Beauvarlet Jacques (26 results)

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Quart (30,7 x 223,3 cm), 27, (1) Seiten, 1977,Roter illustr. Original-Karton . , (VNr. 97.5404), 150 Gramm1734-1794. - Erstausgabe nach einer Vorlage im Britischen Museum in London. - Mit Registrier-Vorschlägen. - Druckfrisch.

Condition: new. Expédition le jour même. Libraire depuis 27 ans. Envoi soigné avec suivi.

Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces, one being a set housed in the original paper box with "Crumiere / Paris" paper label, and annotations on the box top in manuscript ink noting French film title and "B. Bardot," the other being nearly 100 smaller photographs elegantly presented mounted on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper, and an affixed paper title label featuring the film's poster art of Bardot. Several photographs with series number on the verso in manuscript pencil, a few with rubber-stamps crediting film title and starring actors, and photos in notebook numbered at the edges prior to being printed. Bardot is seen in nearly every image, highlighting an array of hairstyles and costumes, scenes in the pilot's cockpit, snacking between takes, dancing, being curious at galas. Contact sheets, glamour portraits of Madeleine Lebeau, action sequences of bar fights, and on-the-set images are equally prominent. Negatives show costume design illustrations for men in military uniforms. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Photographs in large quarto notebook 4 x 5 inches to 8 x 10.5 inches, mounted on thick stock. Boxed photographs 4.75 x 7 inches to 9.25 x 11.75 inches, with 3 medium-format negatives, 3.5 x 4.5 inches. Photographs Near Fine overall, light curling, a handful with short creases, negatives Very Good, notebook Very Good plus, box Very Good.

Partition manuscrite in-folio brochée (26 x 35 cm) de 16 pp. à 12 portées par page à l'encre brune. Paroles et musique manuscrites copiées à l'époque de sa composition de la "Bataille d'Austerlitz" écrite pour "forte piano" - le terme désigna les premiers pianos fabriqués avant 1830 devenus piano-forte puis piano - et précédée d'un avis de l'auteur : Bataille d'Austerlitz, donnée le II frimaire an 14 (2 décembre 1805). Jour à jamais mémorable où l'Empereur Napoléon et la grande armée composée de 80 000 combattants au plus se sont couverts d'une gloire immortelle, en détruisant en moins de 4 heures de tems une grande partie des armées Russe et Autrichienne fortes de 105 000 hommes, dont 30 000 furent faits prisonniers. Les empereurs d'Autriche et de Russie durent leur salut à une prompte fuite. La nuit que précéda cette fameuse batailles, la grande armée célébra par un mouvement spontané l'anniversaire de couronnement de notre invincible et inimitable Empereur qui bivouaquait au milieu d'elle : des feux de joie et une illumination subite brilla à chaque bayonnette ; pendant quelques instans, toute la contrée fut éclairée, et les ennemis furent témoins de l'enthousiasme de nos braves guerriers.Fils du plus grand organiste français de la fin du XVIIIe siècle, Jean-Jacques Beauvarlet-Charpentier, Jacques-Marie Beauvarlet Charpentier (1766-1834) commença sa carrière comme organiste à Saint-Paul dans le Marais. Avec la fermeture des églises pendant la Révolution, il joua pour les Théophilanthropes et aussi au Temple de la Reconnaissance. Après le 18 Brumaire, il flatta le régime en composant non seulement la Bataille d'Austerlitz mais aussi une Cérémonie du couronnement de sa majesté l'empereur (1804). Il fut aussi marchand d'instruments et éditeur de musique, mais cette activité s'arrêta en 1821. Il composa 50 chansons et romances, dix grandes oeuvres programmatiques, de la musique d'église et un opéra court Gervais ou Le Jeune Aveugle qui fut représenté en 1802 au Théâtre des Jeunes Artistes pendant sept mois (napoleon.org).Ex-libris manuscrit à l'encre du temps « appartenant à Melle Adelle Adam ».

Noten. Condition: Neu. Neuware.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1828 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 30 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: zxx.

Two original uncut Japanese stamp sheets for the 1957 French-Italian film. Bardot is amply represented in red and green variants, 10 stamps per sheet, also with an image of the Eiffel Tower. Produced by the Towa Corporation (Japan) with "BB" and film titles in Japanese represented. The film was released in Japan in December, about one week after the French premiere. Scarce and cool Bardot ephemera, and a unique Japan-France collaboration, circa 1957-1958. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Sheets 4.5 x 8 inches, stamps 1.25 x 1.75 inches. Very Good plus overall, with a little light handling and toning.

