Batuz (37 results)

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: good. Signs of wear and consistent use.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Cloth. Condition: Near Fine. Dust Jacket Condition: Very Good +. 174pgs, ill, Cornell Library stamp but no other indications of ex lib, beautiful copy, may require extra shipping very heavy.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Square quarto, hardcover, Text by Dieter Ronte, Ronald A. Kuchta, Rafael Squirru, Curt Heigl. Includes both b/w and color plates, some folding. Book and dust jacket are in fine condition. 040407A.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Rizzoli, 1981, Hardcover with DJ, 4to., 174pp. Sound binding, no ownership markings. DJ not clipped in Mylar cover wraps.

Paperback. Condition: Very Good. First Edition. 32 pages; Clean and secure in original pictorial wrappers. OCLC: 78044470 Batuz (1933-present) is an artist, philosopher and cultural activist. He is the founder of the Société Imaginaire, an undertaking that strives for cultural dialogue. This catalogue is the first publication of the Société Imaginaire.

First Edition. First edition. Hardcover. Text by Dieter Ronte, Ronald A. Kuchta, Rafael Squirru, and Curt Heigl. Includes 102 color and some black and white illustrations. A tight near fine copy in a very good with a chip from the base of the spine and some other slight wear.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 174 pages; Description: 174 p. : ill. (some col. ) ; 28 cm. Subjects: Batuz, (1933-) --Exhibitions -- Art. Exhibition dates: Everson Museum of Art, Syracuse and Onondaga County, New York, May 15-June 14, 1981. "Since the early 1950s, Batuz has produced a body of work, moving from naturalism into abstraction, which gives universally understandable meaning to abstract forms. This book presents the most recent phase of Batuz' passionate commitment to uncompromisingly ontological art, and art that, in the artist words, 'goes from life to being'." --dw. 4 Kg.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 174 pages; Description: 174 p. : ill. (some col. ) ; 28 cm. Subjects: Batuz, 1933- --Exhibitions. Notes: "Exhibition dates, Everson Museum of Art, Syracuse and Onondaga County, New York, May 15-June 14, 1981 . [et al. ]"--p. [15]. 4 Kg.

Softcover staple bound exhibition catalog, 40 pages, very good condition, no internal marks, clean and crisp, with color and b/w reproductions. Participants include Margaret Adams, Scip Barnhart, Jason Barrows, Christine Carr, Edgardo Flores, Cesar Dario Franco, Andreas Fuhrmann, Isabel Kaplan, Klas Koch-Weser, Abel Konya, Datia Landver, Marcelo Legrand, Zygmunt Magner, Garbriel Martinez, Martin Mendizabal, Carlos Montanez, Michael Morgner, Ewa Okolowicz, ANita Pasikowska, Juan Pedro Paz, Flor de Lis Rodriguez, Britta Schulze, Aida Seroussi, Aida Stolar, Helfrfied Strauss, Marek Szymansk and Valentina Torrado.

(48)pp. Prof. illus. Oblong 4to. Wraps. Presentation copy, inscribed by the artist.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 174 pages; Description: 174 p. : ill. (some col. ) ; 28 cm. Subjects: Batuz, (1933-) --Exhibitions -- Art. Exhibition dates: Everson Museum of Art, Syracuse and Onondaga County, New York, May 15-June 14, 1981. "Since the early 1950s, Batuz has produced a body of work, moving from naturalism into abstraction, which gives universally understandable meaning to abstract forms. This book presents the most recent phase of Batuz' passionate commitment to uncompromisingly ontological art, and art that, in the artist words, 'goes from life to being'." --dw. 2 Kg.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 174 pages; Description: 174 p. : ill. (some col. ) ; 28 cm. Subjects: Batuz, 1933- --Exhibitions. Notes: "Exhibition dates, Everson Museum of Art, Syracuse and Onondaga County, New York, May 15-June 14, 1981 . [et al. ]"--p. [15]. 2 Kg.

