Bengt Tornvall (11 results)

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Very Good. Dust Jacket Condition: Published Without Dust Jacket. 160 pp. Tightly bound. Light ding to the tip of one corner. Text is free of markings. No ownership markings. No remainder mark. Published without dust jacket. PLEASE NOTE: Book still in the original publisher shrink wrap.…

Hardcover. Condition: Very Good+. Dust Jacket Condition: No Dust Jacket As Issued. Text clean and tight; no dust jacket; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 160 pages.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Size: 9.75"x12", 160pp., illus in colour. As new, clean, tight & bright condition / published without dust jacket.

Hardcover. Condition: New in shrinkwrap. Color-illustrated boards with white lettering. 160 pp. Color illustrations, portraits. Published in conjunction with the exhibition held at Edsvik Konsthall, Sollentuna, Stockholm, October 1 to December 31, 2011.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: New. For a painter who took his earliest bearings from Rembrandt, and who has defiantly espoused the values of old master painting, the self-portrait is a natural enough genre to pursue. For Odd Nerdrum, the attractions of self-portraiture run much deeper, however. Nerdum has frequently alluded to the "conflicted preoccupation with origins and personal identity" that his paintings express, and traces this preoccupation to his discovery that his father was not the father he had known growing up, but a previous lover of his mother's. Also abandoned by his mother at an early age, he recollects of his early years: "I was a beggar in a world ruled by others. The person I found in the mirror was myself, I saw myself reflected in my own eyes, not those of others." Nerdrum's difficult childhood and the isolation he has endured as a painter have greatly intensified the relevance of the self-portrait, a genre at which he has excelled, and for which he has become particularly well known. This volume collects Nerdum's self-portraits for the first time, with more than 100 color reproductions.…