Language: English
Published by Paris: Edition Mennour, 1999, 1999
ISBN 10: 2914171005 ISBN 13: 9782914171007
Seller: Atlantic Bookshop, Brooklyn, NY, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. 4to, flapped card covers, 57-[60]pp. Exhibition catalogue for the '99/'00 show at Galerie Kamel Mennour. VG+: covers lightly rubbed at the edges; binding sound; text and illustrations clean and presentable.
Language: English
Published by Galerie Kamel Menour, Paris, 2000
ISBN 10: 2914171005 ISBN 13: 9782914171007
Seller: Il Salvalibro, Foligno, PG, Italy
paperback. Condition: Very Good. 2nd Edition - 2éme édition novembre 2000. Ce catalogue a été édité à l'occasion de l'exposition PETER BEARD - "28 pièces" à la Galerie Kamel Mennour, PARIS. Du 9 décembre 1999 au 28 février 2000. Brossura originale, paginazione mancante, ma di circa 60 pagine completamente illustrate a colori. Copia in ottime condizioni, solo una firma a pennarello in apertura; spedizione in 24 ore dalla conferma dell'ordine. Book.
Language: English
Published by Edition Mennour, Paris, 2000
ISBN 10: 2914171005 ISBN 13: 9782914171007
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Soft cover. Condition: Fine. 2nd Edition. Second edition. Soft cover. Photographically illustrated wrappers with French folds. Photographs and mixed-media works by Peter Beard. Essay (in English and French) by Jérôme Sans. Includes a biography and a list of plates (in French). Unpaginated (60 pp.), with four-color plates throughout. 10-5/8 x 8-1/8 inches. Published on the occasion of a 2000 exhibition at Galerie Kamel Mennour, Paris. Fine. From the essay by Jérome Sans: "Like Russian dolls, (Peter Beard's) photographs often set his own work in perspective, progressively opening from 'portals.' Like a hypertext. His work can be seen as so many pages of a diary that he writes on his daily life, but which cannot be read sequentially in time. They are scenarios of instants and instincts that can subsequently be arranged in any order, like vocabulary components developing new meanings according to their confrontation.".