Hardcover. Condition: Very Good. John Blais - Photography (illustrator). 1st Edition. Hard cover pictorial boards, light wear at corners, otherwise clean and well bound. 9.5 X 10.5" 202 pages, Weight Over 1 Kg, published 2009. For the owners of the award-winning Barcelona Wine Bar and Restaurants in Connecticut, life is a party. In their cookbook they share 115 signature recipes that highlight the simple and clean flavors in their bold cocktails, hot and cold tapas, main dishes, party food, and desserts. There is an entire chapter on Spanish Wines and mixed drinks, menus for tapas parties and a genuine asado (backyard barbecue only way better), information about ingredients and techniques, and stories about their six restaurants and the people they work with. **Bundle Up & Save On Postage**.

Condition: Good. New York: Rizzoli, 1981. 4to hardcover. 174pp. Illustrations. Good book. Very Good dust jacket. In protective mylar cover. (Modern Art, Exhibition Catalogs) Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Softcover, unpaginated; in English and Portuguese; poor condition, crease to spine; wear to covers; foxing to edges of most pages; warmly inscribed, Dated 1979 and signed by Batuz on title page. Foreign shipping may be extra.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran May 27 through June 20, 1982. Text in English and Japanese. With an essay by Rafael Squirru and an artist statement as well. An about good copy in stapled wrappers with some creasing and bumping to the corners and from the Cranbrook Academy of Art Library with their stamp to the verso of the rear cover. Signed and inscribed by Batuz and very scarce thus. Signed.

(36); (36)pp. Prof. illus. 4to. Wraps., bound dos-a-dos. Edition limited to 1600 copies. Texts in German and Spanish.

Hardcover. Condition: Like New. Author (Sasa Mahr-Batuz) inscribed (not personalized) "Enjoy life, food and wine" and signed on the dedication page first edition first printing, as new with Autographed copy sticker to front board. oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

origi.Leinenband mit Schutzumschlag, 4°, 174 Seiten. Schutzumschlag leicht bestossen sonst guter Zustand.

Broschur. Condition: Sehr gut erhalten. 40 + 40 ungez. S. mit 13 + 11 teils farb. Abb.; Texten v. Kornelia von Berswordt-Wallrabe + Walter Schmitz; Vita. Bibliographie. Farb. Orig.-Broschur. Zustand: sehr gut erhalten.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: Sehr gut. 174 S. Ein gutes und sauberes Exemplar. - Since the early 1950s, Batuz has produced a body of work, moving from naturalism to abstraction, which gives universally understandable meaning to abstract forms. Rejecting the purely formal and materialistic aims of most abstract artists in this century, he returns to Kandinsky and other pioneers of the modern movement in his concern for the spiritual in art. This book presents the most recent phase of Batuz' passionate commitment to an uncompromisingly ontological art, an art that, in the artists words, "goes from life to being." The works in paper, begun in early 1979, represent not only an innovation in the use of paper pulp and other natural materials as a painterly medium, but also a new and profound apprehension of human existence as the fundamental issue of art. Born in Hungary, Batuz was forced from his native country by the horrors of World War II and spent several years in refugee camps. After emigrating with his family to Argentina in 1949, the self-taught painter devoted himself to art and the study of philosophy. His home and studio at Villa Gesell, where he worked in isolation for several years, evertically became a vital focus of artistic and intellectual activity in Argentina. Settling in the United States in 1973 instigated a new stage in his development, a more intense and open realization of the possibilities of abstract art that has brought him worldwide attention. ISBN 0847803864 Sprache: Deutsch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag.

Kl.4°, 62 S. kartonierter Einband, illustrierter Umschlag Widmungsexemplar, Steffen Lange, meinem treuesden Mitarbeiter mit Freundschaft Batuz, Altzella 11.04.003 Stichworte: Nossen, Altzella, signierte Bücher Deutsch 300g.

origi. Leinenband mit Schutzumschlag, 4°, 174 Seiten. Mit einer Widmung des Künstlers auf dem Vorsatz. Guter Zustand.