Acquaforte, dimensioni alla battuta mm. 365x265. Scena fiamminga raffigurante alcuni uomini che giocano al tric-trac. Dedicatoria e stamma incisi al marg. inf.

Condition: Good. Engraving. 47 x 59 cm (sheet). Good, light speck of foxing throughout, losses to face of sitter on far left, surface soiling.

Dimension extérieur 43,5 x 31,5 cm, cuvette 38 x 28 cm. Très belle eau forte du XVIII ème siècle, peinte par François Boucher (1703-1770) et gravée par Jacques Firmin Beauvarlet. Dans un très bel état, on peut simplement observer quelques tâches très légères (voir photos). Cette gravure nous offre un aperçu idéal des costumes de l'époque. Français François Boucher, peintre français du XVIII ème siècle, est un fervant adepte du style rococo, un mélange du style rocaille et baroque de la fin du 18 ème. Jacques Firmin Beauvarlet était un graveur français principalement réputé pour ses portraits.

Francois-Hubert Drouais (illustrator). 'PEINT PAR DROUAIS LE FILS ET GRAVE PAR BEAUVARLET.'Portrait of the Children of the Duke of Bethune.Made by Jacques-Firmin Beauvarlet after Francois-Hubert Drouais.Medium: Engraving on hand laid (verge) paper.Sheet size: 49.2 x 37 cm (19.37 x 14.57 inch). Image size: 47 x 30.6 cm. (18.5 x 12.05 inch).PORTRAIT-CHILDREN-DUKE OF BETHUNE-PUG-GUITAR | PORTRAIS - MISCBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Jacques Firmin Beauvarlet (1731-1797), a celebrated engraver, was born at Abbeville in 1731. He went to Paris when young, and was instructed in the art by Charles Dupuis and Laurent Cars. His first manner was bold and free, and his plates in that style are preferred by some to the more finished and highly-wrought prints that he afterwards produced, although it must be confessed that the latter are executed with great neatness and delicacy. Beauvarlet married, in 1761, Catherine Jeanne Françoise Deschamps, a young lady who possessed some skill in engraving, but who died in 1769 at the age of thirty-one. He married again in 1770, but became for a second time a widower in 1779. Eight years later, in 1787, he married Marie Catherine Riollet, who, like his first wife, was an engraver. She was born in Paris in 1755, and is said to have died in 1788. Beauvarlet himself died in Paris in 1797.Biography artist: Francois-Hubert Drouais (1727-1775) was a leading French portrait painter during the latter years of Louis XV's reign. His clientele included the French royal family and nobility, foreign aristocracy, fermiers-generaux (tax farmers), and the wealthier members of Parisian society and their favourites. But it was his increasing popularity at the French court that expanded his clientele and made his portraits a fashionable necessity. Drouais's work was admired during his lifetime, and his popularity and clientele did not diminish from the occasional adverse judgement published in Salon reviews. Condition: good, given age. Several small tears in paper edges backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jean-Baptiste Greuze (illustrator). 'LA MAMAN / [.] A PARIS CHEZ BEAUVARLET RUE SAINT JACQUES VIS-A-VIS CELLE DES MATHURINS'Domestic scene with a mother feeding two young children who quarrel over a spoonful; rustic interior, cat on table at right. Made by Jacques Firmin Beauvarlet after Jean-Baptiste Greuze.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 38.2 x 50.1 cm (15.04 x 19.72 inch). Image size: 33.3 x 44.2 cm. (13.11 x 17.4 inch).JEAN-BAPTISTE GREUZE, JACQUES FIRMIN BEAUVARLET, FRENCH ENGRAVING, GENRE SCENE, 18TH CENTURY, SENTIMENTAL ART, MOTHERHOOD | PCO-EXPO (FRENCH)BACKGROUND INFORMATIONPublished in Paris by Beauvarlet, Rue Saint Jacques. Based on a drawing in the Damery Collection.Reference: IFF 50; Smith 155; Louvre inv. 6367 LR; BM 1917,1208.1287.Biography engraver: Jacques Firmin Beauvarlet (17311797) was a French engraver known for his elegant and expressive reproductive engravings. He frequently collaborated with painters like Greuze and Boucher, and also published prints.Biography artist: Jean-Baptiste Greuze (17251805) was a French painter and draughtsman known for his moralizing genre scenes and sentimental depictions of family life. He was a major figure in pre-Revolutionary academic art. Condition: very good, given age. Light age toning and foxing; strong impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Archive of 224 vintage borderless single weight keybook contact sheets and film stills, amounting to nearly 2000 numbered images, for the 1962 French-Italian film, here under the original French title. The entire film is represented in minute detail, along with test shots, set design shots, and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope, noting on the front in manuscript red ink, "Cinedis" and "C.Hesse," the film distributor and still photographer, and "A refreuda" in manuscript red pencil. 153 photographs are keybook contact sheets, nearly all with 12 images per photograph (several with 36), each image with a series number, and photos crediting at the top the photo laboratory Tele-Photo, production studio France Cinema, film title, and photographer (Hesse, Beauvarlet). Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos but went uncredited at the film's release. The archive also extensively features actress Dany Saval, in film scenes answering the phone, in heated moments with male cast members (including some stunningly low-lit images that echo film noir themes), showcasing the variety of hair and clothing styles seen on Saval throughout the film. Based on Annette Wademant's screenplay, one of twelve written by Wademant for director Boisrond. Bernard (Poiret) is a new publisher who falls in love with Sophie (Saval), but their foolish love nearly destroys them and his job. Keybook photos range from 8.25 x 10.75 to 9.25 x 11.75 inches, three slightly smaller, all but ten are 2-hole punched; film stills 7 x 9.25 inches. Very Good overall, with moderate curling, light edgewear, a handful with slight discoloration.

Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots, set design shots, and many candid moments from the set, including dramatic high-contrast images of starring actors, Bardot amply represented in the collection and seen in nearly every image, off-camera with the cast and crew, spinning records on a portable player, and traveling by plane and train. Most keybook photos with 12 images per sheet, and a few have been trimmed to only a few images per sheet, amounting to over 1700 images captured. Nearly all images with series number bordering the image, but unlike similar examples from France, all sheets lack credits for the photo laboratory, film studio, film title, and often, the photographer. A few with layout annotations in manuscript pencil on the image, a few with brief annotations on the verso in manuscript ink, and two loose photographs with ditto-style mimeo snipes on the verso, crediting original title, Boyer, Vidal, Bardot, and Boisrond. Housed in a blue paper 2-ring binder with French title mounted on the front with cello tape. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Most keybook contact sheets and 3 loose photos 7 x 9.25 inches, binder slightly larger, and 5 loose photos 5 x 7 inches. A few contact sheets are cropped slightly smaller, and all are 2-hole punched. Very Good Plus overall, keybook photos rubbed.

Francois Boucher (illustrator). 'LA CHASSE / TIRE DU CABINET DE MONSIEUR VASSAL DE ST HUBERT / APARIS, CHES BEAUVARLET, RUE DU PETIT BOURBON, ATTENANT LA FOIRE ST GERMAIN'A playful hunting scene where a young man and two women hide in the bushes near a trap, waiting for birds to gather. Set in a lush forest, with a statue of putti above. Rococo-style composition.Made by Jacques Firmin Beauvarlet after Francois Boucher.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 37 x 50.8 cm (14.57 x 20 inch). Image size: 37 x 50.8 cm. (14.57 x 20 inch).ROCOCO, HUNTING, GENRE SCENE, BOUCHER, BEAUVARLET, 18TH CENTURY FRENCH PRINT, PASTORAL, LA CHASSE | PCO-B2-40BACKGROUND INFORMATIONAfter a 1766 painting by Francois Boucher. Companion piece to 'La Peche'. Originally in the collection of Vassal de Saint-Hubert.Reference: Jean-Richard 1978, no. 292; IFF (Inventaire du Fonds Français) no. 80.Biography engraver: Jacques Firmin Beauvarlet (1731-1797) was a French engraver known for reproductive engravings of Rococo paintings. He often collaborated with artists like Boucher and Van Loo.Biography artist: Francois Boucher (1703-1770) was a major French Rococo painter known for pastoral and mythological subjects. He served as First Painter to Louis XV and was admired for his ornate, playful style. Condition: very good, given age. Light foxing, creasing and soiling. . General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jean Honore Fragonard (illustrator). '"FRAGONARD PINX."; "BEAUVARLET SCULP."; "LE COLIN-MAILLARD."; ADDITIONAL TEXT IN FRENCH BELOW.'Depicts a romantic playful scene where a blindfolded young woman, likely engaging in a game, is guided by a man. Children are also involved in the scene, surrounded by a lush garden.Made by Jacques Firmin Beauvarlet after Jean Honore Fragonard.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 29.8 x 44 cm (11.73 x 17.32 inch). Image size: 27 x 40 cm. (10.63 x 15.75 inch).BEAUVARLET, FRAGONARD, ETCHING, ENGRAVING, LE COLIN-MAILLARD, FRENCH ART, ROCOCO. | PCO-B8-08BACKGROUND INFORMATIONPublished in Paris by Beauvarlet, Rue St. Jacques, opposite Rue des Mathurins, late 18th.c.Reference: Portalis 43; 1988 Rosenberg 5.Biography engraver: Jacques Firmin Beauvarlet (1731-1797) was a prominent French engraver, known for his finely detailed reproductions of popular paintings, particularly those of the Rococo period. He collaborated with many leading artists of his time, engraving works that often depicted light-hearted, romantic, or domestic scenes typical of the 18th-century French artistic style.Biography artist: Jean Honore Fragonard (1732-1806) was one of the most famous painters of the French Rococo era, known for his exuberant and romantic style. His works often feature playful, light-hearted scenes of love and flirtation, with a mastery of color and light. Condition: very good, given age. Light creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

