constance Bennett, and Ivor Novello, as well as polar explorer Fridtjov Nansen, and one unidentified woman. Companies represented are: -S.S. Kresge (1): No. 171 of Series B -Four Aces (4): Nos. 3, 42, 44, and 49 -Park Drive (8): Nos. 3, 11, 13, 25, 44, and 48 of Stars of Screen and Stage, and Nos. 22 and 36 of Champions and Screen and Stage -John Player and Sons (1): No. 2 of Polar Exploration -W.T. Grant (1): No. 15 Cards range in size from 1.25 x 2.25 inches to 1.5 x 2.75 inches. Very Good plus, with light toning and edgewear overall.

Condition: Good. black & white photo reproduction, 5 x 7". Pictures silent film star Richard "Dick" Semler Barthelmess (1895-1963) and facsimile autograph.

No Binding. Condition: Very Good. ("Richard Barthelmess") penned in blue fountain pen ink on vintage album leaf. 6" x 4 1/4"; very good (minor signs of handling), ca. 1933. Boldly signed: "Richard Barthelmess". Signed by Author(s).

Vintage glossy 10x8 promotional photo for Four Hours to Kill, signed and inscribed in black in to Mush. In fine condition, with Barthelmess's name also written in another hand in the lower portion of the image.

Vintage reference photograph from the 1920 film, showing actors Burr McIntosh, Lowell Sherman, Richard Barthelmess, Creighton Hale, and Lillian Gish. Based on the 1897 play by Lottie Blair Parker, about a naive country girl who is tricked into a false marriage by a womanizing man-about-town. The film is best remembered for the famed end scene, wherein Gish's character is unconscious and stranded on an ice floe racing towards a deadly waterfall, only to be rescued at the last moment by Richard Barthelmess. Shot on location in New Jersey, Connecticut, New York, Florida, and Vermont. 6.5 x 5 inches. Near Fine.

Vintage reference photograph taken on the set of the 1935 film, showing director Mitchell Leisen and a camera crew capturing a party scene. Based on Norman Krasna's 1934 play "Small Miracle," about the relationship between a policeman and the dangerous fugitive he has been tasked with guarding for the evening. Set in New York. 10 x 8 inches. Near Fine.

Condition: Good. 36 x 13.25 inches. Repaired tears The Drop Kick (also known as Glitter in the UK) is a 1927 silent film directed by Millard Webb written by Katherine Brush about a college football player (Richard Barthelmess) who finds his reputation on the line when he pays an innocent visit to a woman whose husband kills himself. It was one of the early films of John Wayne who was only aged 20 in the film. He too played a college footballer from USC. A mute silent print was transferred onto 16mm film by Associated Artists Productions in the 1950s and in 1960s by United Artists Television. Cast Richard Barthelmess (Jack Hamill), Barbara Kent (Cecily Graves), Dorothy Revier (Mrs. Eunice Hathaway), Eugene Strong (Brad Hathaway), Alberta Vaughn (Molly), James Bradbury Jr. (Bones).

Half-length frontal portrait in camel's hair coat. Gelatin silver print. 1 vols. 23 x 17.5 cm. (8-3/4 x 6 3/4 inches). Richard Barthelmess, Born 9 May 1895 in New York, New York, USA, as Richard Semler Barthelmess. Died 17 August 1963 in Southampton, New York, USA, of throat cancer. Married actress Mary Hay 18 June 1920; divorced 1927. Married Jessica Stewart Sargent 1928,together until his death Richard Barthelmess began in films when Alla Nazimova offered him a role in War Brides (1916). His career was boosted when he worked for D.W. Griffith. In the early 1920s, Barthelmess established his own production company. Artist's stamp at lower center, atelier stamp on verso, with pencilled notations giving the subject of the photograph, the date, and the reference number of the negative/print ("XIV d:19") Half-length frontal portrait in camel's hair coat. Gelatin silver print. 1 vols. 23 x 17.5 cm. (8-3/4 x 6 3/4 inches).

Half-length frontal portrait in camel's hair coat. Gelatin silver print. 1 vols. 23 x 17.5 cm. (8-3/4 x 6 3/4 inches). Richard Barthelmess, Born 9 May 1895 in New York, New York, USA, as Richard Semler Barthelmess. Died 17 August 1963 in Southampton, New York, USA, of throat cancer.Married actress Mary Hay 18 June 1920; divorced 1927. Married Jessica Stewart Sargent 1928,together until his death. Richard Barthelmess began in films when Alla Nazimova offered him a role in War Brides (1916). His career was boosted when he worked for D.W. Griffith. In the early 1920s, Barthelmess established his own production company. Artist's stamp at lower center, atelier stamp on verso, with pencilled notations giving the subject of the photograph, the date, and the reference number of the negative/print ("XIV d:18") Half-length frontal portrait in camel's hair coat. Gelatin silver print. 1 vols. 23 x 17.5 cm. (8-3/4 x 6 3/4 inches).

Archive of 68 vernacular photographs, housed in a contemporary photo album, each photo with descriptions in silver manuscript ink just below it, and distributed in three sections as follows: (1) 34 photos taken on the set of "The Dawn Patrol" (Howard Hawks, 1930), an aviation drama set during World War I. Included are shots of planes in flight, and several others of star Douglas Fairbanks Jr. With manuscript annotations to the album pages identifying most of the photographs; (2) 16 vernacular photographs taken on the set of the pre-Code film "The Life of the Party" (Roy Del Ruth, 1930), and 18 vernacular photographs of the sinking of the RMS Tahiti off cost of Rarotonga in the Cook Islands on August 16-17, 1930, taken from the nearby SS Ventura. The front cover of the photo album identifies the photographer as J.N. Boucher, and he appears four times in the album, twice dressed as a pilot in "The Dawn Patrol" section, and twice in "The Life of the Party" section, in one standing in front of a Vitaphone truck, along with a man identified as Dolph Thomas, who worked as an uncredited sound engineer on the film. Photographs variously sized, generally between 3.5 x 2.5 and 5.25 x 3.25 inches, Very Good plus. Photo album Good only, with several pages detached a few loose photographs.

Leather Bound. Condition: new. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1854. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 60, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 60.