Condition: Sehr gut. 174 S., sehr zahlr. Abb. Ein sehr gutes Exemplar. - englisch. - Since the early 1950s, Batuz has produced a body of work, moving from naturalism to abstraction, which gives universally understandable meaning to abstract forms. Rejecting the purely formal and materialistic aims of most abstract artists in this century, he returns to Kandinsky and other pioneers of the modern movement in his concern for the spiritual in art. This book presents the most recent phase of Batuz' passionate commitment to an uncompromisingly ontological art, an art that, in the artist's words, "goes from life to being." The works in paper, begun in early 1979, represent not only an innovation in the use of paper pulp and other natural materials as a painterly medium, but also a new and profound apprehension of human existence as the fundamental issue of art. Born in Hungary, Batuz was forced from his native country by the horrors of World War II and spent several years in refugee camps. After emigrating with his family to Argentina in 1949, the self-taught painter devoted himself to art and the study of philosophy. His home and studio at Villa Gesell, where he worked in isolation for several years, eventually became a vital focus of artistic and intellectual activity in Argentina. Settling in the United States in 1973 instigated a new stage in his development, a more intense and open realization of the possibilities of abstract art that has brought him worldwide attention. (Klappentext) ISBN 0847803864 Sprache: Deutsch Gewicht in Gramm: 1550 Originalleinen mit Schutzumschlag.

Nürnberg, 1983. 68 pp. B./w. ills. Softcover.

Broschiert. Condition: Sehr gut. Qu.-8°. 62 S., durchgehend illustr. Sehr gutes Ex. - Texte deutsch / engl. - Seit annähernd fünfzig Jahren arbeite ich an der "Interrelation of Forms", womit ich einen Beitrag für die Bildenden Künste leistete. 1984 gründete ich die Societe Imaginaire, um diese Idee auf alle Gebiete der Geisteswissenschaften zu übertragen. 1993 habe ich das Working Center in Altzella gegründet, um die in allen diesen Jahren gewonnenen Erkenntnisse in der Praxis umzusetzen. In "no mas fronteras" wende ich alle die oben erwähnten Erfahrungen in ihrer Gesamtheit an, um an den Konflikt-Grenzen, wo auch immer sie sich in der Welt befinden, zu einem tieferen Verständnis unter den Völkern beizutragen. Ich erwarte von den Lesern keine uneingeschränkte Zustimmung, jedoch eine große Aufmerksamkeit beim Lesen, damit sich jeder des Begriffs der Grenze bewußt wird und darüber nachdenkt, wie man gemeinsam und kreativ dieses wichtige Problem unserer Zeit lösen kann. Seit unvordenklichen Zeiten hat der Mensch um sich herum Schutzmauern und Hindernisse errichtet, um sein Habitat und seine Kultur von anderen abzugrenzen. Diese Grenzen waren vermutlich sowohl nach innen als auch nach außen gerichtet und konnten entweder einer defensiven oder aggressiven Funktion dienen. Immer waren diese Grenzen aber zugleich Orte und Ausgangspunkte für Konflikte und kriegerische Auseinandersetzungen. Im Verlaufe der Jahrhunderte hat sich der Begriff der Grenze gewandelt und relativiert. In der frühen Vergangenheit war den Menschen nur ihre unmittelbare Grenze wichtig und zugänglich. Heute, im Zeitalter der Globalisierung und Hochtechnologie, sind die Grenzen einerseits perfekt gesichert, andererseits aber sind sie durch die totale Kommunikation auch transparent geworden. (Durch die Illustrationen auf beiden Seiten möchte ich nicht nur den Text veranschaulichen, sondern uns gleichzeitig die vielfältigen Bedeutungen des Begriffs Grenze bewußt machen. Von der Chinesischen Mauer zu Kleingärten, vom Limes über die Maginotlinie bis hin zu einer zerbrochenen Schieferplatte eines Gehwegs in Potsdam. Oder auf die Ähnlichkeit eines mit Asphalt gefüllten Risses einer Straße in Uruguay zu den endlosen Stacheldrahtzäunen des Eisernen Vorhangs aufmerksam machen.) Sprache: Deutsch Gewicht in Gramm: 700.