2. Paris, Chez Beauvarlet-Charpentier, professeur, Boulevard Possonnière, (address printed on tipped-on label) s.d. (ca. 1815) , format 32 x 24 cm, title + 9 pp of engraved music. Plate Number 26.

Condition: Fair. Jean François de Troy (illustrator). 'Retour du bal, Tiré du Cabinet de monsieur Prousteau [.] la rue des Mathurins.'Etching / engraving on hand laid (verge) paper. Sheet size: 35,2 x 48 cm. (13,9 x 18,9 inch). Image size: 35 x 47,8 cm. (13,8 x 18,8 inch).This attractive print was made after a lost painting by Jean François de Troy. Advertised in 'Mercure', July 1758 and pair to a pendant called "Before the Ball", De Troy exhibited this painting under the title Le retour du bal at the Salon in 1737, along with its companion piece La toilette. Both were in the Cabinet Prousteau at the time of the sale of June 5, 1769. The execution of the print was announced in July 1758 in the Mercure de France (t. 1, p. 166) and originally published by Beauvarlet. This print was printed in Paris : Chez Marcel rue St. Julien no.12 pres la rue St. Jacque, [ca. 1758], Ref: The British Museum.Made by 'Jacques Firmin Beauvarlet' after 'Jean François de Troy'. Jacques Firmin Beauvarlet (1731-1797), was a French printmaker, publisher/printer and leader of the so-called 'Abbeville' school of engravers. He moved to Paris in 1750. In 1762, he was appointed Graveur du Roi and was approved (agre?e?) by the Acade?mie Royale. Jean François de Troy (1679-1752), was a French painter/draughtsman, specialised in domestic scenes and Fêtes Galantes, son of François. Director of the French Academy in Rome 1738-52.Condition: Fair, given age. Trimmed near the image. Print attached to carrier sheet. Paper damaged at top right, middle (dress of lady) and left top and candle. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: RETURM FROM BALL - CLOAK - GOWN - CANDLESTICK - CANDLES - FIREPLACEPCO-A6-07.

Jacques Firmin Beauvarlet, geboren 1731 in Abbeville; gestorben 1797 in Paris. Charles André van Loo (Carle Vanloo), geboren 1705 in Nizza; gestorben 1765 in Paris. Original-Kupferstich von Jacques Firmin Beauvarlet nach Charles André van Loo. Unter Abbildung bezeichnet: 'Lecture Espagnole. Dessine et Grave par J. Beauvarlet, Graveur d'apres le Tableau peint par Carle Vanloo, Peintre. A Paris chez l'Auteur' Um 1760. Maße Blatt: 58,0 x 44,4 cm. Maße Platte/Abbildung: 56,0 x 42,5 cm. Blatt wenig fleckig, Randbereich mit teils hinterlegten kleinen Einrissen. Gutes bis sehr gutes Exemplar. Original copper engraving by Jacques Firmin Beauvarlet from about 1760 after Charles André van Loo. Measure sheet: 58,0 x 44,4 cm. Measure image: 56,0 x 42,5 cm. Sheet lightly spotted, border area with little taers, partly taped, otherwise nearly fine condition.

Condition: guter Zustand. Kupferstich, nach Jean Francois de Troy (1679-1752), auf Bütten. Mit Wasserzeichen. 49:37 cm. - Rundum nahezu auf die Plattenkante geschnitten, mit Lichtrand rundum, verso an den Rändern Reste einer alten Montierung sowie kleine Randläsuren. Literatur: Nagler, Bd. 1, S. 353; Dairaine 86; Hennin 6879. Noch gutes Exemplar der reizvollen Darstellung, die das gesellschaftliche Leben in der zweiten Hälfte des 18. Jahrhunderts anschaulich schildert.

