Beech Carol (50 results)

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

paperback. Condition: Fine. Our Like New books are generally New, but we do not have an invoice from publishers therefore have to list as Like New rather than New. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Shows some signs of wear but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Condition: Good. No Jacket. Beech, Carol (illustrator). Library stamps and pocket. No interior tears but some soiling, dog-ear. Pages are bound tight but the exterior spine is coming apart, torn.

Cloth. Condition: Fair. Dust Jacket Condition: Poor. Carol Beech (illustrator). Yellow cloth binding. Color illustration on dj. Black and white illustrations. 143 pages. Chapter book. Some water damage to pages. Dj raggedy, torn and taped in places. Dj stained.

Hardcover. Condition: Good. Dust Jacket Condition: Good +. CAROL BEECH (illustrator). Good clean firm interior with no stains or usage marks but please note five of the numerous illustrations have been neatly coloured-in, one of which just very slightly, also child's name inscribed to front e/paper in crayon, small black crayon-mark to edge of prelim, immaculate boards; d/j vg condition generally for the age with no tears or nicks just two faint crayon marks to lower rear and light shelfwear, covered with a removable sleeve-protector and unclipped./.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Beech, Carol (illustrator). 1st Printing. Second annual Frankliln Watts Fiction Award winner. Inscription reads, "For June -- Whose interest flatters me -- since she is a real collector of children's literature ~ because I hope she remembers ~ as I do her ~ Gene Inyart Namovicz." The June she dedicates this book to is June (Holmquist) St. John, best friend of June Roethke, the sister of the famous poet, Theodore Roethke. Inscribed by Author(s).

Hardcover. Condition: Good. No Jacket. Carol Beech (illustrator). Please see any and all photos connected with this listing. No Dustjacket. A bit scuffed but all pages intact and legible. Good reading copy. Clean. No store stamps. --- CHILDREN'S FICTION ---See photos for additional content. . .

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. This book offers an interdisciplinary analysis of the social practice of taste in the wake of Pierre Bourdieus sociology of taste. For the first time, this book unites sociologists and other social scientists with artists and curators, art theorists and art educators, and art, design and cultural historians who engage with the practice of taste as it relates to encounters with art, cultural institutions and the practices of everyday life, in national and transnational contexts.The volume is divided into four sections. The first section on Taste and art, shows how art practice was drawn into the sphere of good taste, contrasting this with a post-conceptualist critique that offers a challenge to the social functions of good taste through an encounter with art. The next section on Taste making and the museum examines the challenges and changing social, political and organisational dynamics propelling museums beyond the terms of a supposedly universal institution and language of taste. The third section of the book, Taste after Bourdieu in Japan offers a case study of the challenges to the cross-cultural transmission and local reproduction of good taste, exemplified by the complex cultural context of Japan. The final section on Taste, the home and everyday life juxtaposes the analysis of the reproduction of inequality and alienation through taste, with arguments on how the legacy of ideas of good taste have extended the possibilities of experience and sharpened our consciousness of identity.As the first book to bring together arts practitioners and theorists with sociologists and other social scientists to examine the legacy and continuing validity of Pierre Bourdieus sociology of taste, this publication engages with the opportunities and problems involved in understanding the social value and the cultural dispositions of taste after Bourdieu. It does so at a moment when the practice of taste is being radically changed by the globa This book considers the legacy of Bourdieus sociology of taste and the ideas on art and aesthetics that informed it. It employs an interdisciplinary framework and international perspective that includes contributions from arts practitioners, sociologists, philosophers, museum directors, curators, design historians and art historians from Asia, Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: New.

Condition: New. pp. 386.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 386.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In.

Condition: New. pp. 386.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. This book offers an interdisciplinary analysis of the social practice of taste in the wake of Pierre Bourdieus sociology of taste. For the first time, this book unites sociologists and other social scientists with artists and curators, art theorists and art educators, and art, design and cultural historians who engage with the practice of taste as it relates to encounters with art, cultural institutions and the practices of everyday life, in national and transnational contexts.The volume is divided into four sections. The first section on Taste and art, shows how art practice was drawn into the sphere of good taste, contrasting this with a post-conceptualist critique that offers a challenge to the social functions of good taste through an encounter with art. The next section on Taste making and the museum examines the challenges and changing social, political and organisational dynamics propelling museums beyond the terms of a supposedly universal institution and language of taste. The third section of the book, Taste after Bourdieu in Japan offers a case study of the challenges to the cross-cultural transmission and local reproduction of good taste, exemplified by the complex cultural context of Japan. The final section on Taste, the home and everyday life juxtaposes the analysis of the reproduction of inequality and alienation through taste, with arguments on how the legacy of ideas of good taste have extended the possibilities of experience and sharpened our consciousness of identity.As the first book to bring together arts practitioners and theorists with sociologists and other social scientists to examine the legacy and continuing validity of Pierre Bourdieus sociology of taste, this publication engages with the opportunities and problems involved in understanding the social value and the cultural dispositions of taste after Bourdieu. It does so at a moment when the practice of taste is being radically changed by the globa This book considers the legacy of Bourdieus sociology of taste and the ideas on art and aesthetics that informed it. It employs an interdisciplinary framework and international perspective that includes contributions from arts practitioners, sociologists, philosophers, museum directors, curators, design historians and art historians from Asia, Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New.

Paperback. Condition: Brand New. 363 pages. 9.00x6.00x1.00 inches. In Stock.

Condition: New.

Taschenbuch. Condition: Neu. The Persistence of Taste | Art, Museums and Everyday Life After Bourdieu | Malcolm Quinn (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2019 | Routledge | EAN 9780367877903 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardcover. Condition: Used; Like New. Dispatched, from the UK, within 48 hours of ordering. This book is in mint condition. Both the pages and the cover are completely intact, without zero sign of previous usage.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Carol Beech (illustrator). 1st Edition. 8vo. Hardcover. Green cloth with picture of doll on front cover. 112pp. B&w illustrations. 1st edition. Dust jacket has a bit of foxing. Two very short tears, but no chips. Price-clipped. Scarce.

Condition: As New. Unread book in perfect condition.

Condition: New.