Bildmaß der Darstellung ca. 46 x 34 cm, Blattmaß ca. 54 x 41 cm. Alt unter Glas gerahmt ( Rahmenmaß ca. 57 x 44 cm ( ungeöffnet ). Das Blatt ist stärker gebräunt, im Außenrand teils gering fleckig, der Rahmen ist etwas bestoßen und gering beschädigt. ( Bitte beachten: Hier ist leider wegen Bruchgefahr nur ein ausgerahmter Versand ohne Rahmen und Glas möglich - wenn der Rahmen gewünscht wird, so bitte ich um Selbstabholung nach Absprache ) ( Lagerort Klassiker-Regal, Fach 9 unten ) ( Die kleine Lichtreflexion auf dem eingestellten Pic bitte ich sich wegzudenken, diese ist nicht auf dem Stich vorhanden ) Weitere Bilder auf Anfrage ) / Artikel 24149 /// Image size approx. 46 x 34 cm, sheet size approx. 54 x 41 cm. Framed in an antique style under glass (frame size approx. 57 x 44 cm (unopened)). The sheet is heavily browned, with some minor spotting along the outer edges. The frame is slightly chipped and damaged. (Please note: Due to the risk of breakage, shipping is only possible unframed, without glass. If you require the frame, please arrange for collection in person.) (Storage location: Classics shelf, compartment 9, bottom) (Please disregard the small light reflection in the attached image; it is not present on the print.) Further images available upon request. / Item 24149 /// Dimensions de l'image: env. 46 x 34 cm; dimensions de la feuille: env. 54 x 41 cm. Encadrée sous verre, style ancien (dimensions du cadre: env. 57 x 44 cm, non ouvert). La feuille est fortement brunie, avec quelques petites taches sur les bords. Le cadre est légèrement ébréché et abîmé. (Attention: en raison du risque de casse, l'expédition se fera uniquement sans cadre ni verre. Si vous souhaitez recevoir le cadre, veuillez venir le récupérer sur place.) (Emplacement: étagère «Classiques», compartiment 9, en bas) (Veuillez ignorer le léger reflet visible sur la photo jointe; il n'est pas présent sur l'estampe.) Photos supplémentaires disponibles sur demande. / Article 24149.

Bildmaß der Darstellung ca. 46 x 34 cm, Blattmaß ca. 54 x 41 cm. Alt unter Glas gerahmt ( Rahmenmaß ca. 57 x 44 cm ( ungeöffnet ). Das Blatt ist stärker gebräunt, im Außenrand teils gering fleckig, der Rahmen ist etwas bestoßen und gering beschädigt. ( Bitte beachten: Hier leider wegen Bruchgefahr nur ausgerahmter Versand möglich - wenn der Rahmen gewünscht wird, so bitte ich um Selbstabholung nach Absprache ) ( Lagerort Klassiker-Regal, Fach 9 unten ) ( Weitere Bilder auf Anfrage ) / Artikel 24150 /// Image size approx. 46 x 34 cm, sheet size approx. 54 x 41 cm. Framed under glass (frame size approx. 57 x 44 cm (unopened)). The sheet is heavily browned, with some minor spotting along the outer edges; the frame is slightly chipped and damaged. (Please note: Due to the risk of breakage, shipping is only possible unframed. If you would like the framed artwork, please arrange for collection in person.) (Location: Classics shelf, compartment 9, bottom) (Further images available upon request) / Item 24150 /// Dimensions de l'image: env. 46 x 34 cm; dimensions de la feuille: env. 54 x 41 cm. Encadrée sous verre (dimensions du cadre: env. 57 x 44 cm (non ouvert)). La feuille est fortement brunie, avec quelques petites taches sur les bords extérieurs; le cadre est légèrement ébréché et abîmé. (Attention: en raison du risque de casse, l'expédition se fera uniquement sans cadre. Si vous souhaitez recevoir l'uvre encadrée, veuillez venir la récupérer sur place.) (Emplacement: étagère «Classiques», compartiment 9, en bas) (Autres photos disponibles sur demande) / Article 24150.

Kein Einband. Condition: Gut bis sehr gut. Dust Jacket Condition: Kein Schutzumschlag. In der Platte bezeichnet. Blatt in der Sammlung der Albertina Wien vorhanden. Kleine Alters- und Lagerungsspuren, verso schwach fleckig, wasserfleckig.# Zeitraum: 1700-1799 Niederlande Portrait Gesellschaft Alter Meister.

Leather Bound. Condition: New. Language: Musical Notes. {Size: 19.68 x 24.13 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2017, utilizing the invaluable guidance of the original edition published many years ago in 1812. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Musical Notes, Pages:- 25, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 25.

Full Leather Bound. Condition: NEW. Language: Musical Notes. {Size: 19.68 x 24.13 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [1812] and this unique edition is Reprinted in 2017 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Musical Notes, Pages 25, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. 25.